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George Gruntz|Mental Cruelty - The 1960 Jazz Soundtrack

Mental Cruelty - The 1960 Jazz Soundtrack

George Gruntz

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Langue disponible : anglais

John Corbett wasn't kidding when he said that he was going to start releasing non-vanguard jazz titles in the Atavistic Unheard Music Series. If this is a representative example, then bring them on. Pianist and composer George Gruntz is in the company of saxophonist Barney Wilen, drummer Kenny "Clook" Clarke, and a pair of unknown Europeans on bass and another saxophone. The unheard record in question is a 1960 soundtrack to a Swiss film called Mental Cruelty, which was made by a former soccer star. The soundtrack was issued by Decca, briefly, on 10" EP, until the musicians realized it -- they were paid for a film soundtrack, not a recorded one. Decca refused to pay, lost in court, and had to destroy what remaining vinyl they had, making this a thousand dollar collector's item. Given that this was Gruntz's first soundtrack, it's extremely impressive. There are 18 tracks, all of them in the prevailing hard bop style of the day with some cool and noir-ish elements thrown in. But it feels more like a blowing session in the same way the Miles Davis soundtrack to L'Ascenseur pour L'Echafaud by Louis Malle did; loose blowing based on images and rushes from the film. Wilen is in especially fine form here: His tone has that big full sound with just a hint of the edge of Sonny Rollins in it. Gruntz is obviously a cocky, confident young pianist, but he is humbled by Clarke's mastery on the swinging bop tunes and even on the two waltzes, which were the first Clarke had played on record in his life. This is more than a cool jazz record; it is a bit of hipster history with the chops to back up its obscurity. Highly recommended.

© Thom Jurek /TiVo

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Mental Cruelty - The 1960 Jazz Soundtrack

George Gruntz

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1
Main Theme
00:01:58

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

2
Blues and Theme
00:02:46

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

3
Student Hang Out
00:01:05

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

4
Morning After the Wedding Night
00:01:27

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

5
Music for Night Children
00:05:22

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

6
Jazz Appreciation I (Motif for Ted)
00:03:27

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

7
Jazz Appreciation II (Motif for Ted)
00:03:24

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

8
Swiss Tease (Tango)
00:01:25

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

9
Romance I
00:00:59

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

10
Romance II
00:00:40

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

11
Stroll on Theme
00:01:12

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

12
Good Time Joe
00:00:43

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

13
Latin Stroll on Theme
00:00:45

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

14
Main Theme - Romance
00:03:29

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

15
Spanish Castles
00:02:44

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

16
Nick and Marlene
00:02:03

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

17
The Proposal
00:04:53

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

18
Final Theme
00:00:25

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

19
Student Hang Out
00:01:14

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

20
Main Theme Version X
00:00:56

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

21
Main Theme Version Y
00:02:21

George Gruntz, Primary

2003 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2003

Chronique

John Corbett wasn't kidding when he said that he was going to start releasing non-vanguard jazz titles in the Atavistic Unheard Music Series. If this is a representative example, then bring them on. Pianist and composer George Gruntz is in the company of saxophonist Barney Wilen, drummer Kenny "Clook" Clarke, and a pair of unknown Europeans on bass and another saxophone. The unheard record in question is a 1960 soundtrack to a Swiss film called Mental Cruelty, which was made by a former soccer star. The soundtrack was issued by Decca, briefly, on 10" EP, until the musicians realized it -- they were paid for a film soundtrack, not a recorded one. Decca refused to pay, lost in court, and had to destroy what remaining vinyl they had, making this a thousand dollar collector's item. Given that this was Gruntz's first soundtrack, it's extremely impressive. There are 18 tracks, all of them in the prevailing hard bop style of the day with some cool and noir-ish elements thrown in. But it feels more like a blowing session in the same way the Miles Davis soundtrack to L'Ascenseur pour L'Echafaud by Louis Malle did; loose blowing based on images and rushes from the film. Wilen is in especially fine form here: His tone has that big full sound with just a hint of the edge of Sonny Rollins in it. Gruntz is obviously a cocky, confident young pianist, but he is humbled by Clarke's mastery on the swinging bop tunes and even on the two waltzes, which were the first Clarke had played on record in his life. This is more than a cool jazz record; it is a bit of hipster history with the chops to back up its obscurity. Highly recommended.

© Thom Jurek /TiVo

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