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Cut Copy|Free Your Mind (Deluxe version) (Deluxe)

Free Your Mind (Deluxe version) (Deluxe)

Cut Copy

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After the release of their icy and heavily '80s-inspired In Ghost Colours in 2008, Cut Copy warmed up and expanded their sound to the point where they almost seem like a completely different band. 2011's Zonoscope was almost excessively bright and extroverted, with songs like "Where I'm Going" sounding like Jock Jams in comparison to the introspectively moody sound the band had previously established. Their 2013 album, Free Your Mind, is even bigger sounding and warmer. Taking tons of inspiration from the late-'80s and early-'90s club scene in the U.K. and touching on everything from the Hacienda-ready acid house to the thumping piano house of groups like Black Box, the album is a danceable love letter to the era. Almost every move the group makes is instantly familiar to anyone with any interest in that time period, but the band add more than enough of their own personality, as well as advanced skill at mixing and matching moods and feels, to keep it from being an empty exercise in nostalgia. Call it a full exercise instead. Influences and inspirations aside, what makes the album work is the sense of joy and upbeat emotion that the band, and especially vocalist Dan Whitford, inject into every nook of every song. Starting off with "Free Your Mind," a bongo and gospel backing vocal-filled empowerment jam so soft and fuzzy that even Primal Scream at their most "Come Together" dippy might find a bit much, and going from there, the record is light as a shiny helium balloon. Like that balloon, it doesn't lose its bouncy buoyancy until the very end. After all, the percolating house trax that should fill dancefloors (like the very Pet Shop Boys-sounding "Footsteps"), higher-than-the-sun electro-pop ("Dark Corners and Mountain Tops," which is like ELO gone full disco, "Take Me Higher"), and slowly grooving songs that are perfect fodder for late-night revelry (the K-Klass sampling "Let Me Show You Love"), the album ends with a bit of a stinker. "Walking in the Sky" comes off like the Verve at their U2-loving worst; overly preachy and obvious with its heart in the right place, but an annoyingly simple tune to go with it. This stumble leaves a bad taste in the mouth, but one that can be easily removed by doubling back and listening to a great song like the uplifting "We Are Explorers," that also has a message, and with it, a propulsive beat, a sparkling melody, and shimmering synths. So skip "Walking" and the rest goes down as smoothly as a well-mixed, neon-colored cocktail, or four, and will leave you woozy and reeling from the music's warm embrace. Cut Copy may have left behind the monochromatic brilliance of their early work, but the explosion of colors they've added, like Jackson Pollock on a bender, has only made their growth more interesting and enriching.

© Tim Sendra /TiVo

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Free Your Mind (Deluxe version) (Deluxe)

Cut Copy

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1
Intro/Cut Copy/Free Your Mind
00:00:20

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer

℗ 2013 Modular Recordings

2
Free Your Mind
00:04:56

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Recording Engineer, StudioPersonnel

℗ 2013 Modular Recordings

3
We Are Explorers
00:04:18

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer - Mirko Vogel, Recording Engineer, StudioPersonnel

℗ 2013 Modular Recordings

4
Let Me Show You Love
00:05:55

Nicholas Whitecross, ComposerLyricist - Dave Fridmann, Mixer, StudioPersonnel - George Stewart, ComposerLyricist - ANDY WILLIAMS, ComposerLyricist - Carl Thomas, ComposerLyricist - RUSS MORGAN, ComposerLyricist - Jon Kingsley Hall, ComposerLyricist - Paul Roberts, ComposerLyricist - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer - Mirko Vogel, Recording Engineer, StudioPersonnel - Vika Bull, Additional Vocals, AssociatedPerformer

℗ 2013 Modular Recordings

5
Into The Desert
00:01:28

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer

℗ 2013 Modular Recordings

6
Footsteps
00:04:40

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer

℗ 2013 Modular Recordings

7
In Memory Capsule
00:04:39

Dave Fridmann, Mixer, StudioPersonnel - Julian Hamilton, Recording Arranger, AssociatedPerformer - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Recording Engineer, StudioPersonnel - Vika Bull, Additional Vocals, AssociatedPerformer

℗ 2013 Modular Recordings

8
Above The City
00:00:31

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer

℗ 2013 Modular Recordings

9
Dark Corners & Mountain Tops
00:05:07

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Recording Engineer, StudioPersonnel

℗ 2013 Modular Recordings

10
Meet Me In A House Of Love
00:06:07

Dave Fridmann, Mixer, StudioPersonnel - Julian Hamilton, Recording Arranger, AssociatedPerformer - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Recording Engineer, StudioPersonnel - Vika Bull, Additional Vocals, AssociatedPerformer

℗ 2013 Modular Recordings

11
Take Me Higher
00:05:51

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Recording Engineer, StudioPersonnel

℗ 2013 Modular Recordings

12
The Waves
00:00:44

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer

℗ 2013 Modular Recordings

13
Walking In The Sky
00:03:31

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Recording Engineer, StudioPersonnel - Tony DiBlasi, Clapping, AssociatedPerformer

℗ 2013 Modular Recordings

14
Mantra
00:02:14

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer

℗ 2013 Modular Recordings

15
Believers
00:04:34

Dave Fridmann, Mixer, StudioPersonnel - Julian Hamilton, Producer, Additional Producer, ComposerLyricist - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Engineer, StudioPersonnel

℗ 2014 Modular Recordings

16
Like Any Other Day
00:05:16

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer - Mirko Vogel, Recording Engineer, StudioPersonnel

℗ 2014 Modular Recordings

17
Lights Shine On
00:04:08

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Engineer, StudioPersonnel

℗ 2014 Modular Recordings

18
I Wish The Sun Would Grow Today
00:03:34

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer, ComposerLyricist - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mirko Vogel, Engineer, StudioPersonnel

℗ 2014 Modular Recordings

19
In These Arms Of Love
00:04:21

Dave Fridmann, Mixer, StudioPersonnel - Dan Whitford, Producer, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Tim Hoey, Guitar, AssociatedPerformer, ComposerLyricist - Cut Copy, MainArtist - Mitchell Scott, Drums, AssociatedPerformer - Ben Browning, Bass Guitar, Keyboards, AssociatedPerformer - Mirko Vogel, Recording Engineer, StudioPersonnel

℗ 2014 Modular Recordings

Album review

After the release of their icy and heavily '80s-inspired In Ghost Colours in 2008, Cut Copy warmed up and expanded their sound to the point where they almost seem like a completely different band. 2011's Zonoscope was almost excessively bright and extroverted, with songs like "Where I'm Going" sounding like Jock Jams in comparison to the introspectively moody sound the band had previously established. Their 2013 album, Free Your Mind, is even bigger sounding and warmer. Taking tons of inspiration from the late-'80s and early-'90s club scene in the U.K. and touching on everything from the Hacienda-ready acid house to the thumping piano house of groups like Black Box, the album is a danceable love letter to the era. Almost every move the group makes is instantly familiar to anyone with any interest in that time period, but the band add more than enough of their own personality, as well as advanced skill at mixing and matching moods and feels, to keep it from being an empty exercise in nostalgia. Call it a full exercise instead. Influences and inspirations aside, what makes the album work is the sense of joy and upbeat emotion that the band, and especially vocalist Dan Whitford, inject into every nook of every song. Starting off with "Free Your Mind," a bongo and gospel backing vocal-filled empowerment jam so soft and fuzzy that even Primal Scream at their most "Come Together" dippy might find a bit much, and going from there, the record is light as a shiny helium balloon. Like that balloon, it doesn't lose its bouncy buoyancy until the very end. After all, the percolating house trax that should fill dancefloors (like the very Pet Shop Boys-sounding "Footsteps"), higher-than-the-sun electro-pop ("Dark Corners and Mountain Tops," which is like ELO gone full disco, "Take Me Higher"), and slowly grooving songs that are perfect fodder for late-night revelry (the K-Klass sampling "Let Me Show You Love"), the album ends with a bit of a stinker. "Walking in the Sky" comes off like the Verve at their U2-loving worst; overly preachy and obvious with its heart in the right place, but an annoyingly simple tune to go with it. This stumble leaves a bad taste in the mouth, but one that can be easily removed by doubling back and listening to a great song like the uplifting "We Are Explorers," that also has a message, and with it, a propulsive beat, a sparkling melody, and shimmering synths. So skip "Walking" and the rest goes down as smoothly as a well-mixed, neon-colored cocktail, or four, and will leave you woozy and reeling from the music's warm embrace. Cut Copy may have left behind the monochromatic brilliance of their early work, but the explosion of colors they've added, like Jackson Pollock on a bender, has only made their growth more interesting and enriching.

© Tim Sendra /TiVo

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