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The Beach Boys|Pet Sounds

Pet Sounds

The Beach Boys

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Décortiqué. Dépecé. Etudié. Analysé. Pet Sounds a sans doute subi tout ce qu’un enregistrement peut subir… On a souvent tendance à encager l’histoire de la pop et du rock au moyen de l’équation Beatles et/ou Rolling Stones, impossible pourtant de négliger ce monument de 1966, sorti du cerveau génial et dérangé de Brian Wilson, leader de Garçons Plagistes qu’on croyait cantonnés ad-vitam-aeternam à la gentille mais un peu anecdotique surf music… Avec leur chef d’œuvre Rubber Soul, les Beatles ont fait bien plus que faire entrer la pop dans l’ère adulte. Wilson veut lui aussi plonger l’essence insouciante et adolescente de ce genre dans la complexité de constructions symphoniques quasi-baroques. Même sa prose quitte avec Pet Sounds l’hédonisme de la plage, des voitures et du surf pour toucher une matière un brin plus essentielle comme l’être humain, l’artiste et même Dieu ! Pet Sounds a de génial qu’il demeure, malgré ce sérieux de façade, un disque foncièrement pop. Pop pour popular. Les mélodies simplement démentielles sont accrocheuses et dégustables dès la première écoute. A l’image du Wouldn't It Be Nice qui ouvre l’album. Derrière cette aisance mélodique, les expérimentations sonores de Brian Wilson n’ont rien de gadget. Surtout que parallèlement aux merveilles du binôme Lennon/McCartney, les travaux du génial Phil Spector font, eux aussi, plus qu’intriguer le Californien joufflu qui ose avec Pet Sounds de nombreuses innovations techniques. Re-recording, instrumentations ovni, utilisation originale de la réverbération et de l’écho, structure complexe de certaines mélodies, titres instrumentaux, tout y passe sans pour autant qu’au final une quelconque sensation de catalogue pour savant fou ne prenne le dessus sur le Graal unique : la musique. Sur God Only Knows, harmonies vocales, arrangements à la pince à épiler, mélodies plurielles et chœurs célestes fusionnent dans un éther de pureté pop inégalée. Les fans américains de la première heure des Beach Boys seront évidemment déboussolés par Pet Sounds à sa sortie. Mais outre-Manche, l’accueil sera alors bien plus chaleureux et émerveillé. Aujourd’hui encore et sans doute demain voire même après-demain, ce disque demeure le maître-étalon d’un style musical, la règle d’un jeu sucré, d’apparence aisé, mais au final bien plus complexe qu’il n’y parait… © MZ/Qobuz

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Pet Sounds

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1
Wouldn't It Be Nice
00:02:34

Tony Asher, ComposerLyricist - Steve Douglas, Saxophone, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Larry Knechtel, Organ, AssociatedPerformer - Ray Pohlman, Mandolin, AssociatedPerformer - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Plas Johnson, Saxophone, AssociatedPerformer - Jay Migliori, Saxophone, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Frank Capp, Bells, Timpani, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Barney Kessel, Mandolin, AssociatedPerformer - Al De Lory, Piano, AssociatedPerformer - Frank Marocco, Accordion, AssociatedPerformer - Bill Pitman, Guitar, AssociatedPerformer - Carl L. Fortina, Accordion, AssociatedPerformer - Jerry Cole, Guitar, AssociatedPerformer - Roy Caton, Trumpet, AssociatedPerformer - Ralph Balantin, Engineer, StudioPersonnel - Larry Levine, Engineer, StudioPersonnel

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

2
You Still Believe In Me
00:02:36

Jerry Williams, Percussion, AssociatedPerformer - Tony Asher, ComposerLyricist - Steve Douglas, Clarinet, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Bill Green, Alto Saxophone, AssociatedPerformer - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Plas Johnson, Tenor Saxophone, AssociatedPerformer - Jay Migliori, Bass Clarinet, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Julius Wechter, Cymbals, Engineer, Timpani, AssociatedPerformer, StudioPersonnel - Barney Kessel, Guitar, AssociatedPerformer - Jim Horn, Alto Saxophone, AssociatedPerformer - Al De Lory, Harpsichord, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel - Jerry Cole, Guitar, AssociatedPerformer - Roy Caton, Trumpet, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

3
That's Not Me
00:02:30

Tony Asher, ComposerLyricist - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Brian Wilson, Producer, Organ, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer - The Beach Boys, MainArtist - Carl Wilson, Guitar, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Glen Campbell, Guitar, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Dennis Wilson, Drums, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

4
Don't Talk (Put Your Head On My Shoulder)
00:02:58

Tony Asher, ComposerLyricist - Steve Douglas, Percussion, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Billy Strange, Guitar, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Frank Capp, Timpani, Vibraphone, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Glen Campbell, Guitar, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Al De Lory, Organ, AssociatedPerformer - Joseph Saxon, Cello, AssociatedPerformer - Tibor Zelig, Violin, AssociatedPerformer - Sidney Sharp, Violin, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel - Ralph Schaeffer, Violin, AssociatedPerformer - Arnold Belnick, Violin, AssociatedPerformer - H. Bowen David, Engineer, StudioPersonnel - Norm Botnick, Viola, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

5
I'm Waiting For The Day
00:03:06

Gary Coleman, Timpani, Bongos, AssociatedPerformer - JIM GORDON, Drums, AssociatedPerformer - MARK LINETT, Mastering Engineer, Mix Engineer, StudioPersonnel - Larry Knechtel, Organ, AssociatedPerformer - Bill Green, Flute, AssociatedPerformer - Ray Pohlman, Guitar, AssociatedPerformer - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, ComposerLyricist - The Beach Boys, MainArtist - Jay Migliori, Flute, AssociatedPerformer - Lyle Ritz, Double Bass, Ukulele, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Justin Ditullio, Cello, AssociatedPerformer - Jim Horn, Flute, AssociatedPerformer - Al De Lory, Piano, AssociatedPerformer - Sidney Sharp, Violin, AssociatedPerformer - William Kurasch, Violin, AssociatedPerformer - Lenny Hartman, English Horn, AssociatedPerformer - Ralph Schaeffer, Violin, AssociatedPerformer - Harry Hyams, Viola, AssociatedPerformer - Ralph Balantin, Engineer, StudioPersonnel - Lenny Malarsky, Violin, AssociatedPerformer - H. Bowen David, Engineer, StudioPersonnel

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

6
Let's Go Away For Awhile
00:02:25

Steve Douglas, Flute, Tenor Saxophone, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Brian Wilson, Producer, ComposerLyricist - The Beach Boys, MainArtist - Al Casey, Guitar, AssociatedPerformer - Plas Johnson, Tenor Saxophone, AssociatedPerformer - Jay Migliori, Baritone Saxophone, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Julius Wechter, Timpani, Vibraphone, AssociatedPerformer - Justin Ditullio, Cello, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jim Horn, Baritone Saxophone, AssociatedPerformer - Al De Lory, Piano, AssociatedPerformer - Jules Jacob, Flute, AssociatedPerformer - Joseph Saxon, Cello, AssociatedPerformer - Tibor Zelig, Violin, AssociatedPerformer - Joseph DiFiore, Viola, AssociatedPerformer - Sidney Sharp, Violin, AssociatedPerformer - William Kurasch, Violin, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel - Roy Caton, Trumpet, AssociatedPerformer - Ralph Schaeffer, Violin, AssociatedPerformer - Harry Hyams, Viola, AssociatedPerformer - James Getzoff, Violin, AssociatedPerformer - Arnold Belnick, Violin, AssociatedPerformer - Lenny Malarsky, Violin, AssociatedPerformer - Jerry Reisler, Violin, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

7
Sloop John B
00:03:01

Steve Douglas, Flute, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer - The Beach Boys, MainArtist - Al Casey, Guitar, AssociatedPerformer - Billy Strange, Guitar, AssociatedPerformer - Jay Migliori, Clarinet, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Frank Capp, Glockenspiel, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Jim Horn, Flute, AssociatedPerformer - Al De Lory, Organ, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel - Jack Nimitz, Baritone Saxophone, AssociatedPerformer - Jerry Cole, Guitar, AssociatedPerformer - Ron Swallow, Tambourine, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

8
God Only Knows
00:02:55

Bruce Johnston, Additional Vocals, AssociatedPerformer - Tony Asher, ComposerLyricist - JIM GORDON, Percussion, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Larry Knechtel, Organ, AssociatedPerformer - Bill Green, Flute, AssociatedPerformer - Ray Pohlman, Bass Guitar, AssociatedPerformer - Brian Wilson, Producer, Additional Vocals, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Carl Wilson, Vocalist, AssociatedPerformer - Jay Migliori, Baritone Saxophone, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Don Randi, Piano, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Jim Horn, Flute, AssociatedPerformer - Sidney Sharp, Violin, AssociatedPerformer - Jesse Ehrlich, Cello, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel - Frank Marocco, Accordion, AssociatedPerformer - Alan Robinson, French Horn, AssociatedPerformer - Lenny Hartman, Saxophone, AssociatedPerformer - Carl L. Fortina, Accordion, AssociatedPerformer - Ralph Balantin, Engineer, StudioPersonnel - Lenny Malarsky, Violin, AssociatedPerformer - Darrel Terwilliger, Viola, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

9
I Know There's An Answer
00:03:19

Tommy Morgan, Harmonica, AssociatedPerformer - Steve Douglas, Tenor Saxophone, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Larry Knechtel, Organ, AssociatedPerformer - Ray Pohlman, Bass Guitar, AssociatedPerformer - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Jay Migliori, Baritone Saxophone, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Glen Campbell, Guitar, AssociatedPerformer - Julius Wechter, Percussion, Tambourine, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Paul Horn, Tenor Saxophone, AssociatedPerformer - Jim Horn, Tenor Saxophone, AssociatedPerformer - Al De Lory, Keyboards, AssociatedPerformer - Al Jardine, Vocalist, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel - Terry Sachen, ComposerLyricist - Bobby Klein, Tenor Saxophone, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

10
Here Today
00:03:09

Tony Asher, ComposerLyricist - Terry Melcher, Tambourine, AssociatedPerformer - Bruce Botnick, Engineer, StudioPersonnel - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Larry Knechtel, Organ, AssociatedPerformer - Brian Wilson, Producer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer - The Beach Boys, MainArtist - Al Casey, Guitar, AssociatedPerformer - Jay Migliori, Baritone Saxophone, AssociatedPerformer - Don Randi, Piano, AssociatedPerformer - Frank Capp, Percussion, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Mike Deasy, Guitar, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Jack Nimitz, Baritone Saxophone, AssociatedPerformer - Gail Martin, Trombone, AssociatedPerformer - Nick Martinis, Drums, AssociatedPerformer - Ralph Balantin, Engineer, StudioPersonnel - Ernie Tack, Trombone, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

11
I Just Wasn't Made For These Times
00:03:21

Tony Asher, ComposerLyricist - Tommy Morgan, Harmonica, AssociatedPerformer - Steve Douglas, Tenor Saxophone, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Ray Pohlman, Bass Guitar, AssociatedPerformer - Paul Tanner, Theremin, AssociatedPerformer - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Plas Johnson, Tenor Saxophone, AssociatedPerformer - Jay Migliori, Baritone Saxophone, AssociatedPerformer - Hal Blaine, Drums, Unknown, Other, AssociatedPerformer - Don Randi, Piano, AssociatedPerformer - Frank Capp, Percussion, Timpani, AssociatedPerformer - Glen Campbell, Guitar, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Mike Melvoin, Harpsichord, AssociatedPerformer - Chuck Berghofer, Double Bass, AssociatedPerformer - Ralph Balantin, Engineer, StudioPersonnel - Larry Levine, Engineer, StudioPersonnel - Bobby Klein, Tenor Saxophone, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

12
Pet Sounds
00:02:36

MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Bill Green, Percussion, Tenor Saxophone, AssociatedPerformer - Brian Wilson, Producer, Piano, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Billy Strange, Guitar, AssociatedPerformer - Plas Johnson, Tenor Saxophone, AssociatedPerformer - Jay Migliori, Percussion, Baritone Saxophone, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Jim Horn, Tenor Saxophone, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel - Jerry Cole, Guitar, AssociatedPerformer - Roy Caton, Trumpet, AssociatedPerformer - Tommy Tedesco, Acoustic Guitar, AssociatedPerformer - Richie Frost, Drums, Percussion, AssociatedPerformer

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

13
Caroline, No
00:02:50

Tony Asher, ComposerLyricist - Steve Douglas, Tenor Saxophone, AssociatedPerformer - MARK LINETT, Mixer, Mastering Engineer, Mix Engineer, StudioPersonnel - Bill Green, Flute, AssociatedPerformer - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Plas Johnson, Flute, AssociatedPerformer - Jay Migliori, Flute, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Frank Capp, Vibraphone, AssociatedPerformer - Lyle Ritz, Ukulele, AssociatedPerformer - Glen Campbell, Guitar, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jim Horn, Flute, AssociatedPerformer - Al De Lory, Harpsichord, AssociatedPerformer - Chuck Britz, Engineer, StudioPersonnel

(C) 1966 Capitol Records, LLC ℗ 2012 Capitol Records, LLC

Descriptif de l'album

Décortiqué. Dépecé. Etudié. Analysé. Pet Sounds a sans doute subi tout ce qu’un enregistrement peut subir… On a souvent tendance à encager l’histoire de la pop et du rock au moyen de l’équation Beatles et/ou Rolling Stones, impossible pourtant de négliger ce monument de 1966, sorti du cerveau génial et dérangé de Brian Wilson, leader de Garçons Plagistes qu’on croyait cantonnés ad-vitam-aeternam à la gentille mais un peu anecdotique surf music… Avec leur chef d’œuvre Rubber Soul, les Beatles ont fait bien plus que faire entrer la pop dans l’ère adulte. Wilson veut lui aussi plonger l’essence insouciante et adolescente de ce genre dans la complexité de constructions symphoniques quasi-baroques. Même sa prose quitte avec Pet Sounds l’hédonisme de la plage, des voitures et du surf pour toucher une matière un brin plus essentielle comme l’être humain, l’artiste et même Dieu ! Pet Sounds a de génial qu’il demeure, malgré ce sérieux de façade, un disque foncièrement pop. Pop pour popular. Les mélodies simplement démentielles sont accrocheuses et dégustables dès la première écoute. A l’image du Wouldn't It Be Nice qui ouvre l’album. Derrière cette aisance mélodique, les expérimentations sonores de Brian Wilson n’ont rien de gadget. Surtout que parallèlement aux merveilles du binôme Lennon/McCartney, les travaux du génial Phil Spector font, eux aussi, plus qu’intriguer le Californien joufflu qui ose avec Pet Sounds de nombreuses innovations techniques. Re-recording, instrumentations ovni, utilisation originale de la réverbération et de l’écho, structure complexe de certaines mélodies, titres instrumentaux, tout y passe sans pour autant qu’au final une quelconque sensation de catalogue pour savant fou ne prenne le dessus sur le Graal unique : la musique. Sur God Only Knows, harmonies vocales, arrangements à la pince à épiler, mélodies plurielles et chœurs célestes fusionnent dans un éther de pureté pop inégalée. Les fans américains de la première heure des Beach Boys seront évidemment déboussolés par Pet Sounds à sa sortie. Mais outre-Manche, l’accueil sera alors bien plus chaleureux et émerveillé. Aujourd’hui encore et sans doute demain voire même après-demain, ce disque demeure le maître-étalon d’un style musical, la règle d’un jeu sucré, d’apparence aisé, mais au final bien plus complexe qu’il n’y parait… © MZ/Qobuz

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