George Benson Beyond The Blue Horizon

Beyond The Blue Horizon

George Benson

Paru le 26 mai 1994 chez Epic - Associated - Legacy

Artiste principal : George Benson

Genre : Jazz > Jazz fusion & Jazz rock

Distinctions : Qobuz Référence ( janvier 2014)

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Having taken Benson along with him when he founded CTI, Creed Taylor merely leaves the guitarist alone with a small group on his first release. The payoff is a superb jazz session where Benson rises to the challenge of the turbulent rhythm section of Jack DeJohnette and Ron Carter, with Clarence Palmer ably manning the organ. Benson is clearly as much at home with DeJohnette's advanced playing as he was in soul/jazz (after all, he did play on some Miles Davis sessions a few years before), and his tone is edgier, with more bite, than it had been for awhile. The lyrical Benson is also on eloquent display in "Ode to a Kudu" (heard twice on the CD, as is "All Clear"), and there is even a somewhat experimental tilt toward Afro-Cuban-Indian rhythms in "Somewhere to the East." A must-hear for all aficionados of Benson's guitar. ~ Richard S. Ginell
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Album : 1 disque - 8 pistes Durée totale : 00:53:56

  1. 1 So What (Album Version)

    George Benson, Vocal - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Creed Taylor, Producer - Clarence Palmer, Organ - M. Davis, Lyricist - M. Davis, Composer - Jack DeJohnette, Drums Copyright : Originally released 1971. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  2. 2 The Gentle Rain (From the Film, "The Gentle Rain") (Album Version)

    Seth Rothstein, Project Coordinator - Tony Martell, Executive Producer - Didier C. Deutsch, Re-Issue Producer - Albert Nicholson, Percussion - Tom Ruff, Mastering Engineer - Danny Kadar, Mixing Engineer - Creed Taylor, Producer - Jack DeJohnette, Drums - L. Bonfa, Composer - L. Bonfa, Lyricist - David Swope, 2nd Engineer - George Benson, Vocal - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Michael Cameron, Percussion - Patti Matheny, A&R Coordinator - Clarence Palmer, Organ Copyright : Originally released 1971. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  3. 3 All Clear (Album Version)

    Seth Rothstein, Project Coordinator - Tony Martell, Executive Producer - Didier C. Deutsch, Re-Issue Producer - Albert Nicholson, Percussion - Tom Ruff, Mastering Engineer - Danny Kadar, Mixing Engineer - Creed Taylor, Producer - Jack DeJohnette, Drums - David Swope, 2nd Engineer - George Benson, Vocal - George Benson, Composer - George Benson, Guitar - George Benson, Lyricist - George Benson, Performer - Ron Carter, Bass - Michael Cameron, Percussion - Patti Matheny, A&R Coordinator - Clarence Palmer, Organ Copyright : Originally released 1971. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  4. 4 Ode to a Kudu (Album Version)

    G. Benson, Lyricist - G. Benson, Composer - Tony Martell, Executive Producer - Didier C. Deutsch, Re-Issue Producer - Albert Nicholson, Percussion - Creed Taylor, Producer - Jack DeJohnette, Drums - George Benson, Vocal - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Michael Cameron, Percussion - Clarence Palmer, Organ Copyright : Originally released 1971. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  5. 5 Somewhere In the East (Album Version)

    Seth Rothstein, Project Coordinator - Tony Martell, Executive Producer - Didier C. Deutsch, Re-Issue Producer - Albert Nicholson, Percussion - Tom Ruff, Mastering Engineer - Danny Kadar, Mixing Engineer - Creed Taylor, Producer - Jack DeJohnette, Drums - David Swope, 2nd Engineer - George Benson, Vocal - George Benson, Composer - George Benson, Guitar - George Benson, Lyricist - George Benson, Performer - Ron Carter, Bass - Michael Cameron, Percussion - Patti Matheny, A&R Coordinator - Clarence Palmer, Organ Copyright : (P) 1972 Columbia Records, a division of Sony Music Entertainment

  6. 6 All Clear (alt. take)

    Seth Rothstein, Project Coordinator - G. Benson, Lyricist - G. Benson, Composer - Tony Martell, Executive Producer - Didier C. Deutsch, Re-Issue Producer - Albert Nicholson, Percussion - Tom Ruff, Mastering Engineer - Danny Kadar, Mixing Engineer - Creed Taylor, Producer - Jack DeJohnette, Drums - David Swope, 2nd Engineer - George Benson, Vocal - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Michael Cameron, Percussion - Patti Matheny, A&R Coordinator - Clarence Palmer, Organ Copyright : (P) 1972 Columbia Records, a division of Sony Music Entertainment

  7. 7 Ode to a Kudu (alt. take)

    Seth Rothstein, Project Coordinator - G. Benson, Lyricist - G. Benson, Composer - Tony Martell, Executive Producer - Didier C. Deutsch, Re-Issue Producer - Albert Nicholson, Percussion - Tom Ruff, Mastering Engineer - Danny Kadar, Mixing Engineer - Creed Taylor, Producer - Jack DeJohnette, Drums - David Swope, 2nd Engineer - George Benson, Vocal - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Michael Cameron, Percussion - Patti Matheny, A&R Coordinator - Clarence Palmer, Organ Copyright : (P) 1972 Columbia Records, a division of Sony Music Entertainment

  8. 8 Somewhere In the East (alt. take)

    Seth Rothstein, Project Coordinator - G. Benson, Lyricist - G. Benson, Composer - Tony Martell, Executive Producer - Didier C. Deutsch, Re-Issue Producer - Albert Nicholson, Percussion - Tom Ruff, Mastering Engineer - Danny Kadar, Mixing Engineer - Creed Taylor, Producer - Jack DeJohnette, Drums - David Swope, 2nd Engineer - George Benson, Vocal - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Michael Cameron, Percussion - Patti Matheny, A&R Coordinator - Clarence Palmer, Organ Copyright : (P) 1972 Columbia Records, a division of Sony Music Entertainment

  • Descriptif de l'album
  • Having taken Benson along with him when he founded CTI, Creed Taylor merely leaves the guitarist alone with a small group on his first release. The payoff is a superb jazz session where Benson rises to the challenge of the turbulent rhythm section of Jack DeJohnette and Ron Carter, with Clarence Palmer ably manning the organ. Benson is clearly as much at home with DeJohnette's advanced playing as he was in soul/jazz (after all, he did play on some Miles Davis sessions a few years before), and his tone is edgier, with more bite, than it had been for awhile. The lyrical Benson is also on eloquent display in "Ode to a Kudu" (heard twice on the CD, as is "All Clear"), and there is even a somewhat experimental tilt toward Afro-Cuban-Indian rhythms in "Somewhere to the East." A must-hear for all aficionados of Benson's guitar. ~ Richard S. Ginell

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