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Qobuz’s experts gather all the essentials of each genre. These albums have marked music history and become major landmarks.

With the Ideal Discography you (re)discover legendary recordings, all whilst building on your musical knowledge.

Albums

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Hip-Hop/Rap - Released November 13, 2015 | Jive - Legacy

Hi-Res Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Reissue
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Hip-Hop/Rap - Released March 19, 2015 | Aftermath

Hi-Res Distinctions 4F de Télérama - The Qobuz Ideal Discography - Pitchfork: Best New Music - Grammy Awards
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Hip-Hop/Rap - Released April 11, 2014 | Columbia - Legacy

Hi-Res Distinctions The Qobuz Ideal Discography - Hi-Res Audio
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Hip-Hop/Rap - Released August 12, 2011 | Roc Nation - RocAFella - IDJ

Hi-Res Booklet Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music - Sélection Les Inrocks
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Hip-Hop/Rap - Released January 1, 2011 | Roc Nation - RocAFella - IDJ

Hi-Res Booklet Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music - Sélection Les Inrocks
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Hip-Hop/Rap - Released October 31, 2000 | Arista - LaFace Records

Hi-Res Distinctions The Qobuz Ideal Discography
Stankonia was OutKast's second straight masterstroke, an album just as ambitious, just as all-over-the-map, and even hookier than its predecessor. With producers Organized Noize playing a diminished role, Stankonia reclaims the duo's futuristic bent. Earthtone III (Andre, Big Boi, Mr. DJ) helms most of the backing tracks, and while the live-performance approach is still present, there's more reliance on programmed percussion, otherworldly synthesizers, and surreal sound effects. Yet the results are surprisingly warm and soulful, a trippy sort of techno-psychedelic funk. Every repeat listen seems to uncover some new element in the mix, but most of the songs have such memorable hooks that it's easy to stay diverted. The immediate dividends include two of 2000's best singles: "B.O.B." is the fastest of several tracks built on jittery drum'n'bass rhythms, but Andre and Big Boi keep up with awe-inspiring effortlessness. "Ms. Jackson," meanwhile, is an anguished plea directed at the mother of the mother of an out-of-wedlock child, tinged with regret, bitterness, and affection. Its sensitivity and social awareness are echoed in varying proportions elsewhere, from the Public Enemy-style rant "Gasoline Dreams" to the heartbreaking suicide tale "Toilet Tisha." But the group also returns to its roots for some of the most testosterone-drenched material since their debut. Then again, OutKast doesn't take its posturing too seriously, which is why they can portray women holding their own, or make bizarre boasts about being "So Fresh, So Clean." Given the variety of moods, it helps that the album is broken up by brief, usually humorous interludes, which serve as a sort of reset button. It takes a few listens to pull everything together, but given the immense scope, it's striking how few weak tracks there are. It's no wonder Stankonia consolidated OutKast's status as critics' darlings, and began attracting broad new audiences: its across-the-board appeal and ambition overshadowed nearly every other pop album released in 2000. © Steve Huey /TiVo
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Hip-Hop/Rap - Released April 25, 1995 | RCA Records Label

Hi-Res Distinctions The Qobuz Ideal Discography
One of the cornerstones of the New York hardcore movement, The Infamous is Mobb Deep's masterpiece, a relentlessly bleak song cycle that's been hailed by hardcore rap fans as one of the most realistic gangsta albums ever recorded. Given Mobb Deep's youthful age and art-school background, it's highly unlikely that The Infamous is drawn strictly from real-life experience, yet it's utterly convincing, because it has all the foreboding atmosphere and thematic sweep of an epic crime drama. That's partly because of the cinematic vision behind the duo's detailed narratives, but it's also a tribute to how well the raw, grimy production evokes the world that Mobb Deep is depicting. The group produced the vast majority of the album itself, with help on a few tracks from the Abstract (better known as Q-Tip), and establishes a spare, throbbing, no-frills style indebted to the Wu-Tang Clan. This is hard, underground hip-hop that demands to be met on its own terms, with few melodic hooks to draw the listener in. Similarly, there's little pleasure or relief offered in the picture of the streets Mobb Deep paints here: They inhabit a war zone where crime and paranoia hang constantly in the air. Gangs are bound together by a code of fierce loyalty, relying wholly on one another for survival in a hopeless environment. Hostile forces -- cops, rivals, neighborhood snitches -- are potentially everywhere, and one slip around the wrong person can mean prison or death. There's hardly any mention of women, and the violence is grim, serious business, never hedonistic. Pretty much everything on the album contributes to this picture, but standouts among the consistency include "Survival of the Fittest," "Eye for a Eye," "Temperature's Rising," "Cradle to the Grave," and the classic "Shook Ones, Pt. 2." The product of an uncommon artistic vision, The Infamous stands as an all-time gangsta/hardcore classic. © Steve Huey /TiVo
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Hip-Hop/Rap - Released April 19, 1994 | Columbia

Hi-Res Distinctions The Qobuz Ideal Discography