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Xiayin Wang - American Piano Concertos

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American Piano Concertos

WANG Xiayin, piano

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Langue disponible : anglais

Chinese pianist Xiayin Wang emerged as something of a specialist in American music with her spectacular recording of Earl Wild's Gershwin fantasias in 2010, and she continues to amass a strong track record with this Chandos release, nicely recorded at the Royal Concert Hall in Glasgow. It's interesting how novel the trio of piano concertos by Gershwin, Copland, and Barber are as a program, for they all have a great deal to say to each other, and each finds its way between jazz and modernistic influences. Given that you get here a Chinese pianist teaming with Scottish musicians, with not an American in sight, it's safe to say that the music is beginning to get the respect it deserves. Wang's performances of the Barber Piano Concerto, Op. 38, is wonderful. With clean, delicate passagework in the upper registers, she finds the composer's characteristic lyricism in this sometimes thorny score, and in the modernistic jazz of Copland's Piano Concerto, composed in 1926, is very nearly as good, tough and rhythmically brash. The weakest performance of the three, oddly enough in view of Wang's stellar work in Gershwin-related material previously, is the Gershwin Piano Concerto in F (not F major as the packaging and booklet have it here); there is nothing to object to, but the performance lacks the contained jazz energy that makes great readings of the piece work. The restraint may come from the Royal Scottish National Orchestra under Peter Oundjian, who are peppy throughout but are not confirmed Gershwin interpreters. This is, however, a revelatory program, very well performed.
© TiVo

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American Piano Concertos

Xiayin Wang

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Piano Concerto, Op. 38 (Samuel Barber)

1
I. Allegro appassionato
00:13:59

Xiayin Wang, Main Artist - Samuel Barber, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

2
II. Canzone. Moderato
00:07:07

Xiayin Wang, Main Artist - Samuel Barber, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

3
III. Allegro molto
00:06:49

Xiayin Wang, Main Artist - Samuel Barber, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

Piano concerto (Aaron Copland)

4
I. Andante sostenuto
00:06:21

Xiayin Wang, Main Artist - Aaron Copland, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

5
II. Molto moderato
00:09:30

Xiayin Wang, Main Artist - Aaron Copland, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

Piano Concerto in F major (George Gershwin)

6
I. Allegro moderato - Cantabile - Poco meno scherzando
00:13:03

Xiayin Wang, Main Artist - George Gershwin, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

7
II. Andante con moto
00:12:02

Xiayin Wang, Main Artist - George Gershwin, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

8
III. Allegro con brio
00:06:49

Xiayin Wang, Main Artist - George Gershwin, Composer - Peter Oundjian, Conductor - The Royal Scottish National Orchestra, Orchestra

(C) 2013 Chandos (P) 2013 Chandos

Descriptif de l'album

Chinese pianist Xiayin Wang emerged as something of a specialist in American music with her spectacular recording of Earl Wild's Gershwin fantasias in 2010, and she continues to amass a strong track record with this Chandos release, nicely recorded at the Royal Concert Hall in Glasgow. It's interesting how novel the trio of piano concertos by Gershwin, Copland, and Barber are as a program, for they all have a great deal to say to each other, and each finds its way between jazz and modernistic influences. Given that you get here a Chinese pianist teaming with Scottish musicians, with not an American in sight, it's safe to say that the music is beginning to get the respect it deserves. Wang's performances of the Barber Piano Concerto, Op. 38, is wonderful. With clean, delicate passagework in the upper registers, she finds the composer's characteristic lyricism in this sometimes thorny score, and in the modernistic jazz of Copland's Piano Concerto, composed in 1926, is very nearly as good, tough and rhythmically brash. The weakest performance of the three, oddly enough in view of Wang's stellar work in Gershwin-related material previously, is the Gershwin Piano Concerto in F (not F major as the packaging and booklet have it here); there is nothing to object to, but the performance lacks the contained jazz energy that makes great readings of the piece work. The restraint may come from the Royal Scottish National Orchestra under Peter Oundjian, who are peppy throughout but are not confirmed Gershwin interpreters. This is, however, a revelatory program, very well performed.
© TiVo

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