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Slade|Old New Borrowed and Blue  (Expanded)

Old New Borrowed and Blue (Expanded)

Slade

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Langue disponible : anglais

It took Slade two years and one hits-and-rarities compilation (Sladest) to get around to following up 1972's U.K. chart-topping Slayed?, two years during which the entire complexion of the band had altered dramatically. No longer the rampant yobs out on the stomp of yore, the quartet members placed the rabble-rousing bombast of old far behind them during 1974, and switched their songwriting efforts to more mellow pastures -- the gentle "Everyday," the yearning "Far Far Away," and the decidedly pretty "Miles Out to Sea." Old New Borrowed and Blue was the album that introduced the chrysalis to its audience -- not that you'd know it from the opening bellow. Riding a raw guitar line based, very loosely, around the guttural riffing of the Beatles' "Birthday," "Just a Little Bit" cranks in with almost metallic dynamics, even retaining the in-concert ad-libbing that had long since made it a highlight of the live show. "We're Gonna Raise the Roof," "When the Lights Are Out," and "My Town," too, offer little that Slade wasn't already well renowned for and that, perhaps, was what the bandmembers were thinking as well. The glitter-soaked thunderclap was old news now; they could write those rockers in their sleep. The vaudeville piano-led "Find Yourself a Rainbow," though, was new territory altogether, while the country-rock-inflected "How Can It Be" posited a direction that Holder himself admitted had long been a regular on his home turntable. It was "Everyday," however, that held the secret of the band's future, a crowd-swaying singalong of such scarf-waving majesty that it might well be single-handedly responsible for every great record U2 has ever made. It was certainly Slade's most memorable new single in a while and, as the cue for further airborne anthems, it became one of the most crucial songs in the group's entire repertoire. On an album that, at best, can be described as patchy, "Everyday" is a new day altogether.

© Dave Thompson /TiVo

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Old New Borrowed and Blue (Expanded)

Slade

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1
Just a Little Bit
00:04:01

Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - John Thornton, Composer - Slade, MainArtist - Dave Hill, Guitar - Earl Washington, Composer - RALPH BASS, Composer - Sylvester Thompson, Composer - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

2
When the Lights Are Out
00:03:04

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

3
My Town
00:03:07

James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

4
Find Yourself a Rainbow
00:02:11

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

5
Miles out to Sea
00:03:50

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

6
We're Really Gonna Raise the Roof
00:03:10

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

7
Do We Still Do It
00:03:02

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

8
How Can It Be
00:03:01

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

9
Don't Blame Me
00:02:33

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

10
My Friend Stan
00:02:41

James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

11
Everyday
00:03:10

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar, Violin - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

12
Good Time Gals
00:03:33

James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

13
I'm Mee, I'm Now, An' That's Orl
00:03:41

James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

14
Kill 'Em At the Hot Club Tonite
00:03:20

James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

15
The Bangin' Man
00:04:11

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

16
She Did It to Me
00:03:19

James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

17
Slade Talk to "19" Readers
00:05:34

Jimmy Lea, Vocals - Noddy Holder, Vocals - Slade, MainArtist - Dave Hill, Vocals - Don Powell, Vocals - Non-Musical Work, Composer

© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1975 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company

Chronique

It took Slade two years and one hits-and-rarities compilation (Sladest) to get around to following up 1972's U.K. chart-topping Slayed?, two years during which the entire complexion of the band had altered dramatically. No longer the rampant yobs out on the stomp of yore, the quartet members placed the rabble-rousing bombast of old far behind them during 1974, and switched their songwriting efforts to more mellow pastures -- the gentle "Everyday," the yearning "Far Far Away," and the decidedly pretty "Miles Out to Sea." Old New Borrowed and Blue was the album that introduced the chrysalis to its audience -- not that you'd know it from the opening bellow. Riding a raw guitar line based, very loosely, around the guttural riffing of the Beatles' "Birthday," "Just a Little Bit" cranks in with almost metallic dynamics, even retaining the in-concert ad-libbing that had long since made it a highlight of the live show. "We're Gonna Raise the Roof," "When the Lights Are Out," and "My Town," too, offer little that Slade wasn't already well renowned for and that, perhaps, was what the bandmembers were thinking as well. The glitter-soaked thunderclap was old news now; they could write those rockers in their sleep. The vaudeville piano-led "Find Yourself a Rainbow," though, was new territory altogether, while the country-rock-inflected "How Can It Be" posited a direction that Holder himself admitted had long been a regular on his home turntable. It was "Everyday," however, that held the secret of the band's future, a crowd-swaying singalong of such scarf-waving majesty that it might well be single-handedly responsible for every great record U2 has ever made. It was certainly Slade's most memorable new single in a while and, as the cue for further airborne anthems, it became one of the most crucial songs in the group's entire repertoire. On an album that, at best, can be described as patchy, "Everyday" is a new day altogether.

© Dave Thompson /TiVo

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