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Enrico Pieranunzi|Canto nascosto (Omaggio al pianoforte)

Canto nascosto (Omaggio al pianoforte)

Enrico Pieranunzi

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Italian jazz pianist Enrico Pieranunzi uses five different acoustic pianos throughout Canto Nascosto, his 2000 solo outing. On this effort, the estimable jazz virtuoso renders a set laced with sentiment, topped off by his predilection for delicately formulating his lyrically charged concepts. Essentially, this is a nicely balanced program, tinged with romanticism, jubilance, and lament. On the piece titled "Per Due," Pieranunzi executes radiant harmonies atop fleeting mini-themes and chord-based flurries. He also pursues somber balladry to coincide with a Bill Evans-like touch. Besides the lush melodies and wistful themes, the pianist supplants his stylizations with a rhythmically inclined delivery. Perhaps not one of Pieranunzi's most striking works, but a very strong effort indeed. Here, the artist explores various tonal concepts to complement a mainstream type approach.
© Glenn Astarita /TiVo

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Canto nascosto (Omaggio al pianoforte)

Enrico Pieranunzi

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1
Canto di ieri
00:04:19

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

2
Canzone del meriggio
00:02:49

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

3
A Second Thought
00:04:16

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

4
Una piccola chiave dorata
00:06:31

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

5
Improvvisazione (II)
00:02:32

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

6
Improvvisazione (I)
00:00:52

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

7
A Second Thought
00:04:04

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

8
Canto nascosto
00:06:21

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

9
Per due
00:03:38

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

10
Io non saprò mai perchè
00:02:58

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

11
A Second Thought
00:04:39

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

12
Todas las tardes
00:04:46

Enrico Pieranunzi, Artist, MainArtist

2000 Egea Srl under license to Pirames International Srl 2000 Egea Srl under license to Pirames International Srl

Chronique

Italian jazz pianist Enrico Pieranunzi uses five different acoustic pianos throughout Canto Nascosto, his 2000 solo outing. On this effort, the estimable jazz virtuoso renders a set laced with sentiment, topped off by his predilection for delicately formulating his lyrically charged concepts. Essentially, this is a nicely balanced program, tinged with romanticism, jubilance, and lament. On the piece titled "Per Due," Pieranunzi executes radiant harmonies atop fleeting mini-themes and chord-based flurries. He also pursues somber balladry to coincide with a Bill Evans-like touch. Besides the lush melodies and wistful themes, the pianist supplants his stylizations with a rhythmically inclined delivery. Perhaps not one of Pieranunzi's most striking works, but a very strong effort indeed. Here, the artist explores various tonal concepts to complement a mainstream type approach.
© Glenn Astarita /TiVo

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