Catégories :
Panier 0

Votre panier est vide

Masaaki Suzuki - J.S. Bach: Toccatas, BWV 910-916

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

J.S. Bach: Toccatas, BWV 910-916

Masaaki Suzuki

Livret numérique

Disponible en
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

Very little is known about the origin of J. S. Bach’s seven Toccatas (BWV 910–916) or of their use. They are believed to have been written before 1717 or the end of Bach’s Weimar period – but it is quite possible that at least some of them were drafted before he arrived there in 1707, at the age of 22. The Toccatas are usually performed on harpsichord or piano – but even though they are ‘manualiter’ (intended to be played by the hands only) and do not call for pedal parts, they are also occasionally heard on the organ. In terms of style they are examples of the so-called stylus phantasticus – ‘the most free and unfettered method of composition’ – and belong to the North German organ tradition of the late 17th century.

Each toccata consists of several distinct and contrasting sections, interweaving strict counterpoint and fugal passages with freely rhapsodic material, and as such the toccatas differ from the two-movement prelude-and-fugue format which Bach later would put his own, indelible stamp on. With this recording, Masaaki Suzuki takes on some of the earliest of Bach’s extant harpsichord compositions, after having released acclaimed recordings of a wide range of later works, from the two-part Inventions to the two books of the Well-Tempered Clavier. However, he also brings his experience in performing the music of Bach’s North German predecessors to bear, for instance Buxtehude and Nicolaus Bruhns. © BIS Records

Plus d'informations

J.S. Bach: Toccatas, BWV 910-916

Masaaki Suzuki

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 40 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 40 millions de titres avec votre abonnement illimité.

Toccata in G minor, BWV 915 (Johann Sebastian Bach)

1
Adagio
00:01:16

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

2
Allegro - Adagio
00:03:40

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

3
Fuga
00:05:00

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

Toccata in D Minor, BWV 913 (Second Version) (Johann Sebastian Bach)

4
Toccata
00:02:23

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

5
Fuga
00:03:24

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

6
Adagio
00:02:37

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

7
Allegro
00:04:15

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

Toccata in G major, BWV 916 (Johann Sebastian Bach)

8
Toccata
00:02:13

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

9
Adagio
00:02:51

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

10
Allegro e presto
00:03:02

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

Toccata in C minor, BWV 911 (Johann Sebastian Bach)

11
Toccata - Adagio
00:03:01

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

12
Allegro
00:07:08

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

Toccata in E minor, BWV 914 (Johann Sebastian Bach)

13
Toccata - Un poco allegro
00:02:01

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

14
Adagio
00:01:53

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

15
Fuga á 3
00:03:15

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

Toccata in D Major, BWV 912 (Second Version) (Johann Sebastian Bach)

16
Toccata - Allegro
00:02:46

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

17
Adagio
00:05:11

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

18
Fuga
00:03:04

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

Toccata in F-Sharp Minor, BWV 910 (Johann Sebastian Bach)

19
Toccata
00:02:35

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

20
Presto e staccato
00:02:30

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

21
Tocatta
00:02:15

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

22
Fuga
00:02:35

Johann Sebastian Bach, Composer - Masaaki Suzuki, Artist, MainArtist

(C) 2020 BIS (P) 2020 BIS

Descriptif de l'album

Very little is known about the origin of J. S. Bach’s seven Toccatas (BWV 910–916) or of their use. They are believed to have been written before 1717 or the end of Bach’s Weimar period – but it is quite possible that at least some of them were drafted before he arrived there in 1707, at the age of 22. The Toccatas are usually performed on harpsichord or piano – but even though they are ‘manualiter’ (intended to be played by the hands only) and do not call for pedal parts, they are also occasionally heard on the organ. In terms of style they are examples of the so-called stylus phantasticus – ‘the most free and unfettered method of composition’ – and belong to the North German organ tradition of the late 17th century.

Each toccata consists of several distinct and contrasting sections, interweaving strict counterpoint and fugal passages with freely rhapsodic material, and as such the toccatas differ from the two-movement prelude-and-fugue format which Bach later would put his own, indelible stamp on. With this recording, Masaaki Suzuki takes on some of the earliest of Bach’s extant harpsichord compositions, after having released acclaimed recordings of a wide range of later works, from the two-part Inventions to the two books of the Well-Tempered Clavier. However, he also brings his experience in performing the music of Bach’s North German predecessors to bear, for instance Buxtehude and Nicolaus Bruhns. © BIS Records

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
À découvrir également
Par Masaaki Suzuki

Playlists

Dans la même thématique...
Les Grands Angles...
Nils Frahm, le piano debout

Salué par les critiques de la musique classique comme par les amateurs d’expériences électroniques, le talent de Nils Frahm a mis tout le monde d’accord ces dix dernières années. Qu’il utilise un orgue d’église ou un synthétiseur flanqué de pédales d’effet, le pianiste allemand regarde toujours vers l’avant et c’est pour ça qu’il semble si séduisant.

Un nouveau monde entre électro et classique

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama… Depuis quelques années, tous ces noms en vogue ont été regroupés sous la vaste et imprécise étiquette “néoclassique”. A dire vrai, cette “scène” ressemble plutôt à une bande hétéroclite d’artistes fureteurs qui mêlent instruments classiques et production électronique – avec une connexion assumée aux pionniers du minimalisme américain – régalant les sens et ouvrant des perspectives des deux côtés de leur spectre musical.

Fabio Biondi & Europa Galante, 30 ans de liberté

Le violoniste et chef italien Fabio Biondi, célèbre notamment pour son interprétation des “Quatre Saisons” de Vivaldi avec son orchestre Europa Galante, est de ceux qui rejettent toute forme de cloisonnement dans la musique. Retour sur le parcours d’un musicien doté d’une grande souplesse d’esprit et figure incontournable du violon baroque.

Dans l'actualité...