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Daniel Hope|Belle Époque

Belle Époque

Daniel Hope - Lise de La Salle - Zürcher Kammerorchester

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The Belle Époque, the era lasting from the end of the Franco-Prussian War to the beginning of World War I (1871-1914), was a diverse period; the name is indicative at best of general tendencies such as peace and prosperity, along with darker trends. Violinist Daniel Hope's Belle Époque album contains music from various countries in a wide range of styles, and it's not quite a concept album. However, it does hang together in interesting ways. Hope's program mixes orchestral pieces and chamber music; this could easily have happened in a late 19th century concert, which might have thrown in some solo piano music as well. His selections from both the salon and the learned studio, pieces like Fritz Kreisler's Liebesleid, bump up against Webern's Four Pieces, Op. 7, with most of the music somewhere in between. What's fascinating is that the light and heavy works seem to have things to say to each other. It helps that Hope unearths some less familiar items and recruits enthusiastic collaborators. The Concerto for violin, piano, and string quartet of Chausson (here played with a string orchestra) is an unusual and moody work, and there are such novelties as Schoenberg's totally tonal Notturno for violin, harp, and string orchestra. Several pieces make use of Jane Berthe's harp, an instrument that doesn't always get its due in 19th century programming. The chamber music disc is full of attractive and rarely played items, such as Alexander Zemlinsky's Serenade and George Enescu's Impromptu concertant, and if the Webern seems to come out of nowhere, an audience of the early 20th century might not have heard it that way. Both enjoyable and innovative, like so much of Hope's work.

© TiVo

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Belle Époque

Daniel Hope

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Rêverie, L. 68 (Claude Debussy)

1
Rêverie, L. 68 (Arr. Christian Badzura)
00:06:08

Daniel Hope, Violin - Zürcher Kammerorchester - Claude Debussy, Composer - Christian Badzura, Work Arranger - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Notturno for Strings and Harp (Arnold Schönberg)

2
Notturno for Strings and Harp
00:03:12

Daniel Hope, Violin - Jane Berthe, Harp - Zürcher Kammerorchester - Arnold Schoenberg, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Thaïs (Jules Massenet)

3
Méditation (Arr. Max Knoth)
00:05:30

Daniel Hope, Violin - Jane Berthe, Harp - Zürcher Kammerorchester - Jules Massenet, Composer - Max Knoth, Work Arranger - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

À Chloris (Reynaldo Hahn)

4
À Chloris (Arr. Daniel Hope & Simon Crawford-Phillips)
00:03:02

Daniel Hope, Violin, Arranger - Simon Crawford-Phillips, Piano, Arranger - Reynaldo Hahn, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Lied "Schließe mir die Augen beide" (Alban Berg)

5
Lied "Schließe mir die Augen beide"
00:01:08

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Alban Berg, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Préludes / Book 1, L. 117 (Claude Debussy)

6
8. La fille aux cheveux de lin (Arr. Daniel Hope & Simon Crawford-Phillips)
00:02:20

Daniel Hope, Violin & Arranger - Simon Crawford-Phillips, Piano & Arranger - Claude Debussy, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Concert for Violin, Piano and String Quartet, Op. 21 (Ernest Chausson)

7
1. Décidé - Calme - Animé (Version with String Orchestra)
00:15:09

Daniel Hope, Violin - Lise de la Salle, Piano - Zürcher Kammerorchester - Ernest Chausson, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

8
2. Sicilienne – Pas vite (Version with String Orchestra)
00:04:15

Daniel Hope, Violin - Lise de la Salle, Piano - Zürcher Kammerorchester - Ernest Chausson, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

9
3. Grave (Version with String Orchestra)
00:11:39

Daniel Hope, Violin - Lise de la Salle, Piano - Zürcher Kammerorchester - Ernest Chausson, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

10
4. Finale – Très animé (Version with String Orchestra)
00:11:28

Daniel Hope, Violin - Lise de la Salle, Piano - Zürcher Kammerorchester - Ernest Chausson, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

4 Lieder, Op. 27, TrV 170 (Richard Strauss)

11
4. Morgen ! (For Soprano, Violin, Harp, Horn & String Orchestra)
00:03:59

Mojca Erdmann, Soprano - Daniel Hope, Violin - Maria Todtenhaupt, Harp - Stefan Dohr, Horn - Zürcher Kammerorchester - Richard Strauss, Composer - John Henry MacKay, Author - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Miniatures (Frank Bridge)

12
VII. Valse russe
00:03:11

Daniel Hope, Violin - Yibai Chen, Cello - Simon Crawford-Phillips, Piano - Frank Bridge, Composer - Michael Lieberman, Arranger - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Chanson de matin, Op. 15 No. 2 (Version for Violin & Piano) (Edward Elgar)

13
Chanson de Matin, Op. 15 No. 2 (Arr. Paul Bateman for Violin, Harp & String Orchestra)
00:03:17

Daniel Hope, Violin - Jane Berthe, Harp - Zürcher Kammerorchester - Sir Edward Elgar, Composer - Paul Bateman, Arranger - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Serenade for Violin & Piano in A Major (Alexander von Zemlinsky)

14
I. Mäßig
00:02:07

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Alexander von Zemlinsky, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

2 Morceaux de Salon, Op. 6 (Serge Rachmaninoff)

15
No. 1 Romance
00:05:47

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Sergey Rachmaninoff, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Piece in D Minor (Arnold Schönberg)

16
Piece in D Minor
00:01:18

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Arnold Schoenberg, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Andante, Op. 75 (Gabriel Fauré)

17
Andante, Op. 75
00:04:17

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Gabriel Fauré, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Sonate posthume pour violon & piano, M. 12 (Maurice Ravel)

18
Sonate posthume pour violon & piano, M. 12
00:14:15

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Maurice Ravel, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Jugendlieder, Vol. 2 (Alban Berg)

19
No. 10 Winter
00:01:06

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Alban Berg, Composer - Johannes Schlaf, Author - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Liebesleid (Fritz Kreisler)

20
Liebesleid
00:03:14

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Morceau de lecture (Gabriel Fauré)

21
Morceau de lecture
00:01:24

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Gabriel Fauré, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Quatre petites pièces pour piano, violon & cor, Op. 32 (Charles Koechlin)

22
No. 2 Très modéré
00:01:51

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Stefan Dohr, Horn - Charles Koechlin, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

23
No. 4 Scherzando
00:00:59

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Stefan Dohr, Horn - Charles Koechlin, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

24
No. 3 Allegretto quasi andantino
00:02:00

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Stefan Dohr, Horn - Charles Koechlin, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

25
No. 1 Andante
00:03:02

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Stefan Dohr, Horn - Charles Koechlin, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Impromptu concertant (George Enescu)

26
Impromptu concertant
00:05:15

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - George Enescu, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Préludes / Book 1, L. 117 (Claude Debussy)

27
No. 12 Minstrels (Transcr. for Violin and Piano by Debussy)
00:02:12

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Claude Debussy, Composer, Transcripter - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Four Pieces for Violin and Piano, Op. 28 (Paul Juon )

28
No. 3 Berceuse
00:02:30

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Paul Juon, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Four Pieces for Violin and Piano, Op. 7 (Anton Webern)

29
No. 1 Sehr langsam
00:01:07

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Anton Webern, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

30
No. 2 Rasch
00:01:21

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Anton Webern, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

31
No. 3 Sehr langsam
00:01:27

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Anton Webern, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

32
No. 4 Bewegt
00:00:55

Daniel Hope, Violin - Simon Crawford-Phillips, Piano - Anton Webern, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Suite im alten Stil, Op. 10 (Christian Sinding)

33
II. Adagio
00:05:32

Daniel Hope, Violin - Zürcher Kammerorchester - Christian August Sinding, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Introduction and Allegro for String Quartet & String Orchestra, Op. 47 (Edward Elgar)

34
Introduction and Allegro for String Quartet & String Orchestra, Op. 47
00:13:57

Daniel Hope, Violin - Daria Zappa, Violin - Ryszard Groblewski, Viola - Nicola Mosca, Cello - Zürcher Kammerorchester - Daniel Hope, Conductor - Sir Edward Elgar, Composer - Tobias Lehmann, Recording Engineer - Christoph Claßen, Producer, Mastering Engineer

℗ 2020 Deutsche Grammophon GmbH, Berlin

Album review

The Belle Époque, the era lasting from the end of the Franco-Prussian War to the beginning of World War I (1871-1914), was a diverse period; the name is indicative at best of general tendencies such as peace and prosperity, along with darker trends. Violinist Daniel Hope's Belle Époque album contains music from various countries in a wide range of styles, and it's not quite a concept album. However, it does hang together in interesting ways. Hope's program mixes orchestral pieces and chamber music; this could easily have happened in a late 19th century concert, which might have thrown in some solo piano music as well. His selections from both the salon and the learned studio, pieces like Fritz Kreisler's Liebesleid, bump up against Webern's Four Pieces, Op. 7, with most of the music somewhere in between. What's fascinating is that the light and heavy works seem to have things to say to each other. It helps that Hope unearths some less familiar items and recruits enthusiastic collaborators. The Concerto for violin, piano, and string quartet of Chausson (here played with a string orchestra) is an unusual and moody work, and there are such novelties as Schoenberg's totally tonal Notturno for violin, harp, and string orchestra. Several pieces make use of Jane Berthe's harp, an instrument that doesn't always get its due in 19th century programming. The chamber music disc is full of attractive and rarely played items, such as Alexander Zemlinsky's Serenade and George Enescu's Impromptu concertant, and if the Webern seems to come out of nowhere, an audience of the early 20th century might not have heard it that way. Both enjoyable and innovative, like so much of Hope's work.

© TiVo

Details of original recording : Recorded April 28-30, 2019 (CD1) & July 13-15, 2019 (CD2), Studio Teldex de Berlin (Germany)

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