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Leonard Slatkin|Copland: Music For Films

Copland: Music For Films

Leonard Slatkin

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There comes a time when you just have to grow up and face the fact that Aaron Copland really was the great American composer of the twentieth century. Everyone knows his music and everyone loves his music. And the more Copland you listen to, the better he gets. Even his film scores have great stuff in them. The big tunes, the populist rhetoric, the brilliant orchestral colors, and the sense of awe and transcendence that are the hallmarks of his best music can be heard in his film music. In this recording by Leonard Slatkin and the St. Louis Symphony Orchestra, Copland's film music gets the full Technicolor treatment. Their music from The Red Pony has its humor, grandeur, and an aching lyricism. Their suite from Our Town has its stoicism and its romanticism. The suite from The Heiress has its pathos and irony. Their Music for Movies has its bathos and bombast. And their closing Prairie Journal has its epic scope and occasionally trivial tunes. Slatkin leads with energy and conviction. The St. Louis plays with subtleness and strength. RCA's early-'90s digital sound is warm and rich and full.
© TiVo

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Copland: Music For Films

Leonard Slatkin

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The Red Pony (Aaron Copland)

1
Morning on the Ranch
00:04:32

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

2
The Gift
00:04:52

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

3
Dream March
00:02:30

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

4
Circus Music
00:01:45

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

5
Walk to the Bunkhouse
00:02:43

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

6
Grandfather's Story
00:03:47

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

7
Happy Ending
00:03:08

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

8
Our Town
00:09:06

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

9
The Heiress Suite
00:08:14

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer - Arnold Freed, Arranger

(P) 1994 Sony Music Entertainment

Music for Movies (Aaron Copland)

10
New England Countryside (From "The City")
00:05:12

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

11
Barley Wagons (From "Of Mice and Men")
00:02:12

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

12
Sunday Traffic (From "The City")
00:02:29

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

13
Grovers Corners (From "Our Town")
00:02:21

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

14
Threshing Machines (From "Of Mice and Men")
00:02:58

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

15
Prairie Journal (Music for Radio)
00:11:46

Aaron Copland, Composer - Leonard Slatkin, Conductor - Saint Louis Symphony Orchestra, Performer

(P) 1994 Sony Music Entertainment

Descriptif de l'album

There comes a time when you just have to grow up and face the fact that Aaron Copland really was the great American composer of the twentieth century. Everyone knows his music and everyone loves his music. And the more Copland you listen to, the better he gets. Even his film scores have great stuff in them. The big tunes, the populist rhetoric, the brilliant orchestral colors, and the sense of awe and transcendence that are the hallmarks of his best music can be heard in his film music. In this recording by Leonard Slatkin and the St. Louis Symphony Orchestra, Copland's film music gets the full Technicolor treatment. Their music from The Red Pony has its humor, grandeur, and an aching lyricism. Their suite from Our Town has its stoicism and its romanticism. The suite from The Heiress has its pathos and irony. Their Music for Movies has its bathos and bombast. And their closing Prairie Journal has its epic scope and occasionally trivial tunes. Slatkin leads with energy and conviction. The St. Louis plays with subtleness and strength. RCA's early-'90s digital sound is warm and rich and full.
© TiVo

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