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Polonaise

Yaara Tal

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Langue disponible : anglais

Franz Xaver Mozart, son of Wolfgang, was born in 1791 just five months before his father's death. He hardly knew the great Mozart, yet he was promoted by the indefatigable Constanze as a prodigy in the same vein. Finding a job in Poland must have been a relief, and it also introduced him to the genre of the polonaise, then in its infancy. Usually it is his two piano concertos, one of them a clear W.A. Mozart knockoff, that are played. His two sets of polonaises have rarely been explored on recordings prior to this release by pianist Yaara Tal, and they're entirely distinctive and interesting. Franz Xaver has a bit of the family melancholy, and influence here comes perhaps from the late Mozart piano works like the Adagio in B minor, K. 540: the shift to major in the center is handled in a similar way. But the music in general does not follow Classical models: the pieces emphasize melody rather than dance rhythms, and they unmistakably look forward to the Romantic dance piece. In her notes Tal even speculates that the young Chopin himself may have known and been influenced by these works, and includes three youthful Chopin polonaises as evidence. It's certainly plausible: Franz Xaver was a celebrated touring pianist. Sample the first of the 4 Polonaises Mélancoliques, Op. 22, and decide for yourself; whatever the case, the pieces are worth hearing on their own merits. Strong Bavarian Radio studio sound is another attraction.
© TiVo

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Polonaise

Yaara Tal

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Six Polonaises mélancoliques, Op. 17 (Franz Xaver Wolfgang Mozart)

1
No. 1 in B Minor, Tempo giusto
00:04:08

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

2
No. 2 in E Minor, Andantino espressivo
00:04:50

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

3
No. 3 in E-Flat Major, Tempo di ballo
00:03:05

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

4
No. 4 in G Minor, Allegretto moderato
00:04:38

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

5
No. 5 in F Minor, Espressivo
00:04:56

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

6
No. 6 in D Minor
00:04:34

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

Quatre Polonaises mélancoliques, Op. 22 (Franz Xaver Wolfgang Mozart)

7
No. 1, Risoluto
00:03:40

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

8
No. 2, Andantino con moto
00:04:33

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

9
No. 3, Allegretto moderato
00:05:00

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

10
No. 4, Andante espressivo
00:06:34

Yaara Tal, Main Artist, Piano - Franz Xaver Wolfgang Mozart, Composer

(P) 2017 Sony Music Entertainment Germany GmbH

11
Polonaise in A-Flat Major, B.5 (KK IVa, No. 2 )
00:05:05

Yaara Tal, Main Artist, Piano - Frédéric Chopin, Composer - Jörg Moser, Engineer - Marcus Huber, Recording Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

12
Polonaise in B-flat minor, B.13 (KK IVa, No. 5)
00:05:13

Yaara Tal, Main Artist, Piano - Frédéric Chopin, Composer - Jörg Moser, Engineer - Marcus Huber, Recording Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

13
Polonaise in G-Flat Major, KK IVa, No. 8
00:08:24

Yaara Tal, Main Artist, Piano - Frédéric Chopin, Composer - Jörg Moser, Engineer - Marcus Huber, Recording Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

Descriptif de l'album

Franz Xaver Mozart, son of Wolfgang, was born in 1791 just five months before his father's death. He hardly knew the great Mozart, yet he was promoted by the indefatigable Constanze as a prodigy in the same vein. Finding a job in Poland must have been a relief, and it also introduced him to the genre of the polonaise, then in its infancy. Usually it is his two piano concertos, one of them a clear W.A. Mozart knockoff, that are played. His two sets of polonaises have rarely been explored on recordings prior to this release by pianist Yaara Tal, and they're entirely distinctive and interesting. Franz Xaver has a bit of the family melancholy, and influence here comes perhaps from the late Mozart piano works like the Adagio in B minor, K. 540: the shift to major in the center is handled in a similar way. But the music in general does not follow Classical models: the pieces emphasize melody rather than dance rhythms, and they unmistakably look forward to the Romantic dance piece. In her notes Tal even speculates that the young Chopin himself may have known and been influenced by these works, and includes three youthful Chopin polonaises as evidence. It's certainly plausible: Franz Xaver was a celebrated touring pianist. Sample the first of the 4 Polonaises Mélancoliques, Op. 22, and decide for yourself; whatever the case, the pieces are worth hearing on their own merits. Strong Bavarian Radio studio sound is another attraction.
© TiVo

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