Ihr Warenkorb ist leer!

Genre :

Ähnliche Künstler

Die Alben

Ab
HI-RES13,49 €
CD10,99 €

Jazz - Erschienen am 7. Juni 2019 | Ropeadope

Hi-Res
Ab
CD14,49 €

Latin Jazz - Erschienen am 1. Januar 1996 | Columbia

David Sanchez shows off his versatility and talented improvising style throughout this diverse and well-conceived set. Ranging from bop (making Thelonious Monk's "Four In One" sound easy) to music in the same area that Joshua Redman is exploring to moments that almost sound like Steve Coleman's M-Base, Sanchez is in consistently creative form. The equally talented pianist Danilo Perez helps out on most cuts, a few selections have added percussion, and there are guest spots for altoist Kenny Garrett (who trades off with Sanchez on a fiery "The Elements") and singer Cassandra Wilson (who sticks to a haunting background on "Los Cronopios"), but the focus is mostly on the leader, who plays some lyrical soprano on two numbers. David Sanchez, who is improving and evolving year by year, has the potential to become a major force in jazz. © Scott Yanow /TiVo
Ab
CD14,49 €

Latin Jazz - Erschienen am 1. Januar 1994 | Columbia - Legacy

David Sanchez, who has an appealing tone on the tenor (at times hinting at Joe Henderson and Stanley Turrentine), matches well with trumpeter Roy Hargrove and the creative Latin percussionists during the first two numbers. However, at that point Hargrove disappears (only popping up on "Sketches of Dreams") and the percussionists are often de-emphasized in favor of more straight-ahead music; three numbers are played with just a standard rhythm section. Pianists David Kikoski and Danilo Perez both have plenty of solo space, with Perez's complex yet accessible style sometimes coming close at times to stealing honors. But Sanchez's warm sound (which is quite appealing on the ballad "Tu Y Mi Cancion" and a tender "It's Easy to Remember") eventually emerges as the main star. Perhaps in the future he should do a full Latin album or an entire set of ballads. This sampler CD (which includes two outings on soprano) is a good example of his talents. © Scott Yanow /TiVo
Ab
CD14,49 €

Latin Jazz - Erschienen am 29. Oktober 2001 | Columbia

On this invigorating release, tenor saxophonist David Sánchez uses (primarily) the same working lineup that graced 2000's Melaza. He opted to produce this one himself, however. (Melaza was co-produced by Branford Marsalis.) Like its predecessor, Travesía resounds with rhythmic excitement and advanced compositional technique. But there's a bit more room for spacious lyricism, and even a bit of playfulness. A piece like altoist Miguel Zenon's "Joyful" wouldn't have fit the prevailing mood of Melaza, but here it sparkles. Zenon also penned "The Power of the Word," which closes Travesía on a more aggressive note. There's more non-original material this time around, including a fiery reworking of Wayne Shorter's "Prince of Darkness" and a non-ballad reading (without piano) of the Harold Arlen standard "Ill Wind." Three pieces drawn from Puerto Rican folk tradition -- "La Máchina," "Pra Dizer Adeus," and "Yo No Quiero Piedra" (the last also without piano) -- demonstrate Sánchez's inventiveness with the indigenous plena and bomba forms. The leader's three originals are also very strong: the urgent yet hopeful "Paz Pá Vieques," which begins and ends with lighthearted two-horn sparring; "River Tales," a sultry, dark melody in a dancing 6/8; and "Karla's Changes," a galloping piece, the title of which is probably inspired by Charles Mingus' "Sue's Changes." Magnificent playing abounds from Sánchez, Zenon, and the other main soloist, pianist Edsel Gomez. Despite the commercial pressures that come with a major-label recording career, Sánchez continues to maintain artistic independence and pursue a compelling and original vision. © David R. Adler /TiVo
Ab
CD14,99 €

Jazz - Erschienen am 1. Januar 2008 | Concord Picante

Ab
CD14,49 €

Latin Jazz - Erschienen am 1. Januar 1994 | Columbia - Legacy

This was tenor saxophonist David Sanchez's recording debut as a leader. At 25, Sanchez already had a fairly distinctive tone and the ability to mix bop with Latin jazz. Assisted on most selections by pianist Danilo Perez, either Peter Washington or Andy Gonzalez on bass and drummer Leon Parker (trumpeter Tom Harrell also has three appearances), Sanchez mostly performs new compositions written by either himself or Perez plus "Woodyn' You," "I'll Be Around" and Jimmy Heath's "CJ." A strong and well-rounded beginning to David Sanchez's solo career. © Scott Yanow /TiVo
Ab
CD14,49 €

Latin Jazz - Erschienen am 1. Juni 1998 | Columbia

Jazz - Erschienen am 7. Juni 2019 | Ropeadope

Download nicht verfügbar
Ab
CD0,99 €

Reggae - Erschienen am 25. Oktober 2019 | El Santisimo Entertainment

Ab
CD4,99 €

Alternativ und Indie - Erschienen am 28. August 2021 | Hush Records

Ab
CD0,99 €

Lateinamerika - Erschienen am 5. Februar 2021 | El Santisimo Entertainment

Ab
HI-RES1,49 €
CD0,99 €

Alternativ und Indie - Erschienen am 25. August 2021 | Hush Records

Hi-Res
Ab
CD0,99 €

Reggae - Erschienen am 23. August 2019 | El Santisimo Entertainment

Ab
CD9,99 €

Pop - Erschienen am 6. März 2010 | Mr. Davenport Music

Ab
CD0,99 €

Lateinamerika - Erschienen am 27. November 2020 | Scf Producciones

Ab
CD0,99 €

Jazz - Erschienen am 5. April 2018 | Melaza Music

Ab
CD9,99 €

Hip-Hop/Rap - Erschienen am 21. Dezember 2017 | Tizo

Ab
CD3,99 €

House - Erschienen am 19. September 2007 | Tribalistik

Ab
CD14,49 €

Latin Jazz - Erschienen am 29. Oktober 2001 | Columbia

On this invigorating release, tenor saxophonist David Sánchez uses (primarily) the same working lineup that graced 2000's Melaza. He opted to produce this one himself, however. (Melaza was co-produced by Branford Marsalis.) Like its predecessor, Travesía resounds with rhythmic excitement and advanced compositional technique. But there's a bit more room for spacious lyricism, and even a bit of playfulness. A piece like altoist Miguel Zenon's "Joyful" wouldn't have fit the prevailing mood of Melaza, but here it sparkles. Zenon also penned "The Power of the Word," which closes Travesía on a more aggressive note. There's more non-original material this time around, including a fiery reworking of Wayne Shorter's "Prince of Darkness" and a non-ballad reading (without piano) of the Harold Arlen standard "Ill Wind." Three pieces drawn from Puerto Rican folk tradition -- "La Máchina," "Pra Dizer Adeus," and "Yo No Quiero Piedra" (the last also without piano) -- demonstrate Sánchez's inventiveness with the indigenous plena and bomba forms. The leader's three originals are also very strong: the urgent yet hopeful "Paz Pá Vieques," which begins and ends with lighthearted two-horn sparring; "River Tales," a sultry, dark melody in a dancing 6/8; and "Karla's Changes," a galloping piece, the title of which is probably inspired by Charles Mingus' "Sue's Changes." Magnificent playing abounds from Sánchez, Zenon, and the other main soloist, pianist Edsel Gomez. Despite the commercial pressures that come with a major-label recording career, Sánchez continues to maintain artistic independence and pursue a compelling and original vision. © David R. Adler /TiVo
Ab
CD14,49 €

Latin Jazz - Erschienen am 1. Januar 1996 | Columbia

David Sanchez shows off his versatility and talented improvising style throughout this diverse and well-conceived set. Ranging from bop (making Thelonious Monk's "Four In One" sound easy) to music in the same area that Joshua Redman is exploring to moments that almost sound like Steve Coleman's M-Base, Sanchez is in consistently creative form. The equally talented pianist Danilo Perez helps out on most cuts, a few selections have added percussion, and there are guest spots for altoist Kenny Garrett (who trades off with Sanchez on a fiery "The Elements") and singer Cassandra Wilson (who sticks to a haunting background on "Los Cronopios"), but the focus is mostly on the leader, who plays some lyrical soprano on two numbers. David Sanchez, who is improving and evolving year by year, has the potential to become a major force in jazz. © Scott Yanow /TiVo