Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Accentus - Laurence Equilbey|The Freischütz Project

The Freischütz Project

Laurence Equilbey

Livret numérique

Disponible en
24-Bit/96 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

The historical-performance movement has moved profitably into the 19th century, but the music of Carl Maria von Weber has so far mostly not benefited from such treatment. The present recording is not the very first historically informed performance of his masterwork, the opera Der Freischütz, but when this release appeared in 2021, there hadn't been one for at least 15 years. The title The Freischütz Project does not really mean anything; what listeners get here is a set of excerpts from the opera, linked to but recorded independently of a 2019 Paris production and featuring the same performers. The physical album comes packaged with a DVD containing actual scenes from the production, but listeners may do well with the CD itself, for it is the instrumental sounds that are the chief attraction. The cast, led by powerhouse soprano Johanni van Oostrum as Agathe, is solid, but for the real revelations, listen above all to the "Wolf's Glen" scene in the second act. It is always the center of this opera, but here, it produces a genuinely uncanny sound with the creaking low brass and other supernatural effects. It's not just the brass and winds, though, that are distinctive; hear the chattering, scraping strings in "Schau', der Herr mich an als König," from the first act. It's not clear from the notes exactly what instruments, strings, and bows were used and how much is the contribution of the instrumentalists of the Insula Orchestra or conductor Laurence Equilbey, but whatever the case, the sound world of the opera holds together solidly as the work proceeds. Erato's sound (from the Théâtre des Champs-Elysées) is very good, and one may hope that this group of excerpts can serve as a prelude to a CD release of the complete opera.

© TiVo

Plus d'informations

The Freischütz Project

Accentus - Laurence Equilbey

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Der Freischütz, Op. 77: Overture
00:09:14

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

2
Der Freischütz, Op. 77, Act 1: "Viktoria, Viktoria!" (Chorus)
00:01:29

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Accentus, Chorus, FeaturedArtist - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

3
Der Freischütz, Op. 77, Act 1: "Schau' der Herr mich an als König!" (Kilian, Chorus)
00:02:24

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Accentus, Chorus, FeaturedArtist - Insula Orchestra, Orchestra - Anas Séguin, Baritone Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

4
Der Freischütz, Op. 77, Act 1: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" (Max)
00:07:11

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Stanislas de Barbeyrac, Tenor Vocals, FeaturedArtist - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

5
Der Freischütz, Op. 77, Act 1: "Schweig, schweig, damit dich niemand warnt!" (Kaspar)
00:03:23

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Vladimir Baykov, Bass Vocals, FeaturedArtist - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

6
Der Freischütz, Op. 77, Act 2: "Schelm! Halt' fest" (Ännchen, Agathe)
00:04:36

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Chiara Skerath, Soprano Vocals, FeaturedArtist - Insula Orchestra, Orchestra - Johanni van Oostrum, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

7
Der Freischütz, Op. 77, Act 2: "Kommt ein schlanker Bursch gegangen" (Ännchen)
00:03:47

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Chiara Skerath, Soprano Vocals, FeaturedArtist - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

8
Der Freischütz, Op. 77, Act 2: "Wie nahte mir der Schlummer" (Agathe)
00:08:58

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Insula Orchestra, Orchestra - Johanni van Oostrum, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

9
Der Freischütz, Op. 77, Act 2: "The Wolf's Glen" (Kaspar, Max, Samiel, Chorus)
00:14:38

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Christian Immler, Narrator, FeaturedArtist - Friedrich Kind, Poet - Accentus, Chorus, FeaturedArtist - Stanislas de Barbeyrac, Tenor Vocals, FeaturedArtist - Vladimir Baykov, Bass Vocals, FeaturedArtist - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

10
Der Freischütz, Op. 77, Act 3: "Und ob die Wolke sie verhülle" (Agathe)
00:05:54

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Insula Orchestra, Orchestra - Johanni van Oostrum, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

11
Der Freischütz, Op. 77, Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" (Ännchen)
00:06:29

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Chiara Skerath, Soprano Vocals, FeaturedArtist - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

12
Der Freischütz, Op. 77, Act 3: "Was gleicht wohl auf Erden" (Chorus)
00:02:44

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Friedrich Kind, Poet - Accentus, Chorus, FeaturedArtist - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

13
Der Freischütz, Op. 77, Act 3: "Wer legt auf ihn so strengen Bann?" (Hermit, Ottokar, Max, Agathe, Ännchen, Kuno, Chorus)
00:08:41

Carl Maria Von Weber, Composer - Laurence Equilbey, Conductor, MainArtist - Christian Immler, Bass Vocals, FeaturedArtist - Friedrich Kind, Poet - Daniel Schmutzhard, Baritone Vocals, FeaturedArtist - Accentus, Chorus, FeaturedArtist - Stanislas de Barbeyrac, Tenor Vocals, FeaturedArtist - Thorsten Grumbel, Bass Vocals, FeaturedArtist - Chiara Skerath, Soprano Vocals, FeaturedArtist - Insula Orchestra, Orchestra - Johanni van Oostrum, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2021 Parlophone Records Limited ℗ 2021 ERDA under exclusive licence to Parlophone Records Limited

Chronique

The historical-performance movement has moved profitably into the 19th century, but the music of Carl Maria von Weber has so far mostly not benefited from such treatment. The present recording is not the very first historically informed performance of his masterwork, the opera Der Freischütz, but when this release appeared in 2021, there hadn't been one for at least 15 years. The title The Freischütz Project does not really mean anything; what listeners get here is a set of excerpts from the opera, linked to but recorded independently of a 2019 Paris production and featuring the same performers. The physical album comes packaged with a DVD containing actual scenes from the production, but listeners may do well with the CD itself, for it is the instrumental sounds that are the chief attraction. The cast, led by powerhouse soprano Johanni van Oostrum as Agathe, is solid, but for the real revelations, listen above all to the "Wolf's Glen" scene in the second act. It is always the center of this opera, but here, it produces a genuinely uncanny sound with the creaking low brass and other supernatural effects. It's not just the brass and winds, though, that are distinctive; hear the chattering, scraping strings in "Schau', der Herr mich an als König," from the first act. It's not clear from the notes exactly what instruments, strings, and bows were used and how much is the contribution of the instrumentalists of the Insula Orchestra or conductor Laurence Equilbey, but whatever the case, the sound world of the opera holds together solidly as the work proceeds. Erato's sound (from the Théâtre des Champs-Elysées) is very good, and one may hope that this group of excerpts can serve as a prelude to a CD release of the complete opera.

© TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Ravel : Complete Works for Solo Piano

Bertrand Chamayou

Fauré: Nocturnes & Barcarolles

Marc-André Hamelin

Fauré: Nocturnes & Barcarolles Marc-André Hamelin

Thomas Adès: Dante

Los Angeles Philharmonic

Thomas Adès: Dante Los Angeles Philharmonic
À découvrir également
Par Accentus - Laurence Equilbey

Franz Schubert : Nacht und Träume

Accentus - Laurence Equilbey

Franz Schubert : Nacht und Träume Accentus - Laurence Equilbey

Wolfgang Amadeus Mozart : Requiem

Accentus - Laurence Equilbey

Wolfgang Amadeus Mozart : Requiem Accentus - Laurence Equilbey

Louise Farrenc: Symphonies Nos. 1-3, Overtures Nos. 1 & 2

Accentus - Laurence Equilbey

Louise Farrenc: Symphonies Nos 1 & 3

Accentus - Laurence Equilbey

Louise Farrenc: Symphonies Nos 1 & 3 Accentus - Laurence Equilbey

Magic Mozart

Accentus - Laurence Equilbey

Magic Mozart Accentus - Laurence Equilbey

Playlists

Dans la même thématique...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

Mendelssohn: Lieder ohne Worte

Igor Levit

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi