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Gentle Giant|The Power and the Glory

The Power and the Glory

Gentle Giant

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The group's first U.S. release in two years featured ornate playing from Kerry Minnear on keyboards and Gary Green's loudest guitar work up to that time. The Power and the Glory is also a fairly dissonant album, yet it made the charts, albeit pretty low. There seems to be a unifying theme having to do with one's place in the social order, but it's very vague in contrast to Pink Floyd's re-creations of the post-'60s drug experience, Yes' sweeping album-length suites, and ELP's sci-fi epics. "No God's a Man" is an infinitely more challenging piece of music than anything on Jethro Tull's Aqualung, but that wasn't a commercial virtue; nor could the electric violin break on "The Face" or the rippling electric guitar passages throughout cover the effort involved in absorbing these songs. The Power and the Glory vaguely resembled Genesis' early art-rock albums, but without any presence as charismatic as Peter Gabriel. "Playing the Game" and "So Sincere" were the most accessible tracks and ended up as key parts of their concert set.
© Bruce Eder /TiVo

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The Power and the Glory

Gentle Giant

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1
Proclamation
00:06:48

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

2
So Sincere
00:03:50

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

3
Aspirations
00:04:39

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

4
Playing the Game
00:06:46

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

5
Cogs in Cogs
00:03:08

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

6
No God's a Man
00:04:27

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

7
The Face
00:04:11

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

8
Valedictory
00:03:23

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

9
The Power and the Glory
00:02:57

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

10
Intro '74
00:02:32

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

11
Proclamation (Live 1975) (Bonus Track)
00:05:14

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

12
Aspirations (Radio Session 1974 ) (Bonus Track)
00:04:57

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

13
Cogs in Cogs (Live 1975) (Bonus Track)
00:03:19

Gentle Giant, Performer - Derek Shulman, Composer, Writer - Ray Shulman, Composer, Writer - Kerry Minnear, Composer, Writer

Gentle Giant Alucard Publishing Limited

Chronique

The group's first U.S. release in two years featured ornate playing from Kerry Minnear on keyboards and Gary Green's loudest guitar work up to that time. The Power and the Glory is also a fairly dissonant album, yet it made the charts, albeit pretty low. There seems to be a unifying theme having to do with one's place in the social order, but it's very vague in contrast to Pink Floyd's re-creations of the post-'60s drug experience, Yes' sweeping album-length suites, and ELP's sci-fi epics. "No God's a Man" is an infinitely more challenging piece of music than anything on Jethro Tull's Aqualung, but that wasn't a commercial virtue; nor could the electric violin break on "The Face" or the rippling electric guitar passages throughout cover the effort involved in absorbing these songs. The Power and the Glory vaguely resembled Genesis' early art-rock albums, but without any presence as charismatic as Peter Gabriel. "Playing the Game" and "So Sincere" were the most accessible tracks and ended up as key parts of their concert set.
© Bruce Eder /TiVo

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