Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Def Leppard|Yeah!

Yeah!

Def Leppard

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Def Leppard always had a streak of glam running beneath their heavy rock -- listen to "Armageddon It" or "Photograph" for proof -- so it's no surprise that when the quintet decided to record a covers album in 2006, they devoted it to the '70s glam and hard rock that inspired them to pick up their guitars and play. What does come as a surprise is that the resulting Yeah! is a sheer delight, a roaring rock & roll record that's their best album since Hysteria. Often, cover albums get bogged down in reverence or ambition, as artists either offer interpretations that are straight copies or fussy reinterpretations as they busily try to make a favorite song their own. That's not the case here. Def Leppard alternate between fairly faithful renditions of familiar classics like T. Rex's "20th Century Boy," Badfinger's "No Matter What," or David Essex's "Rock On," to subtle reinterpretations where they make seemingly difficult covers seem easy and unmistakably Def Leppard. It's true on their streamlined, muscular take on Electric Light Orchestra's swirling, psychedelic "10538 Overture," but it's most notable on their remarkable reworking of the Kinks' "Waterloo Sunset," which now sounds like a power ballad from Hysteria without ever once sounding like it's an affront to the immortal original. This take on "Waterloo Sunset" works because it's informed by a palpable love of the original, and that love is apparent throughout this terrific record. But there are plenty of good covers albums that are fun merely because the band is having a good time. What makes Yeah! exceptional is that Def Leppard is reconnecting with the reason why they're even in a band by playing the rock & roll that inspired them in the first place. They're reinvigorated by this material, and by playing these songs, it's easier to appreciate what makes Def Leppard a great rock & roll band. Compare their versions of Free's "A Little Bit of Love" or Thin Lizzy's "Don't Believe a Word" to the originals -- they're not as big and bluesy as Free, but the huge riff that drives the song is a direct forefather of Leppard's powerful signature sound, and "Don't Believe a Word" hammers home that few bands built on Lizzy's twin guitar harmonies as well as this group did. But it's not just that these covers put Leppard's music in context; it's that they sound more like a genuine rock & roll gang than they ever have: listen to the truly raw take on the Faces' "Stay with Me," which may not be quite as sloppy as the original (how could it be?), but it's equally greasy and riveting -- plus, it's sung with raw gusto by guitarist Phil Collen, whose turn on the mic emphasizes that this is a sound of a true group. They still sound like Def Leppard -- there are still cavernous drums, huge guitars, and driving harmonies -- but they no longer sound as slick and calculated as they did on their albums after Hysteria; they sound alive and vigorous, making a convincing case that they're now their own best producers. If they could carry this sound and feel onto an album of originals, they would have a killer record, but saying that diminishes the accomplishment of Yeah!. It's a killer record in its own right, and more pure fun than anything yet released in 2006. Few bands could achieve an artistic comeback via a covers album, but as this glorious record proves, there are few bands like Def Leppard.

© Stephen Thomas Erlewine /TiVo

Weitere Informationen

Yeah!

Def Leppard

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
20th Century Boy
00:03:40

MARC BOLAN, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

2
Rock On
00:02:53

Phil Collen, Guitar, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - David Essex, ComposerLyricist - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

3
Hangin' On The Telephone
00:02:22

Phil Collen, Guitar, AssociatedPerformer - Jack N. Lee, ComposerLyricist - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

4
Waterloo Sunset
00:03:38

Ray Davies, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

5
Hell Raiser
00:03:19

Michael Chapman, ComposerLyricist - Justin Hawkins, Background Vocalist, AssociatedPerformer - Nicky Chinn, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

6
10538 Overture
00:04:30

Jeff Lynne, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

7
Street Life
00:03:25

Bryan Ferry, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

8
Drive-In Saturday
00:04:07

Phil Collen, Guitar, AssociatedPerformer - David Bowie, ComposerLyricist - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

9
Little Bit Of Love
00:02:33

Andrew Fraser, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - Simon Kirke, ComposerLyricist - Vivian Campbell, Guitar, AssociatedPerformer - Paul Rodgers, ComposerLyricist - Paul Kossoff, ComposerLyricist - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

10
The Golden Age Of Rock'n'Roll
00:03:28

Phil Collen, Guitar, AssociatedPerformer - Ian Hunter, Composer, Author - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Hiroto Kohmoto, Translator - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

11
No Matter What
00:02:50

Pete Ham, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

12
He's Gonna Step On You Again
00:04:04

Christos Demetriou, ComposerLyricist - Phil Collen, Guitar, AssociatedPerformer - John Theodore Kongos, ComposerLyricist - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

13
Don't Believe A Word
00:02:19

Phil Collen, Guitar, AssociatedPerformer - Phil Lynott, ComposerLyricist - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

14
Stay With Me
00:04:29

Ron Wood, ComposerLyricist - ROD STEWART, ComposerLyricist - Phil Collen, Guitar, Vocals, AssociatedPerformer - Vivian Campbell, Guitar, AssociatedPerformer - Joe Elliott, Vocals, AssociatedPerformer - Rick Allen, Drums, Percussion, AssociatedPerformer - Rick Savage, Bass Guitar, AssociatedPerformer - Def Leppard, Producer, MainArtist

℗ 2006 Bludgeon Riffola Limited

Albumbeschreibung

Def Leppard always had a streak of glam running beneath their heavy rock -- listen to "Armageddon It" or "Photograph" for proof -- so it's no surprise that when the quintet decided to record a covers album in 2006, they devoted it to the '70s glam and hard rock that inspired them to pick up their guitars and play. What does come as a surprise is that the resulting Yeah! is a sheer delight, a roaring rock & roll record that's their best album since Hysteria. Often, cover albums get bogged down in reverence or ambition, as artists either offer interpretations that are straight copies or fussy reinterpretations as they busily try to make a favorite song their own. That's not the case here. Def Leppard alternate between fairly faithful renditions of familiar classics like T. Rex's "20th Century Boy," Badfinger's "No Matter What," or David Essex's "Rock On," to subtle reinterpretations where they make seemingly difficult covers seem easy and unmistakably Def Leppard. It's true on their streamlined, muscular take on Electric Light Orchestra's swirling, psychedelic "10538 Overture," but it's most notable on their remarkable reworking of the Kinks' "Waterloo Sunset," which now sounds like a power ballad from Hysteria without ever once sounding like it's an affront to the immortal original. This take on "Waterloo Sunset" works because it's informed by a palpable love of the original, and that love is apparent throughout this terrific record. But there are plenty of good covers albums that are fun merely because the band is having a good time. What makes Yeah! exceptional is that Def Leppard is reconnecting with the reason why they're even in a band by playing the rock & roll that inspired them in the first place. They're reinvigorated by this material, and by playing these songs, it's easier to appreciate what makes Def Leppard a great rock & roll band. Compare their versions of Free's "A Little Bit of Love" or Thin Lizzy's "Don't Believe a Word" to the originals -- they're not as big and bluesy as Free, but the huge riff that drives the song is a direct forefather of Leppard's powerful signature sound, and "Don't Believe a Word" hammers home that few bands built on Lizzy's twin guitar harmonies as well as this group did. But it's not just that these covers put Leppard's music in context; it's that they sound more like a genuine rock & roll gang than they ever have: listen to the truly raw take on the Faces' "Stay with Me," which may not be quite as sloppy as the original (how could it be?), but it's equally greasy and riveting -- plus, it's sung with raw gusto by guitarist Phil Collen, whose turn on the mic emphasizes that this is a sound of a true group. They still sound like Def Leppard -- there are still cavernous drums, huge guitars, and driving harmonies -- but they no longer sound as slick and calculated as they did on their albums after Hysteria; they sound alive and vigorous, making a convincing case that they're now their own best producers. If they could carry this sound and feel onto an album of originals, they would have a killer record, but saying that diminishes the accomplishment of Yeah!. It's a killer record in its own right, and more pure fun than anything yet released in 2006. Few bands could achieve an artistic comeback via a covers album, but as this glorious record proves, there are few bands like Def Leppard.

© Stephen Thomas Erlewine /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Ravel : Complete Works for Solo Piano

Bertrand Chamayou

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von Def Leppard

Hysteria

Def Leppard

Hysteria Def Leppard

Photograph

Def Leppard

Photograph Def Leppard

Hysteria

Def Leppard

Hysteria Def Leppard

Drastic Symphonies

Def Leppard

Drastic Symphonies Def Leppard

Pyromania

Def Leppard

Pyromania Def Leppard

Playlists

Das könnte Ihnen auch gefallen...

Going Home (Theme From Local Hero)

Mark Knopfler

One Deep River

Mark Knopfler

One Deep River Mark Knopfler

i/o

Peter Gabriel

i/o Peter Gabriel

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles