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Hank Jones|Happenings

Happenings

Hank Jones, Oliver Nelson

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Langue disponible : anglais

The combination of Hank Jones and Oliver Nelson, along with sidemen such as Clark Terry, Ernie Royal, and Jerry Dodgion, would normally have one expecting a great release. Unfortunately, Jones plays an electric harpsichord on seven of the 11 tracks from this mid-1960s LP, plus there are several dated pop numbers from the era, including "Winchester Cathedral" (though it has a campy pesudo-Satchmo vocal by Terry) and the bland "Mas Que Nada (Pow Pow Pow)," which has long since worn out its welcome. Jones' playing, Nelson's arrangements and his originals (including "Happenings" and "Lou's Good Due Blues"), and the work of the various sidemen is all first rate. But the forgettable sound of the electric harpsichord (an instrument that thankfully didn't catch on, contrary to liner note writer Stanley Dance's prediction that it was here to stay along with earlier electronic instruments) keeps this release from achieving the heights it would have if Jones had only stuck to the piano throughout the sessions. This disc will be sought only by those fans who must have everything Hank Jones has recorded.
© Ken Dryden /TiVo

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Happenings

Hank Jones

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1
Broadwalk Samba
00:02:55

Oliver Nelson, MainArtist - Hank Jones, MainArtist - JOHNNY HODGES, ComposerLyricist - George Douglas, Producer

℗ 1966 GRP Records Inc.

2
Winchester Cathedral
00:02:23

Oliver Nelson, MainArtist - Hank Jones, MainArtist - Geoff Stephens, ComposerLyricist

℗ 1966 GRP Records Inc., Mit freundlicher Genehmigung: Universal Music Group International

3
Mas Que Nada (Pow, Pow Pow) (Album Version)
00:02:35

Jorge Ben, ComposerLyricist - Oliver Nelson, Conductor, Recording Arranger, MainArtist, AssociatedPerformer - Hank Jones, MainArtist - Bob Thiele, Producer

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc., Mit freundlicher Genehmigung: Universal Music Group International

4
Lullaby Of Jazzland
00:02:31

Rick Ward, ComposerLyricist - Oliver Nelson, MainArtist - Hank Jones, MainArtist - George Douglas, Producer - Manny Albam, ComposerLyricist

℗ 1966 GRP Records Inc.

5
Jazztime, U.S.A.
00:02:19

Oliver Nelson, MainArtist - Hank Jones, MainArtist - George Douglas, Producer - Jack Pleis, ComposerLyricist

℗ 1966 GRP Records Inc.

6
Cul-De-Sac
00:03:04

Oliver Nelson, MainArtist, ComposerLyricist - Hank Jones, MainArtist, ComposerLyricist - George Douglas, Producer

℗ 1966 GRP Records Inc.

7
Happenings
00:03:09

Oliver Nelson, MainArtist, ComposerLyricist - Hank Jones, MainArtist - George Douglas, Producer

℗ 1966 GRP Records Inc.

8
Lou's Good Dues Blues
00:04:21

Oliver Nelson, MainArtist, ComposerLyricist - Hank Jones, MainArtist - George Douglas, Producer

℗ 1966 GRP Records Inc.

9
Fugue Tune
00:04:24

Oliver Nelson, MainArtist, ComposerLyricist - Hank Jones, MainArtist - George Douglas, Producer

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Spy With A Cold Nose
00:03:10

Oliver Nelson, MainArtist - Hank Jones, MainArtist - Riz Ortolani, Composer - George Douglas, Producer

℗ 1966 GRP Records Inc.

11
Funky But Blues
00:02:51

Oliver Nelson, MainArtist, ComposerLyricist - Hank Jones, MainArtist - George Douglas, Producer

℗ 1966 GRP Records Inc.

Descriptif de l'album

The combination of Hank Jones and Oliver Nelson, along with sidemen such as Clark Terry, Ernie Royal, and Jerry Dodgion, would normally have one expecting a great release. Unfortunately, Jones plays an electric harpsichord on seven of the 11 tracks from this mid-1960s LP, plus there are several dated pop numbers from the era, including "Winchester Cathedral" (though it has a campy pesudo-Satchmo vocal by Terry) and the bland "Mas Que Nada (Pow Pow Pow)," which has long since worn out its welcome. Jones' playing, Nelson's arrangements and his originals (including "Happenings" and "Lou's Good Due Blues"), and the work of the various sidemen is all first rate. But the forgettable sound of the electric harpsichord (an instrument that thankfully didn't catch on, contrary to liner note writer Stanley Dance's prediction that it was here to stay along with earlier electronic instruments) keeps this release from achieving the heights it would have if Jones had only stuck to the piano throughout the sessions. This disc will be sought only by those fans who must have everything Hank Jones has recorded.
© Ken Dryden /TiVo

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