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Electronic - Released March 12, 2012 | 4AD

Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music - Sélection Les Inrocks - Stereophile: Record To Die For
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Electronic - Released February 21, 2020 | 4AD

Hi-Res Distinctions Pitchfork: Best New Music
Rising from the darkness of the Canadian rave scene at the start of the 2010s, Grimes quickly made her way up the ladder of success. Her synthetic hit Vanessa allowed her to amass a fanbase that was obsessed with her post-teenage voice and elfish look, and at the end of the 2010s, Pitchfork named Oblivion (written following a sexual assault and taken from her 2012 album Vision) the second-best song of the entire decade. It’s this kind of distinction that reminds us that she is an artist that knows exactly how to transcribe emotions into songs, and not just the girlfriend of multi-billionaire Elon Musk. Miss Anthropocene sees Grimes morph into a climate supervillain, a ‘goddess of plastic’ that’s here to take some of the heat off climate change. Musically, Grimes has not drastically changed, with a signature synth-pop sound that borrows from rock on My Name Is Dark, drum’n’bass on the excellent 4ÆM or trip-hop on So Heavy (I Fell Through the Earth), which reminds you of Massive Attack or Transglobal Underground. Well inspired, Grimes continues to hit the mark. © Smaël Bouaici/Qobuz
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Electronic - Released November 6, 2015 | 4AD

Hi-Res Distinctions Pitchfork: Best New Music
Her album Visions illuminated 2012. With her 4th studio album Art Angels, Grimes succeeds once again - excelling in the field of electro pop and ferverish eclecticism. This time the Canadian rounds off a few more angles, producing a range of melodies that are undeniably more 'pop', but also irresistibly catchy. The result is a diluted and diverse experience compared with past efforts, but without losing her unique identity and artistic singularity. Indeed, Grimes does not do electro pop like her counterparts. Each song from Art Angels comes with a slight twist or the vital dose of quirkiness necessary to makes it a fascinating composition. Note the presence of Janelle Monáe on one of the tracks. © MD / Qobuz
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Electronic - Released February 21, 2020 | 4AD

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Rising from the darkness of the Canadian rave scene at the start of the 2010s, Grimes quickly made her way up the ladder of success. Her synthetic hit Vanessa allowed her to amass a fanbase that was obsessed with her post-teenage voice and elfish look, and at the end of the 2010s, Pitchfork named Oblivion (written following a sexual assault and taken from her 2012 album Vision) the second-best song of the entire decade. It’s this kind of distinction that reminds us that she is an artist that knows exactly how to transcribe emotions into songs, and not just the girlfriend of multi-billionaire Elon Musk. Miss Anthropocene sees Grimes morph into a climate supervillain, a ‘goddess of plastic’ that’s here to take some of the heat off climate change. Musically, Grimes has not drastically changed, with a signature synth-pop sound that borrows from rock on My Name Is Dark, drum’n’bass on the excellent 4ÆM or trip-hop on So Heavy (I Fell Through the Earth), which reminds you of Massive Attack or Transglobal Underground. Well inspired, Grimes continues to hit the mark. © Smaël Bouaici/Qobuz
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Electronic - Released February 21, 2020 | 4AD

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Electronic - Released October 1, 2010 | Arbutus Records

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Electronic - Released April 18, 2011 | Arbutus Records

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Electronic - Released October 5, 2010 | Arbutus Records

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Electronic - Released February 21, 2020 | 4AD

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Electronic - Released November 6, 2015 | 4AD

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Electronic - Released October 31, 2019 | 4AD

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Hip-Hop/Rap - Released June 17, 2020 | Parlophone UK

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Electronic - Released January 1, 2021 | 4AD

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Electronic - Released March 12, 2015 | 4AD

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Electronic - Released February 20, 2012 | 4AD

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Electronic - Released February 12, 2020 | 4AD

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Electronic - Released November 15, 2019 | 4AD

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Electronic - Released December 13, 2019 | 4AD

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Electronic - Released July 3, 2014 | 4AD

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Electronic - Released January 3, 2020 | 4AD