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St. Vincent|MASSEDUCTION

MASSEDUCTION

St. Vincent

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For St. Vincent’s 4th album released in 2013, self-titled as St. Vincent, the genius of Annie Clark exploded like never before. She brought with it her fascinating writing style, weird and wacky instrumentations, a sumptuous and elastic voice, not to mention an unparalleled final assembly. It’s not something everyone can do: succeed in uniting both a Talking Heads-like spirit and the noteworthy textures of King Crimson, while also leaning in the direction of 80s new wave and Bowie… Four years later, the Texan multi-instrumentalist has gone down a similar path. St. Vincent heads off again in the most experimental directions, always staying in line with the goal of composing the perfect pop song. In doing so, she never risks becoming an American Björk and stays rooted to her pop DNA. Indeed, it is when she strips back the accompanying instruments that she is at her most convincing. Such is the case for New York, a sublime love letter to a lost love in the Big Apple, put together with a simple piano that in itself makes Masseduction worth buying… This fifth album also has the particularity of being without a doubt the most personal by the author. Annie Clark exposes herself, opening up about herself and her life like never before. She steers clear of any hot gossip about her past lovers Cara Delevigne or Kristen Stewart, but does use a more intimate language this time round, removing any make-up from her lyrics. These introspections still don’t inhibit any eccentric breaks that sometimes verge on surrealism. Above all, Masseduction is the record from St. Vincent that’s perhaps the most… bowiesque? © MZ/Qobuz

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MASSEDUCTION

St. Vincent

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1
Hang On Me
00:02:47

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer

℗ 2017 Loma Vista Recordings.

2
Pills Explicit
00:04:40

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer, ComposerLyricist - John Congleton, Producer, Additional Producer - Mark Anthony Spears, Composer

℗ 2017 Loma Vista Recordings.

3
Masseduction
00:03:16

Lars Stalfors, Producer, Co-Producer - St. Vincent, Producer, Co-Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer, Co-Producer, ComposerLyricist

℗ 2017 Loma Vista Recordings.

4
Sugarboy
00:04:01

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer, ComposerLyricist

℗ 2017 Loma Vista Recordings.

5
Los Ageless
00:04:41

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer

℗ 2017 Loma Vista Recordings.

6
Happy Birthday, Johnny
00:02:57

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer, ComposerLyricist

℗ 2017 Loma Vista Recordings.

7
Savior
00:03:25

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer - John Congleton, Producer, Additional Producer

℗ 2017 Loma Vista Recordings.

8
New York Explicit
00:02:33

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer

℗ 2017 Loma Vista Recordings.

9
Fear The Future
00:02:31

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer - John Congleton, Producer, Additional Producer

℗ 2017 Loma Vista Recordings.

10
Young Lover
00:03:32

Lars Stalfors, Producer, Co-Producer - St. Vincent, Producer, Co-Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer, Co-Producer

℗ 2017 Loma Vista Recordings.

11
Dancing With A Ghost
00:00:46

St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer

℗ 2017 Loma Vista Recordings.

12
Slow Disco
00:02:44

Joy Williams, ComposerLyricist - St. Vincent, Producer, MainArtist - Annie Clark, ComposerLyricist - Jack Antonoff, Producer

℗ 2017 Loma Vista Recordings.

13
Smoking Section
00:03:36

St. Vincent, Producer, MainArtist - Annie Clark, Composer - Jack Antonoff, Producer

℗ 2017 Loma Vista Recordings.

Album Description

For St. Vincent’s 4th album released in 2013, self-titled as St. Vincent, the genius of Annie Clark exploded like never before. She brought with it her fascinating writing style, weird and wacky instrumentations, a sumptuous and elastic voice, not to mention an unparalleled final assembly. It’s not something everyone can do: succeed in uniting both a Talking Heads-like spirit and the noteworthy textures of King Crimson, while also leaning in the direction of 80s new wave and Bowie… Four years later, the Texan multi-instrumentalist has gone down a similar path. St. Vincent heads off again in the most experimental directions, always staying in line with the goal of composing the perfect pop song. In doing so, she never risks becoming an American Björk and stays rooted to her pop DNA. Indeed, it is when she strips back the accompanying instruments that she is at her most convincing. Such is the case for New York, a sublime love letter to a lost love in the Big Apple, put together with a simple piano that in itself makes Masseduction worth buying… This fifth album also has the particularity of being without a doubt the most personal by the author. Annie Clark exposes herself, opening up about herself and her life like never before. She steers clear of any hot gossip about her past lovers Cara Delevigne or Kristen Stewart, but does use a more intimate language this time round, removing any make-up from her lyrics. These introspections still don’t inhibit any eccentric breaks that sometimes verge on surrealism. Above all, Masseduction is the record from St. Vincent that’s perhaps the most… bowiesque? © MZ/Qobuz

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