George Benson George Benson In Concert--Carnegie Hall

George Benson In Concert--Carnegie Hall

George Benson

Paru le 24 mars 1988 chez CBS Associated

Artiste principal : George Benson

Genre : Jazz > Jazz fusion & Jazz rock

Distinctions : Qobuz Référence ( janvier 2014)

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In Concert -- Carnegie Hall is George Benson's final recording for Creed Taylor's CTI label, and was mostly recorded on one night in 1975. There was some additional recording done at Rudy Van Gelder's studio in 1976, where Taylor replaced the original rhythm section of Wayne Dockery on bass and Marvin Chapell on drums with Will Lee and Steve Gadd, for whatever reason Taylor had at the time. Regardless, this is a solid "live" effort with Benson cooking on all burners, beginning with a monster version of Dave Brubeck's "Take Five," which had been cut on an earlier album and had become a staple in the live set. Organist Ronnie Foster's backing skills here are indispensable, as they keep Benson talking to the other members of the band. The version of "Summertime" here could have been recorded by Phil Spector. The concert version of the tune -- on which Benson takes a vocal -- has been added to with the substitution of the rhythm section and the later addition of a string orchestra in the studio. (Perhaps Taylor understood Benson's crossover appeal; he would cross over into the pop charts on Warner the next year with "This Masquerade.") The crowd dug it, but it's simply OK over the test of time. Hipper is the long snaky groove of Benson's own "Gone," with begins with the steady pulse of Hubert Laws playing a counterpoint foil on flute. The entwining harmonic interplay between the two is gorgeous and goes on for over ten minutes. The band then takes on Freddie Hubbard's "Sky Dive" with real aplomb. The Latin rhythm and slippery guitar by Benson pull the rhythm section up a notch before he begins the head. His funky articulation of fifths and then eighths in his break is mesmerizing. The way Chapell rides the cymbal like a bell is particularly satisfying. The album closes on another Benson original with Laws popping in again. It's called "Octane." Over ten minutes in length, it begins with Benson in full roar before the time signature changes and triples, feeling like a bebop tune more than anything else. Foster keeps it all grounded, but this baby swings so hard it threatens to lift off. In retrospect, listening to this record in the 21st century, it's difficult to imagine Benson making the switch from a classy guitar firebrand to a pop star so quickly. Mosaic Contemporary has brought out a fine remastered edition on CD. ~ Thom Jurek
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Album : 1 disque - 6 pistes Durée totale : 00:41:59

  1. 1 Introduction (Spoken by George Benson) (Live)

    John Venable, Engineer - Tim Geelan, Mastering Engineer - Will Lee, Bass - Andy Newmark, Drums - Ronnie Foster, Keyboards - Rudy Van Gelder, Mixing Engineer - Rudy Van Gelder, Mastering Engineer - Marvin Chappell, Drums - Creed Taylor, Producer - Randy Armando, Percussion - Dave Hewitt, Engineer - Johnny Griggs, Percussion - Spoken Word, Composer - Spoken Word, Lyricist - Wayne Dockery, Bass - Hubert Laws, Flute - Steve Gadd, Drums - Gary Pacheco, A&R Coordinator - George Benson, Guitar - George Benson, Performer - Bernard Fennell, Acoustic Cello Copyright : (P) 1976 Columbia Records, a division of Sony Music Entertainment

  2. 2 Take Five (Live)

    John Venable, Engineer - Tim Geelan, Mastering Engineer - Will Lee, Bass - Andy Newmark, Drums - Ronnie Foster, Keyboards - Rudy Van Gelder, Mixing Engineer - Rudy Van Gelder, Mastering Engineer - Marvin Chappell, Drums - Creed Taylor, Producer - Randy Armando, Percussion - Dave Hewitt, Engineer - Johnny Griggs, Percussion - Wayne Dockery, Bass - P. Desmond, Composer - Hubert Laws, Flute - Steve Gadd, Drums - Gary Pacheco, A&R Coordinator - George Benson, Guitar - George Benson, Performer - Bernard Fennell, Acoustic Cello Copyright : (P) 1976 Columbia Records, a division of Sony Music Entertainment

  3. 3 Summertime (From, "Porgy and Bess" [Live]) (from Porgy And Bess (Live))

    I. Gershwin, Composer - I. Gershwin, Lyricist - G. Gershwin (1898-1937), Composer - G. Gershwin (1898-1937), Lyricist - Hubert Laws, Flute - Johnny Griggs, Percussion - Wayne Dockery, Bass - Creed Taylor, Producer - Ronnie Foster, Keyboards - Bernard Fennell, Acoustic Cello - Randy Armando, Percussion - Steve Gadd, Drums - Andy Newmark, Drums - D. Heyward, Composer - D. Heyward, Lyricist - George Benson, Guitar - George Benson, Performer - Will Lee, Bass - Marvin Chappell, Drums Copyright : (P) 1976 Columbia Records, a division of Sony Music Entertainment

  4. 4 Gone (Live)

    John Venable, Engineer - Tim Geelan, Mastering Engineer - Will Lee, Bass - Andy Newmark, Drums - Ronnie Foster, Keyboards - G. Benson, Composer - Rudy Van Gelder, Mixing Engineer - Rudy Van Gelder, Mastering Engineer - Marvin Chappell, Drums - Creed Taylor, Producer - Randy Armando, Percussion - Dave Hewitt, Engineer - Johnny Griggs, Percussion - Wayne Dockery, Bass - Hubert Laws, Flute - Steve Gadd, Drums - Gary Pacheco, A&R Coordinator - George Benson, Guitar - George Benson, Performer - Bernard Fennell, Acoustic Cello Copyright : (P) 1976 Columbia Records, a division of Sony Music Entertainment

  5. 5 Sky Dive (Live)

    John Venable, Engineer - Tim Geelan, Mastering Engineer - Will Lee, Bass - Andy Newmark, Drums - Ronnie Foster, Keyboards - Rudy Van Gelder, Mixing Engineer - Rudy Van Gelder, Mastering Engineer - Freddie Hubbard, Composer - Marvin Chappell, Drums - Creed Taylor, Producer - Randy Armando, Percussion - Dave Hewitt, Engineer - Johnny Griggs, Percussion - Wayne Dockery, Bass - Hubert Laws, Flute - Steve Gadd, Drums - Gary Pacheco, A&R Coordinator - George Benson, Guitar - George Benson, Performer - Bernard Fennell, Acoustic Cello Copyright : (P) 1976 Columbia Records, a division of Sony Music Entertainment

  6. 6 Octane (Live)

    John Venable, Engineer - Tim Geelan, Mastering Engineer - Will Lee, Bass - Andy Newmark, Drums - Ronnie Foster, Keyboards - G. Benson, Composer - Rudy Van Gelder, Mixing Engineer - Rudy Van Gelder, Mastering Engineer - Marvin Chappell, Drums - Creed Taylor, Producer - Randy Armando, Percussion - Dave Hewitt, Engineer - Johnny Griggs, Percussion - Wayne Dockery, Bass - Hubert Laws, Flute - Steve Gadd, Drums - Gary Pacheco, A&R Coordinator - George Benson, Guitar - George Benson, Performer - Bernard Fennell, Acoustic Cello Copyright : (P) 1976 Columbia Records, a division of Sony Music Entertainment

  • Descriptif de l'album
  • In Concert -- Carnegie Hall is George Benson's final recording for Creed Taylor's CTI label, and was mostly recorded on one night in 1975. There was some additional recording done at Rudy Van Gelder's studio in 1976, where Taylor replaced the original rhythm section of Wayne Dockery on bass and Marvin Chapell on drums with Will Lee and Steve Gadd, for whatever reason Taylor had at the time. Regardless, this is a solid "live" effort with Benson cooking on all burners, beginning with a monster version of Dave Brubeck's "Take Five," which had been cut on an earlier album and had become a staple in the live set. Organist Ronnie Foster's backing skills here are indispensable, as they keep Benson talking to the other members of the band. The version of "Summertime" here could have been recorded by Phil Spector. The concert version of the tune -- on which Benson takes a vocal -- has been added to with the substitution of the rhythm section and the later addition of a string orchestra in the studio. (Perhaps Taylor understood Benson's crossover appeal; he would cross over into the pop charts on Warner the next year with "This Masquerade.") The crowd dug it, but it's simply OK over the test of time. Hipper is the long snaky groove of Benson's own "Gone," with begins with the steady pulse of Hubert Laws playing a counterpoint foil on flute. The entwining harmonic interplay between the two is gorgeous and goes on for over ten minutes. The band then takes on Freddie Hubbard's "Sky Dive" with real aplomb. The Latin rhythm and slippery guitar by Benson pull the rhythm section up a notch before he begins the head. His funky articulation of fifths and then eighths in his break is mesmerizing. The way Chapell rides the cymbal like a bell is particularly satisfying. The album closes on another Benson original with Laws popping in again. It's called "Octane." Over ten minutes in length, it begins with Benson in full roar before the time signature changes and triples, feeling like a bebop tune more than anything else. Foster keeps it all grounded, but this baby swings so hard it threatens to lift off. In retrospect, listening to this record in the 21st century, it's difficult to imagine Benson making the switch from a classy guitar firebrand to a pop star so quickly. Mosaic Contemporary has brought out a fine remastered edition on CD. ~ Thom Jurek

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