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Nanci Griffith|Clock Without Hands

Clock Without Hands

Nanci Griffith

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Langue disponible : anglais

Clock Without Hands is Nanci Griffith's first recording of original material since 1997's Blue Roses From the Moon, leading to high expectations by fans and critics. These expectations, however, are also tinged by the disappointment -- by many -- of 1999's The Dust Bowl Symphony, a pseudo-best-of backed by an orchestra's strings. Clock Without Hands' catchy title track, propelled forward by steady percussion and insistent acoustic guitar, seems, on the surface, to get things off to a good start. But something isn't quite right. The production is a bit too bright and the lyric's metaphor is overextended. "Traveling Through This Part of You," the second cut, sends out other mixed signals: the production, with background strings, varies greatly from the first track. In fact, the changing production from track to track reminds one of a greatest-hits package. This song, along with "Roses on the 4th of July," also attempts to come to grips with the sacrifices that Vietnam War veterans made for their country. While this impulse is admirable, lines like "He still sends her roses on the Forth of July," combining love with patriotic sacrifice, come across as cloying. Two other tunes should be mentioned. On "Shaking Out the Snow" Griffith delivers an agonized vocal, and one's response to it -- that she overreaches or perfectly captures the mood -- will depend on whether one buys the tortured lyric. The album ends with a cover of -- don't even try to guess -- "In the Wee Small Hours," complete with a syrupy string arrangement, once again recalling The Dust Bowl Symphonies. There are a number of things to like about Clock Without Hands, and the album will undoubtedly grow on listeners, but the album lacks the consistency of even a less than great album like Flyer. Fans will definitely want to pay the ticket for admission to find out what Griffith's been up to lately; the unfamiliar, few though they be, should turn to older titles like Once in a Very Blue Moon and Last of the True Believers.

© Ronnie D. Lankford, Jr. /TiVo

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Clock Without Hands

Nanci Griffith

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1
Clock Without Hands (LP Version)
00:03:43

Ray Kennedy, Producer - Jennifer Kimball, Backing Vocals - NANCI GRIFFITH, Composer, Producer, MainArtist - Le Ann Etheridge, Backing Vocals - Lee Satterfield, Backing Vocals

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

2
Traveling Through This Part of You (LP Version)
00:04:02

Ray Kennedy, Producer - NANCI GRIFFITH, Composer, Producer, MainArtist - Ron Huff, Conductor

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

3
Where Would I Be (LP Version)
00:04:26

Ray Kennedy, Producer - Paul Carrack, Composer - NANCI GRIFFITH, Producer, MainArtist - Clive Gregson, Electric Guitar

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

4
Midnight in Missoula (LP Version)
00:03:59

Ray Kennedy, Producer, Electric Guitar - Jennifer Kimball, Backing Vocals - DAVID DAVIDSON, Violin - Monisa Angell, Viola - John Catchings, Cello - David Angel, Violin - NANCI GRIFFITH, Composer, Producer, MainArtist - Clive Gregson, Electric Guitar - Lee Ann Etheridge, Backing Vocals - Lee Satterfield, Backing Vocals

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

5
Lost Him in the Sun (LP Version)
00:02:51

Ray Kennedy, Producer, Percussion - Jennifer Kimball, Backing Vocals - NANCI GRIFFITH, Producer, MainArtist - John Stewart, Composer, Acoustic Guitar, Backing Vocals - Lee Ann Etheridge, Backing Vocals - Lee Satterfield, Backing Vocals - Pete Kennedy, Electric Guitar

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

6
The Ghost Inside of Me (LP Version)
00:03:03

Ray Kennedy, Producer, Percussion - Jennifer Kimball, Backing Vocals - NANCI GRIFFITH, Producer, MainArtist - John Stewart, Composer, Acoustic Guitar - Lee Ann Etheridge, Backing Vocals - Lee Satterfield, Backing Vocals - Pete Kennedy, Guitar

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

7
Truly Something Fine (LP Version)
00:03:05

Ray Kennedy, Producer, Acoustic Guitar - James Hooker, Composer - Linda Ronstadt, Harmony Vocals - DAVID DAVIDSON, Violin - Monisa Angell, Viola - John Catchings, Cello - David Angel, Violin - NANCI GRIFFITH, Composer, Producer, MainArtist

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

8
Cotton (LP Version)
00:02:41

Ray Kennedy, Producer - Jennifer Kimball, Backing Vocals - James Hooker, Composer - DAVID DAVIDSON, Violin - Monisa Angell, Viola - John Catchings, Cello - David Angel, Violin - NANCI GRIFFITH, Composer, Producer, MainArtist - Lee Ann Etheridge, Backing Vocals - Lee Satterfield, Vocals - Jim Williamson, Flugelhorn, Saxophone, Trumpet

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

9
Pearl's Eye View (The Life of Dickey Chapelle) (LP Version)
00:03:27

Ray Kennedy, Producer, Acoustic Guitar - NANCI GRIFFITH, Composer, Lyricist, Producer, MainArtist - Pete Kennedy, Guitar - Maura Kennedy, Composer, Lyricist, Backing Vocals

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

10
Roses on the 4th of July (LP Version)
00:03:35

Ray Kennedy, Producer - Michael Johnson, Guitar, Vocals - NANCI GRIFFITH, Composer, Producer, Vocals, MainArtist

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

11
Shaking out the Snow (LP Version)
00:04:44

Ray Kennedy, Producer - James Hooker, Composer - NANCI GRIFFITH, Composer, Producer, MainArtist

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

12
Armstrong (LP Version)
00:03:32

Ray Kennedy, Producer, Contributor - John Catchings, Cello - NANCI GRIFFITH, Producer, MainArtist - John Stewart, Composer, Acoustic Guitar - Pete Kennedy, Guitar - Maura Kennedy, Backing Vocals

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

13
Last Song for Mother (LP Version)
00:02:39

Ray Kennedy, Producer - DAVID DAVIDSON, Violin - Monisa Angell, Viola - John Catchings, Cello - David Angel, Violin - NANCI GRIFFITH, Composer, Producer, MainArtist

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

14
In the Wee Small Hours (LP Version)
00:02:49

Bob Hilliard, Composer - NANCI GRIFFITH, MainArtist - Peter Collins for Jill Music, Ltd., Producer - The String Machine, Contributor - Lee Satterfield, Guitar - David A Mann, Composer - Doug Lancio, Electric Guitar - JOHN MOCK, Conductor, Arranger

© 2001 Elektra Entertainment Group Inc. and DARP. Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

Chronique

Clock Without Hands is Nanci Griffith's first recording of original material since 1997's Blue Roses From the Moon, leading to high expectations by fans and critics. These expectations, however, are also tinged by the disappointment -- by many -- of 1999's The Dust Bowl Symphony, a pseudo-best-of backed by an orchestra's strings. Clock Without Hands' catchy title track, propelled forward by steady percussion and insistent acoustic guitar, seems, on the surface, to get things off to a good start. But something isn't quite right. The production is a bit too bright and the lyric's metaphor is overextended. "Traveling Through This Part of You," the second cut, sends out other mixed signals: the production, with background strings, varies greatly from the first track. In fact, the changing production from track to track reminds one of a greatest-hits package. This song, along with "Roses on the 4th of July," also attempts to come to grips with the sacrifices that Vietnam War veterans made for their country. While this impulse is admirable, lines like "He still sends her roses on the Forth of July," combining love with patriotic sacrifice, come across as cloying. Two other tunes should be mentioned. On "Shaking Out the Snow" Griffith delivers an agonized vocal, and one's response to it -- that she overreaches or perfectly captures the mood -- will depend on whether one buys the tortured lyric. The album ends with a cover of -- don't even try to guess -- "In the Wee Small Hours," complete with a syrupy string arrangement, once again recalling The Dust Bowl Symphonies. There are a number of things to like about Clock Without Hands, and the album will undoubtedly grow on listeners, but the album lacks the consistency of even a less than great album like Flyer. Fans will definitely want to pay the ticket for admission to find out what Griffith's been up to lately; the unfamiliar, few though they be, should turn to older titles like Once in a Very Blue Moon and Last of the True Believers.

© Ronnie D. Lankford, Jr. /TiVo

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