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Bach Collegium Japan - J.S. Bach: Secular Cantatas, Vol. 9 – The Contest Between Phoebus and Pan

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J.S. Bach: Secular Cantatas, Vol. 9 – The Contest Between Phoebus and Pan

Masaaki Suzuki, Bach Collegium Japan

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The complete Bach cantata cycle by Masaaki Suzuki rolls on with some of the secular cantatas, among the composer's least-known works. This is odd for several reasons. The two cantatas recorded here were designated "drama per musica," and the secular cantatas in general are as close as we have to operas by Bach. Further, the secular cantatas are often humorous and topical in nature in a way that Bach's other music is not. No stimulus, in fact, is known for the composition of Geschwinde, Ihr wirbelnden Winde, BWV 201, better known as Der Streit zwischen Phoebus und Pan, or The Dispute Between Phoebus and Pan. The text, by Bach's frequent collaborator Picander, is a little reflection on learned (Phoebus is the advocate here) vs. lighter, more popular music (embodied by Pan), and this was surely a topic on Bach's mind with the advent of new comic styles in the 1720s; in just a few years his music would be characterized as outmoded, and his supporters would pull this piece out of the closet in retort. Bach does not play up the rustic imagery included by Picander, but even so the interpretation by Suzuki and several of his regular stable of soloists is a bit on the cool side. They actually fare a bit better in the birthday-celebration cantata Auf, schmetternde Töne der muntern Trompeten, BWV 207a, a work in which Bach made use of twice-recycled material (the Brandenburg Concerto No. 1, BWV 1046, is involved). This too is intriguing for those interested in a deep dive into Bach's parody technique, and the performances are all clean, and the texts intelligible. Recommended.
© TiVo

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J.S. Bach: Secular Cantatas, Vol. 9 – The Contest Between Phoebus and Pan

Bach Collegium Japan

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Geschwinde, ihr wirbelnden Winde, BWV 201 (Johann Sebastian Bach)

1
Geschwinde, ihr wirbelnden Winde (Chorus)
00:05:34

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble, MainArtist

(C) 2018 BIS (P) 2018 BIS

2
Recitative: Und du bist doch so unverschämt und frei (Phoebus, Pan, Momus)
00:01:41

Johann Sebastian Bach, Composer - Christian Immler, Artist, MainArtist - Joanne Lunn, Artist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist

(C) 2018 BIS (P) 2018 BIS

3
Aria: Patron, das macht der Wind (Momus)
00:02:31

Johann Sebastian Bach, Composer - Joanne Lunn, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble

(C) 2018 BIS (P) 2018 BIS

4
Recitative: Was braucht ihr euch zu zanken (Mercurius, Phoebus, Pan)
00:00:53

Johann Sebastian Bach, Composer - Robin Blaze, Artist, MainArtist - Christian Immler, Artist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist

(C) 2018 BIS (P) 2018 BIS

5
Aria: Mit Verlangen drück ich deine zarten Wangen (Phoebus)
00:09:00

Johann Sebastian Bach, Composer - Christian Immler, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble

(C) 2018 BIS (P) 2018 BIS

6
Recitative: Pan, rücke deine Kehle nun (Momus, Pan)
00:00:20

Johann Sebastian Bach, Composer - Joanne Lunn, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist

(C) 2018 BIS (P) 2018 BIS

7
Aria: Zu Tanze, zu Sprunge (Pan)
00:05:23

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

8
Recitative: Nunmehro Richter her (Mercurius, Tmolus)
00:00:45

Johann Sebastian Bach, Composer - Robin Blaze, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Katsuhiko Nakashima, Artist

(C) 2018 BIS (P) 2018 BIS

9
Aria: Phoebus, deine Melodei (Tmolus)
00:05:50

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Masamitsu Sannomiya, Artist - Katsuhiko Nakashima, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

10
Recitative: Komm, Midas, sage du nun an (Pan, Midas)
00:00:41

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist, MainArtist - Nicholas Phan, Artist

(C) 2018 BIS (P) 2018 BIS

11
Aria: Pan ist Meister, lasst ihn gehn (Midas)
00:04:41

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Nicholas Phan, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

12
Recitative: Wie, Midas, bist du toll (Momus, Mercurius, Tmolus, Phoebus, Midas, Pan)
00:01:04

Johann Sebastian Bach, Composer - Robin Blaze, Artist - Christian Immler, Artist - Joanne Lunn, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist - Nicholas Phan, Artist - Katsuhiko Nakashima, Artist

(C) 2018 BIS (P) 2018 BIS

13
Aria: Aufgeblasne Hitze (Mercurius)
00:05:39

Johann Sebastian Bach, Composer - Robin Blaze, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Kiyomi Suga, Artist

(C) 2018 BIS (P) 2018 BIS

14
Recitative: Du guter Midas, geh nun hin (Momus)
00:01:05

Johann Sebastian Bach, Composer - Joanne Lunn, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble

(C) 2018 BIS (P) 2018 BIS

15
Labt das Herz, ihr holden Saiten (Chorus)
00:02:40

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble, MainArtist

(C) 2018 BIS (P) 2018 BIS

Auf, schmetternde Tone der muntern Trompeten, BWV 207a (Johann Sebastian Bach)

16
Auf, schmetternde Töne der muntern Trompeten (Chorus)
00:04:39

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble, MainArtist

(C) 2018 BIS (P) 2018 BIS

17
Recitative: Die stille Pleisse spielt (Tenor)
00:01:59

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Nicholas Phan, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

18
Aria: Augustus' Namenstages Schimmer (Tenor)
00:03:22

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Nicholas Phan, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

19
Recitative: Augustus' Wohl ist der treuen Sachsen Wohlergehn (Soprano, Bass)
00:02:00

Johann Sebastian Bach, Composer - Joanne Lunn, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist

(C) 2018 BIS (P) 2018 BIS

20
Aria: Mich kann die susse Ruhe laben (Soprano, Bass) - Ritornello
00:06:21

Johann Sebastian Bach, Composer - Joanne Lunn, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist

(C) 2018 BIS (P) 2018 BIS

21
Recitative: Augustus schützt die frohen Felder (Alto)
00:00:53

Johann Sebastian Bach, Composer - Robin Blaze, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble

(C) 2018 BIS (P) 2018 BIS

22
Aria: Preiset, späte Folgezeiten (Alto)
00:05:25

Johann Sebastian Bach, Composer - Robin Blaze, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble

(C) 2018 BIS (P) 2018 BIS

23
Recitative: Ihr Fröhlichen, herbei (Soprano, Alto, Tenor, Bass)
00:02:46

Johann Sebastian Bach, Composer - Robin Blaze, Artist - Joanne Lunn, Artist, MainArtist - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble - Dominik Worner, Artist - Nicholas Phan, Artist

(C) 2018 BIS (P) 2018 BIS

24
August lebe, lebe, König (Chorus)
00:03:34

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble, MainArtist

(C) 2018 BIS (P) 2018 BIS

25
Marche
00:01:55

Johann Sebastian Bach, Composer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Ensemble, MainArtist

(C) 2018 BIS (P) 2018 BIS

Descriptif de l'album

The complete Bach cantata cycle by Masaaki Suzuki rolls on with some of the secular cantatas, among the composer's least-known works. This is odd for several reasons. The two cantatas recorded here were designated "drama per musica," and the secular cantatas in general are as close as we have to operas by Bach. Further, the secular cantatas are often humorous and topical in nature in a way that Bach's other music is not. No stimulus, in fact, is known for the composition of Geschwinde, Ihr wirbelnden Winde, BWV 201, better known as Der Streit zwischen Phoebus und Pan, or The Dispute Between Phoebus and Pan. The text, by Bach's frequent collaborator Picander, is a little reflection on learned (Phoebus is the advocate here) vs. lighter, more popular music (embodied by Pan), and this was surely a topic on Bach's mind with the advent of new comic styles in the 1720s; in just a few years his music would be characterized as outmoded, and his supporters would pull this piece out of the closet in retort. Bach does not play up the rustic imagery included by Picander, but even so the interpretation by Suzuki and several of his regular stable of soloists is a bit on the cool side. They actually fare a bit better in the birthday-celebration cantata Auf, schmetternde Töne der muntern Trompeten, BWV 207a, a work in which Bach made use of twice-recycled material (the Brandenburg Concerto No. 1, BWV 1046, is involved). This too is intriguing for those interested in a deep dive into Bach's parody technique, and the performances are all clean, and the texts intelligible. Recommended.
© TiVo

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