Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Masaaki Suzuki - Mozart : Great Mass in C Minor & Exsultate, Jubilate

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Mozart : Great Mass in C Minor & Exsultate, Jubilate

Masaaki Suzuki

Livret numérique

Disponible en
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

As he reached the end of his magisterial cycle of Bach cantatas, one might have been forgiven for asking, "Well, what's next?" for conductor Masaaki Suzuki and his Bach Collegium Japan. With the release of a recording of Mozart's Requiem in D minor, K. 626, and now the Mass in C minor, K. 427, the answer appears to be the application of historical-performance techniques to Mozart and perhaps to other later music. Suzuki, with so much Bach on his plate, is a bit late to this game, and there are places here where his smooth, sensuous yet sober choral style from the Bach recordings makes this sound a bit like Bach. Several things make it work, however. First is the fact that much of the mass is written in the old polyphonic style and was influenced by Mozart's first serious engagement with Bach's music at the home of the aristocrat Baron van Swieten, and all the virtues of the Collegium's performances apply in the big choruses. Sample the Wall of Sound effect in the double-choir "Qui tollis peccata mundi," and note throughout the way the levels of size in the mass are handled intelligently. Second, Suzuki has always chosen effective soloists, and he scores in a big way here with soprano Carolyn Sampson, who delivers a thrilling Exsultate, Jubilate, K. 165, to bring down the curtain, throwing in a rarely heard alternate version to boot. Finally, Suzuki performs a 1989 partial completion of the mass by German scholar Franz Beyer. This version fills out the sections that Mozart partially completed, including the "Incarnatus "(gorgeous here under Sampson's control), without making grand new statements, and it's probably the most preferable approach, available up to now with historical instruments only in an unorthodox version by Nikolaus Harnoncourt. The unusual tempos that appeared in Suzuki's Requiem are absent here, and the bottom line is that if you're OK with Mozart that sounds a bit like Bach at times, you'll find this a satisfying rendition of the "Great" C minor mass.
© TiVo

Plus d'informations

Mozart : Great Mass in C Minor & Exsultate, Jubilate

Masaaki Suzuki

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 50 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 50 millions de titres avec votre abonnement illimité.

Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer) (Wolfgang Amadeus Mozart)

1
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Kyrie (Chorus, Soprano)
00:07:36

Carolyn Sampson, Performer - Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

2
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Gloria (Chorus)
00:02:23

Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

3
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Laudamus te (Mezzo soprano)
00:04:35

Olivia Vermeulen, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

4
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Gratias (Chorus)
00:01:21

Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

5
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Domine (Soprano, Mezzo-soprano)
00:02:39

Carolyn Sampson, Performer - Olivia Vermeulen, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

6
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Qui tollis (Chorus)
00:05:36

Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

7
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Quoniam (Soprano, Mezzo-soprano, Tenor)
00:03:32

Carolyn Sampson, Performer - Olivia Vermeulen, Performer - Makoto Sakurada, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

8
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Jesu Christe - Cum Santo Spiritu (Chorus)
00:00:40

Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

9
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Gloria: Cum Sancto Spiritu
00:03:36

Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

10
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Credo: Credo in unum Deum (Chorus)
00:03:27

Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

11
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Credo: Et incarnatus est (Soprano)
00:08:15

Carolyn Sampson, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

12
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Sanctus: Hosanna
00:03:36

Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

13
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Sanctus: Benedictus / Hosanna
00:05:12

Carolyn Sampson, Performer - Olivia Vermeulen, Performer - Makoto Sakurada, Performer - Christian Immler, Performer - Bach Collegium Japan Chorus, Choir - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Franz Beyer, Composer

2016 BIS

Exsultate jubilate, K. 165 * (Wolfgang Amadeus Mozart)

14
Exsultate, Jubilate, K. 165: Exsultate, jubilate
00:04:22

Carolyn Sampson, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist

2016 BIS

15
Exsultate, Jubilate, K. 165: Fulgat amica dies
00:00:46

Carolyn Sampson, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist

2016 BIS

16
Exsultate, Jubilate, K. 165: Tu virginum corona
00:06:15

Carolyn Sampson, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist

2016 BIS

17
Exsultate, Jubilate, K. 165: Allelujah
00:02:32

Carolyn Sampson, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist

2016 BIS

Exsultate, Jubilate, K. 165 (Wolfgang Amadeus Mozart)

18
Exsultate, Jubilate, K. 165: Exsultate jubilate, K. 165: Aria (1779 revised version)
00:04:55

Carolyn Sampson, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist

2016 BIS

Descriptif de l'album

As he reached the end of his magisterial cycle of Bach cantatas, one might have been forgiven for asking, "Well, what's next?" for conductor Masaaki Suzuki and his Bach Collegium Japan. With the release of a recording of Mozart's Requiem in D minor, K. 626, and now the Mass in C minor, K. 427, the answer appears to be the application of historical-performance techniques to Mozart and perhaps to other later music. Suzuki, with so much Bach on his plate, is a bit late to this game, and there are places here where his smooth, sensuous yet sober choral style from the Bach recordings makes this sound a bit like Bach. Several things make it work, however. First is the fact that much of the mass is written in the old polyphonic style and was influenced by Mozart's first serious engagement with Bach's music at the home of the aristocrat Baron van Swieten, and all the virtues of the Collegium's performances apply in the big choruses. Sample the Wall of Sound effect in the double-choir "Qui tollis peccata mundi," and note throughout the way the levels of size in the mass are handled intelligently. Second, Suzuki has always chosen effective soloists, and he scores in a big way here with soprano Carolyn Sampson, who delivers a thrilling Exsultate, Jubilate, K. 165, to bring down the curtain, throwing in a rarely heard alternate version to boot. Finally, Suzuki performs a 1989 partial completion of the mass by German scholar Franz Beyer. This version fills out the sections that Mozart partially completed, including the "Incarnatus "(gorgeous here under Sampson's control), without making grand new statements, and it's probably the most preferable approach, available up to now with historical instruments only in an unorthodox version by Nikolaus Harnoncourt. The unusual tempos that appeared in Suzuki's Requiem are absent here, and the bottom line is that if you're OK with Mozart that sounds a bit like Bach at times, you'll find this a satisfying rendition of the "Great" C minor mass.
© TiVo

À propos

Distinctions :

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
À découvrir également
Par Masaaki Suzuki
Dans la même thématique...
Les Grands Angles...
Gounod romantique et mystique

Artisan majeur du renouveau de la musique française dans la seconde moitié du XIXe siècle aux côtés de son aîné, Berlioz, qu’il admirait, et de ses disciples, Bizet, Saint-Saëns, Massenet qui vénéraient sa foi en l’Art, Charles Gounod (1818-1893), mystique et charmeur, romantique en quête d’un nouveau classicisme, doit sa célébrité à quelques chefs-d’œuvre qui réduisent son envergure. Une discographie en plein essor permet de découvrir sa musique dans sa diversité : instrumentale, vocale, sacrée et lyrique.

Dans l'actualité...