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Jean-Efflam Bavouzet - The Beethoven Connection, Vol. 1

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The Beethoven Connection, Vol. 1

Jean-Efflam Bavouzet

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Langue disponible : anglais

In the 250th Beethoven anniversary year, Jean-Efflam Bavouzet has chosen this programme of works by contemporary composers to illuminate and contextualise Beethoven’s extraordinary output for piano. In his explanatory note for the album, the pianist writes: ‘Just as a mountain peak is always surrounded by other perhaps less lofty but no less fascinating summits, the major works of Beethoven are not isolated rock formations rising from the desert, but, as it were, “Himalayas”, forming part of a range in which other mountains might be the best pieces by contemporaries such as Clementi, Hummel, Dussek, and Wölfl. These composers all knew Beethoven well and were in contact with one another. It is essential to know and to make known their music in order better to understand and more thoroughly appreciate the lingua franca of the music of the time, which in turn is part and parcel of the “spirit of the age”, and to be aware of that which unites them, as well as to recognise that which differentiates them and renders each unique. In this year of plentiful Beethovenian commemorations, it appears to me natural, indeed essential, to pay admiring and enthusiastic homage to these composers, each of whom, in his own way, followed his route to the summit.’ © Chandos

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The Beethoven Connection, Vol. 1

Jean-Efflam Bavouzet

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Piano Sonata in E Major, Op. 33 No. 3 (Joseph Wolfl)

1
I. Allegro
00:08:01

Joseph Wölfl, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

2
II. Andante cantabile
00:02:29

Joseph Wölfl, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

3
III. Rondo. Allegretto
00:04:24

Joseph Wölfl, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

Piano Sonata in A major, Op. 50 No. 1 (Muzio Clementi)

4
I. Allegro maestoso e con sentimento
00:08:34

Muzio CLEMENTI, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

5
II. Adagio sostenuto e patetico - Canone. Andante con moto
00:05:28

Muzio CLEMENTI, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

6
III. Allegro vivace
00:07:47

Muzio CLEMENTI, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

Piano Sonata No. 3 in F minor, Op. 20 (Johann Nepomuk Hummel)

7
I. Allegro moderato - Adagio
00:09:23

Johann Nepomuk Hummel, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

8
II. Adagio maestoso
00:07:01

Johann Nepomuk Hummel, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

9
III. Finale. Presto - Ancor più presto
00:04:35

Johann Nepomuk Hummel, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

Piano Sonata No. 24 in F-Sharp Minor, Op. 61, C. 211 "Elégie harmonique" (Jan Ladislav Dussek)

10
I. Lento patetico - Tempo agitato
00:11:34

Jan Ladislav Dussek, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

11
II. Tempo vivace e con fuoco quasi presto
00:05:22

Jan Ladislav Dussek, Composer - Jean-Efflam Bavouzet, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

Musical Illustrations (After Beethoven, Clementi, Dussek & Hummel) (Jean-Efflam Bavouzet)

12
Musical Illustrations (After Beethoven, Clementi, Dussek & Hummel)
00:07:51

Jean-Efflam Bavouzet, Composer, Artist, MainArtist

(C) 2020 Chandos (P) 2020 Chandos

Descriptif de l'album

In the 250th Beethoven anniversary year, Jean-Efflam Bavouzet has chosen this programme of works by contemporary composers to illuminate and contextualise Beethoven’s extraordinary output for piano. In his explanatory note for the album, the pianist writes: ‘Just as a mountain peak is always surrounded by other perhaps less lofty but no less fascinating summits, the major works of Beethoven are not isolated rock formations rising from the desert, but, as it were, “Himalayas”, forming part of a range in which other mountains might be the best pieces by contemporaries such as Clementi, Hummel, Dussek, and Wölfl. These composers all knew Beethoven well and were in contact with one another. It is essential to know and to make known their music in order better to understand and more thoroughly appreciate the lingua franca of the music of the time, which in turn is part and parcel of the “spirit of the age”, and to be aware of that which unites them, as well as to recognise that which differentiates them and renders each unique. In this year of plentiful Beethovenian commemorations, it appears to me natural, indeed essential, to pay admiring and enthusiastic homage to these composers, each of whom, in his own way, followed his route to the summit.’ © Chandos

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