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Peabody Symphony Orchestra|Kevin Puts: Symphony No. 2, Flute Concerto & River's Rush

Kevin Puts: Symphony No. 2, Flute Concerto & River's Rush

Adam Walker, Peabody Symphony Orchestra, Marin Alsop

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Langue disponible : anglais

For this 2016 Naxos release, Marin Alsop and the Peabody Symphony Orchestra present three world-premiere recordings of works by Kevin Puts, one of the most significant contemporary American composers and winner of the Pulitzer Prize in 2012. The Symphony No. 2 (2002), River's Rush (2004), and the Flute Concerto (2013, revised 2014) reveal Puts as a master of orchestral sonorities and a tone poet of moods, which range from the ecstatic to the elegiac. The Symphony No. 2 is a powerful evocation of 9/11, and Puts creates an atmosphere of tragedy that shifts from the innocent tonal ululations of the opening to a violent cataclysm, which then resolves in a meditative section that nevertheless ends with uncertainty. River's Rush, ostensibly inspired by the Mississippi River, is a perpetuum mobile for orchestra that depicts the water's raging currents in rapid successions of short motives. The Flute Concerto offers the most recognizable form in its three movements, opening with a poignantly lyrical section in the Americana style of Copland, which is followed by a nocturnal Andante, a parody of Mozart's "Elvira Madigan" Piano Concerto, and a fantastic toccata finale that Adam Walker plays with impressive virtuosity. This album is a fine introduction to a rising composer whose music is highly accessible, emotionally satisfying, and memorable.

© TiVo

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Kevin Puts: Symphony No. 2, Flute Concerto & River's Rush

Peabody Symphony Orchestra

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Symphony No. 2 (Kevin Puts)

1
Symphony No. 2
Peabody Symphony Orchestra
00:21:44

Karen Chester, Producer - Marin Alsop, Conductor - Kevin Puts, Composer - Peabody Symphony Orchestra, Orchestra, MainArtist - Edward Tetreault, Engineer - Madeline Brumbach, Editor

(C) 2016 Naxos (P) 2016 Naxos

River's Rush (Kevin Puts)

2
River's Rush
Peabody Symphony Orchestra
00:10:30

Karen Chester, Producer - Marin Alsop, Conductor - Kevin Puts, Composer - Peabody Symphony Orchestra, Orchestra, MainArtist - Edward Tetreault, Engineer - Madeline Brumbach, Editor

(C) 2016 Naxos (P) 2016 Naxos

Flute Concerto (Kevin Puts)

3
I. With great sincerity and affection; flexible, with motion
Adam Walker
00:06:17

Karen Chester, Producer - Adam Walker, Artist, MainArtist - Marin Alsop, Conductor - Kevin Puts, Composer - Peabody Symphony Orchestra, Orchestra - Edward Tetreault, Engineer - Madeline Brumbach, Editor

(C) 2016 Naxos (P) 2016 Naxos

4
II. Andante
Adam Walker
00:10:23

Adam Walker, Artist, MainArtist - Marin Alsop, Conductor - Kevin Puts, Composer - Peabody Symphony Orchestra, Orchestra

(C) 2016 Naxos (P) 2016 Naxos

5
III. Very fast, with tremendous energy
Adam Walker
00:07:36

Adam Walker, Artist, MainArtist - Marin Alsop, Conductor - Kevin Puts, Composer - Peabody Symphony Orchestra, Orchestra

(C) 2016 Naxos (P) 2016 Naxos

Chronique

For this 2016 Naxos release, Marin Alsop and the Peabody Symphony Orchestra present three world-premiere recordings of works by Kevin Puts, one of the most significant contemporary American composers and winner of the Pulitzer Prize in 2012. The Symphony No. 2 (2002), River's Rush (2004), and the Flute Concerto (2013, revised 2014) reveal Puts as a master of orchestral sonorities and a tone poet of moods, which range from the ecstatic to the elegiac. The Symphony No. 2 is a powerful evocation of 9/11, and Puts creates an atmosphere of tragedy that shifts from the innocent tonal ululations of the opening to a violent cataclysm, which then resolves in a meditative section that nevertheless ends with uncertainty. River's Rush, ostensibly inspired by the Mississippi River, is a perpetuum mobile for orchestra that depicts the water's raging currents in rapid successions of short motives. The Flute Concerto offers the most recognizable form in its three movements, opening with a poignantly lyrical section in the Americana style of Copland, which is followed by a nocturnal Andante, a parody of Mozart's "Elvira Madigan" Piano Concerto, and a fantastic toccata finale that Adam Walker plays with impressive virtuosity. This album is a fine introduction to a rising composer whose music is highly accessible, emotionally satisfying, and memorable.

© TiVo

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