Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Torsten Mossberg|Songs to Harp from the Old and New World (Arr. for Voice and Harp)

Songs to Harp from the Old and New World (Arr. for Voice and Harp)

Torsten Mossberg & Stina Hellberg Agback

Livret numérique

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

A harp creates completely different overtones than a grand piano, which makes a big difference between singing with the accompaniment of a harp, and a grand piano. The singer has to adjust the ears to a completely different sound that partly supports the song well, but also makes it difficult for the singer to intonate; the singer is more vulnerable than with a piano accompaniment. The harp’s design makes it hard for the harpist to quickly make key changes and modulations, that for a pianist is natural, or even simple. Sometimes the key has to be adapted to the harp’s capability. A good and direct communication between singer and accompanist is always essential, regardless of accompaniment. Even a flexible and sensitive harpist can experience more difficulties to shift tempo than a pianist, forcing the singer to phrase different than singing to the piano or guitar. However, such difficulties must be tackled and afterwards the cooperation can be rewarded with an emergence of a magical atmosphere. Since the harpist Stina Hellberg Agback is also a skillful improviser, another dimension is added, here in the songs by George Gershwin. © Sterling Records

Plus d'informations

Songs to Harp from the Old and New World (Arr. for Voice and Harp)

Torsten Mossberg

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
O Captain! My Captain! (Arr. for Voice and Harp)
00:04:08

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

2
Dirge for Two Veterans (Arr. for Voice and Harp)
00:03:58

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

3
Es Regnet (Arr. for Voice and Harp)
00:03:15

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

4
My Ship (Arr. for Voice and Harp)
00:04:43

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

5
Acht Gedichte aus, Letzte Blätter, Op. 10 No. 3: Die Nacht (Arr. for Voice and Harp)
00:02:40

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

6
Sechs Lieder aus Lotosblätter, Op. 19 No. 2: Breit' über mein Haupt dein schwarzes Haar (Arr. for Voice and Harp)
00:01:44

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

7
4 Lieder, Op. 27 No, 4: Morgen! (Arr. for Voice and Harp)
00:03:22

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

8
3 Songs, Op. 29 No. 1: Traum durch die Dämmerung (Arr. for Voice and Harp)
00:02:49

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

9
Lady Be Good: Oh, Lady, Be Good (Arr. for Voice and Harp)
00:04:20

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

10
Oh, Kay!: Someone To Watch Over Me (Arr. for Voice and Harp)
00:06:45

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

11
Rosalie: How Long Has This Been Going On (Arr. for Voice and Harp)
00:04:28

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

12
Girl Crazy: But Not for Me (Arr. for Voice and Harp)
00:04:20

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

13
Shall We Dance: They Can't Take That Away From Me (Arr. for Voice and Harp)
00:04:17

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

14
The Goldwyn Follies: Love is Here to Stay (Arr. for Voice and Harp)
00:04:16

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

Chronique

A harp creates completely different overtones than a grand piano, which makes a big difference between singing with the accompaniment of a harp, and a grand piano. The singer has to adjust the ears to a completely different sound that partly supports the song well, but also makes it difficult for the singer to intonate; the singer is more vulnerable than with a piano accompaniment. The harp’s design makes it hard for the harpist to quickly make key changes and modulations, that for a pianist is natural, or even simple. Sometimes the key has to be adapted to the harp’s capability. A good and direct communication between singer and accompanist is always essential, regardless of accompaniment. Even a flexible and sensitive harpist can experience more difficulties to shift tempo than a pianist, forcing the singer to phrase different than singing to the piano or guitar. However, such difficulties must be tackled and afterwards the cooperation can be rewarded with an emergence of a magical atmosphere. Since the harpist Stina Hellberg Agback is also a skillful improviser, another dimension is added, here in the songs by George Gershwin. © Sterling Records

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Keep Your Courage

Natalie Merchant

Keep Your Courage Natalie Merchant

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

You're the One

Rhiannon Giddens

You're the One Rhiannon Giddens

Owl Song

Ambrose Akinmusire

Owl Song Ambrose Akinmusire
À découvrir également
Par Torsten Mossberg

Bellman: Am I Born, Then I'll Be Living

Torsten Mossberg

Out There so Quiet and Other Rare Songs by Evert Taube

Torsten Mossberg

Weill: A Portrait from Berlin to New York

Torsten Mossberg

En visa till fiol

Torsten Mossberg

En visa till fiol Torsten Mossberg

Songs by Dan Andersson: 'A Fiddler's Last Journey'

Torsten Mossberg

Dans la même thématique...

Far over the Misty Mountains Cold

Geoff Castellucci

Pergolesi : Stabat Mater - Laudate pueri - Confitebor

Philippe Jaroussky

Still Here

League of Legends

Still Here League of Legends

Canyon Songs

Lisa Bassenge

Canyon Songs Lisa Bassenge

Adriano 4

Adriaen Willaert

Adriano 4 Adriaen Willaert