Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Blur|Parklife (2012 Remaster)

Parklife (2012 Remaster)

Blur

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Modern Life Is Rubbish established Blur as the heir to the archly British pop of the Kinks, the Small Faces, and the Jam, but its follow-up, Parklife, revealed the depth of that transformation. Relying more heavily on Ray Davies' seriocomic social commentary, as well as new wave, Parklife runs through the entire history of post-British Invasion Britpop in the course of 16 songs, touching on psychedelia, synth pop, disco, punk, and music hall along the way. Damon Albarn intended these songs to form a sketch of British life in the mid-'90s, and it's startling how close he came to his goal; not only did the bouncy, disco-fied "Girls & Boys" and singalong chant "Parklife" become anthems in the U.K., but they inaugurated a new era of Brit-pop and lad culture, where British youth celebrated their country and traditions. The legions of jangly, melodic bands that followed in the wake of Parklife revealed how much more complex Blur's vision was. Not only was their music precisely detailed -- sound effects and brilliant guitar lines pop up all over the record -- but the melodies elegantly interweaved with the chords, as in the graceful, heartbreaking "Badhead." Surprisingly, Albarn, for all of his cold, dispassionate wit, demonstrates compassion that gives these songs three dimensions, as on the pathos-laden "End of a Century," the melancholy Walker Brothers tribute "To the End," and the swirling, epic closer, "This Is a Low." For all of its celebration of tradition, Parklife is a thoroughly modern record in that it bends genres and is self-referential (the mod anthem of the title track is voiced by none other than Phil Daniels, the star of Quadrophenia). And, by tying the past and the present together, Blur articulated the mid-'90s Zeitgeist and produced an epoch-defining record.

© Stephen Thomas Erlewine /TiVo

Plus d'informations

Parklife (2012 Remaster)

Blur

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Girls & Boys (2012 Remaster)
00:04:51

John Smith, Engineer - Alex James, Producer, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Producer, Guitar, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

2
Tracy Jacks (2012 Remaster)
00:04:19

John Smith, Engineer - Alex James, Bass Guitar, Writer - Rick Koster, Violin - John Metcalfe, String Arranger, Viola - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer - Mark Pharoah, Violin - Ivan McCermoy, Cello - Lousia Fuller, Violin

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

3
End of a Century (2012 Remaster)
00:02:45

John Smith, Engineer - Alex James, Producer, Bass Guitar, Writer - Roddy Lorimer, Flugelhorn - Dave Rowntree, Drums, Writer - Richard Edwards, Trombone - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Producer, Guitar, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

4
Parklife (2012 Remaster)
00:03:05

John Smith, Engineer, MixingEngineer - Alex James, Producer, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer, MixingEngineer - Graham Coxon, Guitar, Saxophone, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Producer, Guitar, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer - Phil Daniels, Narrator

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

5
Bank Holiday (2012 Remaster)
00:01:42

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

6
Badhead (2012 Remaster)
00:03:25

John Smith, Engineer - Alex James, Bass Guitar, Writer - Roddy Lorimer, Trombone - Tim Sanders, Tenor Saxophone - Simon Clarke, Baritone Saxophone - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

7
The Debt Collector (2012 Remaster)
00:02:10

John Smith, Engineer - Alex James, Bass Guitar, Writer - Tim Sanders, Soprano Saxophone, Tenor Saxophone - Simon Clarke, Alto Saxophone, Baritone Saxophone - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - The Kick Horns, Section Horn - Neil Sidwell, Trombone - Graham Coxon, Clarinet, Guitar, Writer - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

8
Far Out (2012 Remaster)
00:01:37

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

9
To the End (2012 Remaster)
00:04:04

John Smith, Producer, Engineer, MixingEngineer - Alex James, Producer, Bass Guitar, Writer - Dave Rowntree, Producer, Drums, Writer - Stephen Hague, Producer, Accordion, Engineer - STEPHEN STREET, Remastering Engineer - Laetitia Sadier, Additional Vocals - Chris Tombling, Strings - Graham Coxon, Producer, Clarinet, Guitar, Writer - Blur, MainArtist - Damon Albarn, Producer, Guitar, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer - Leo Payne, Strings - Audrey Riley, Strings - Rick Wentworth, Strings Conductor - Chris Pitsillides, Strings - Khalil Chahine, String Arranger

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

10
London Loves (2012 Remaster)
00:04:15

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

11
Trouble in the Message Centre (2012 Remaster)
00:04:09

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

12
Clover Over Dover (2012 Remaster)
00:03:22

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

13
Magic America (2012 Remaster)
00:03:37

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

14
Jubilee (2012 Remaster)
00:02:47

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer, Sound Effects (SFX) - Graham Coxon, Guitar, Saxophone, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

15
This Is a Low (2012 Remaster)
00:05:16

John Smith, Engineer, MixingEngineer - Alex James, Producer, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer, MixingEngineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Producer, Guitar, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

16
Lot 105 (2012 Remaster)
00:01:19

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Percussion, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

Chronique

Modern Life Is Rubbish established Blur as the heir to the archly British pop of the Kinks, the Small Faces, and the Jam, but its follow-up, Parklife, revealed the depth of that transformation. Relying more heavily on Ray Davies' seriocomic social commentary, as well as new wave, Parklife runs through the entire history of post-British Invasion Britpop in the course of 16 songs, touching on psychedelia, synth pop, disco, punk, and music hall along the way. Damon Albarn intended these songs to form a sketch of British life in the mid-'90s, and it's startling how close he came to his goal; not only did the bouncy, disco-fied "Girls & Boys" and singalong chant "Parklife" become anthems in the U.K., but they inaugurated a new era of Brit-pop and lad culture, where British youth celebrated their country and traditions. The legions of jangly, melodic bands that followed in the wake of Parklife revealed how much more complex Blur's vision was. Not only was their music precisely detailed -- sound effects and brilliant guitar lines pop up all over the record -- but the melodies elegantly interweaved with the chords, as in the graceful, heartbreaking "Badhead." Surprisingly, Albarn, for all of his cold, dispassionate wit, demonstrates compassion that gives these songs three dimensions, as on the pathos-laden "End of a Century," the melancholy Walker Brothers tribute "To the End," and the swirling, epic closer, "This Is a Low." For all of its celebration of tradition, Parklife is a thoroughly modern record in that it bends genres and is self-referential (the mod anthem of the title track is voiced by none other than Phil Daniels, the star of Quadrophenia). And, by tying the past and the present together, Blur articulated the mid-'90s Zeitgeist and produced an epoch-defining record.

© Stephen Thomas Erlewine /TiVo

À propos

Distinctions :

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Speak Now (Taylor's Version)

Taylor Swift

The Studio Albums 2009 – 2018

Mark Knopfler

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits

1989 (Taylor's Version)

Taylor Swift

À découvrir également
Par Blur

The Ballad of Darren

Blur

Blur

Blur

Blur Blur

Parklife

Blur

Parklife Blur

The Ballad of Darren

Blur

SERSERI

Blur

SERSERI Blur

Playlists

Dans la même thématique...

One Deep River

Mark Knopfler

One Deep River Mark Knopfler

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles