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Coheed and Cambria|In Keeping Secrets Of Silent Earth: 3

In Keeping Secrets Of Silent Earth: 3

Coheed and Cambria

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Coheed and Cambria continue to combine metal, pop, and sometimes punk influences on In Keeping Secrets of Silent Earth: 3. The high-register vocals of Claudio Sanchez are reminiscent of Shudder to Think's Nathan Larson. The vocals combined with the glam metal-pop music of such tracks as "The Velourium Camper I: Faint of Hearts" and "Blood Red Summer" can at times bring out the influences of Queen, T. Rex, or the Cars, and the recent influences of Cap'n Jazz or Jets to Brazil. Coheed and Cambria could look a bit more to these influential bands that they take from and cut down on song length and tedious poetry. The production of In Keeping Secrets of Silent Earth: 3 keeps the passionate emotion at bay. The double-tracking of guitars can give an interesting metal-influenced sound, as on "Cuts Marked in the March of Men" and "The Crowing," but production choices hold back the distortion and push up the reverb, keeping the whole record a bit too safe. Coheed & Cambria are at their best when they combine the half-time chumpdowns of Braid-like emo with late-'70s/early-'80s-influenced glam pop stylings. "Three Evils (Embodied in Love and Shadow)" and "The Velourium Camper III: Al the Killer" are Coheed and Cambria's best examples of their uses of angular, driving metal and passionately sung/screamed double-tracked vocals. In Keeping Secrets of Silent Earth: 3 furthers Coheed and Cambria's efforts to make an epic record, but that may only be in length and a grand vision of the final outcome that falls a bit short.

© David Serra /TiVo

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In Keeping Secrets Of Silent Earth: 3

Coheed and Cambria

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1
The Ring In Return
00:02:07

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

2
In Keeping Secrets of Silent Earth: 3
00:08:12

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

3
Cuts Marked In the March of Men
00:05:00

Coheed and Cambria, Associated Performer, Main Artist - Claudio Sanchez, Composer, Lyricist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

4
Three Evils (Embodied in Love and Shadow)
00:05:12

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

5
The Crowing
00:06:36

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

6
Blood Red Summer
00:04:05

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

7
The Camper Velourium I: Faint of Hearts
00:05:21

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

8
The Camper Velourium II: Backend of Forever
00:05:33

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

9
The Camper Velourium III: Al the Killer
00:04:16

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

10
A Favor House Atlantic
00:03:55

Coheed and Cambria, Associated Performer, Main Artist - Claudio Sanchez, Composer, Lyricist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

11
The Light & the Glass
00:09:28

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

12
21:13
00:09:46

Coheed and Cambria, Associated Performer, Composer, Lyricist, Main Artist - Michael Birnbaum, Producer, Recording Engineer - Chris Bittner, Producer, Recording Engineer

(P) 2003 Equal Vision Records

Chronique

Coheed and Cambria continue to combine metal, pop, and sometimes punk influences on In Keeping Secrets of Silent Earth: 3. The high-register vocals of Claudio Sanchez are reminiscent of Shudder to Think's Nathan Larson. The vocals combined with the glam metal-pop music of such tracks as "The Velourium Camper I: Faint of Hearts" and "Blood Red Summer" can at times bring out the influences of Queen, T. Rex, or the Cars, and the recent influences of Cap'n Jazz or Jets to Brazil. Coheed and Cambria could look a bit more to these influential bands that they take from and cut down on song length and tedious poetry. The production of In Keeping Secrets of Silent Earth: 3 keeps the passionate emotion at bay. The double-tracking of guitars can give an interesting metal-influenced sound, as on "Cuts Marked in the March of Men" and "The Crowing," but production choices hold back the distortion and push up the reverb, keeping the whole record a bit too safe. Coheed & Cambria are at their best when they combine the half-time chumpdowns of Braid-like emo with late-'70s/early-'80s-influenced glam pop stylings. "Three Evils (Embodied in Love and Shadow)" and "The Velourium Camper III: Al the Killer" are Coheed and Cambria's best examples of their uses of angular, driving metal and passionately sung/screamed double-tracked vocals. In Keeping Secrets of Silent Earth: 3 furthers Coheed and Cambria's efforts to make an epic record, but that may only be in length and a grand vision of the final outcome that falls a bit short.

© David Serra /TiVo

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