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Rock - Erschienen am 22. Januar 2020 | RevOla

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CD26,49 €

Pop - Erschienen am 28. September 1993 | Geffen

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CD14,99 €

Rock - Erschienen am 16. November 2018 | Decca (UMO) (Classics)

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True Love Ways belongs to a rather long list of albums featuring the Royal Philharmonic Orchestra overdubbed on classic recordings by beloved artists. It's the worst of the batch. Part of the problem with True Love Ways is that Buddy Holly and his band the Crickets were idiosyncratic, lively players whose recordings do not lend themselves to the square, sticky sounds of the Philharmonic. One of the ways to fix this is to straighten out the quirks in the editing, replacing the raw Crickets with studio players, then glop on layer after layer of strings. Holly's material has been subjected to such a treatment before, with his last demos overdubbed not long after his death, and his last studio sessions were laced with strings arranged by Dick Jacobs, but the existence of those cuts puts the lie to True Love Ways. In their original versions, "It Doesn't Matter Anymore" and "Raining in My Heart" were draped in strings, but they followed the rhythms laid down by Holly. Here, everything is in service to the melody, which means there is no swing, no rock & roll, not even a trace of sweet pop. It's all middlebrow nonsense, the kind of thing Buddy Holly's music opposed back in the 1950s. © Stephen Thomas Erlewine /TiVo
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CD34,99 €

Rock - Erschienen am 1. Januar 2009 | Geffen

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CD55,99 €

Pop - Erschienen am 14. Januar 2008 | Geffen

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CD13,99 €

Pop - Erschienen am 1. Januar 1978 | Geffen

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Pop - Erschienen am 1. Januar 1983 | Geffen

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When this album was originally released in 1983, it was a major revelation in collector's circles. Here were the original, undubbed versions of eight songs that had appeared on posthumous Holly albums like Reminiscing, Showcase, and others with overdubbed backing provided by the Fireballs and producer Norman Petty, along with two rarities to pad things out. And hearing the stripped-down Holly minus the audio cover-ups and beef-ups revealed strong (and sometimes superior) efforts all by themselves without the assistance. With future Cricket Jerry Allison on drums, a set of revolving bass players, and Sonny Curtis handling lead guitar chores on three tracks, Holly blasts through some bona fide Texas rockabilly here. Four of the eight tracks come from Buddy's pen, and these early efforts ("Rock-a-Bye Rock," "Because I Love You," "Changing All Those Changes," and "I'm Gonna Set My Foot Down") are sign pointers toward his later, more commercial style; in this case listeners get stripped-down, elemental pop tunes disguised as rockabilly ravers and country ballads. The collection is bookended with two more tracks, the original studio swipe of "Maybe Baby" and "That's My Desire," a ballad from the 1958 New York session that produced "Rave On." Although the overdubbing done to Holly's music made sense from a commercial standpoint at the time, this collection only whets your appetite to hear more of the real thing. © Cub Koda /TiVo
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CD14,99 €

Rock - Erschienen am 20. Februar 1958 | Geffen

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CD8,09 €

Rock - Erschienen am 17. Mai 2019 | Old Nostalgic Music Publishing

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CD21,99 €

Pop - Erschienen am 16. August 1999 | Geffen

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CD17,99 €

Pop - Erschienen am 18. April 2006 | Geffen

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Rock - Erschienen am 4. Oktober 2019 | RevOla

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CD14,99 €

Pop - Erschienen am 3. Februar 1999 | Geffen

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CD4,99 €

Rock - Erschienen am 14. Oktober 2016 | AVID Entertainment

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CD26,49 €

Rock - Erschienen am 10. Februar 2009 | Geffen

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CD5,99 €

Rock - Erschienen am 19. Februar 2016 | Buddy Holly HQ Mastering Production

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CD14,99 €

Pop - Erschienen am 1. April 1958 | Geffen*

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CD8,49 €

Pop - Erschienen am 7. März 2019 | 10TEN MEDIA

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CD4,99 €

Rock - Erschienen am 14. Oktober 2016 | AVID Entertainment

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Rock - Erschienen am 11. Februar 2014 | Tantrum Music

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