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CD16,99 €

Pop - Erschienen am 8. Februar 2005 | Rhino

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Pop - Erschienen am 3. Dezember 1985 | Rhino

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R&B - Erschienen am 15. Juli 2016 | Arista - Legacy

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Jazzgesang - Erschienen am 18. Oktober 2019 | S-Curve Records

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Pop - Erschienen am 19. April 2005 | Rhino

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Pop - Erschienen am 4. Februar 2004 | Rhino

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Pop - Erschienen am 15. April 2016 | Rhino

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Pop - Erschienen am 8. Februar 2005 | Rhino

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Pop - Erschienen am 7. Dezember 2009 | Rhino

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Internationaler Pop - Erschienen am 31. Oktober 1989 | Arista

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R&B - Erschienen am 17. Mai 2019 | eOne Music

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Pop - Erschienen am 3. Januar 2007 | Traditional Line

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Pop - Erschienen am 8. Februar 2005 | Rhino

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Pop - Erschienen am 8. Februar 2005 | Rhino

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Internationaler Pop - Erschienen am 1. Oktober 1982 | Legacy Recordings

The Barry Gibb hit machine of the early '80s kept steam rolling at a frantic pace, and Heartbreaker was a major factor in the equation. While it lacks the genius and soulful grit of Dionne Warwick's earlier classic work, the album was polished and painstakingly produced perfectly for adult pop stations. Heartbreaker was tailor made to be played right next to the soft rock hits of the era and it helped to propel the singer into the spotlight once again. Starting off with a bang courtesy of the title track, Warwick and Gibb go through all of the motions. The track sequencing gives the album a feeling of deflation at first, as tempos gradually decrease until "Take The Short Way Home," which is so Gibb-esque that it could be an outtake from Spirits Having Flown. There are a few fragments of filler, most notably with "All I Love in the World," which is almost a redux of the title track. This is not the most definitive album of Warwick's career, but is definitely one of the few highlights that a pop-heavy '80s afforded her. © Rob Theakston /TiVo
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R&B - Erschienen am 18. Dezember 2015 | Legacy Recordings

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Pop - Erschienen am 8. Februar 2005 | Rhino

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Pop - Erschienen am 28. August 1984 | Motown

Stevie Wonder's career in the 1980s was a source of frustration to the fans he had earned in the '60s and '70s. In 1982, there were a few new songs on a greatest-hits album and a duet with Paul McCartney. Then came this soundtrack to a Gene Wilder comedy that was simultaneously more of a pop vocal album than most soundtracks and yet less than a full-fledged Wonder record. The gold-selling number one hit that resulted was the sappy "I Just Called to Say I Love You," a formulaic TV commercial-in-the-making. "Love Light in Flight" also hit, and the album featured Dionne Warwick on two duets and one solo. This was a pleasant record, but slight, and after four years, Wonder fans wanted more than that. © William Ruhlmann /TiVo
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Pop - Erschienen am 8. Februar 2005 | Rhino

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Pop - Erschienen am 8. Februar 2005 | Rhino