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Carole King|Welcome Home

Welcome Home

Carole King

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After seven straight gold-selling, Top 20 albums, Welcome Home demonstrated thoroughly that Carole King was on the wrong track. Her third husband, Rick Evers, who wrote lyrics for some of her songs and is pictured with her on the record cover, died of a drug overdose after this album was recorded in January 1978, but before it was released in May, which seems emblematic of the problems here. They include "Venusian Diamond," a song that deliberately borrows gimmicks from Beatles records, and "Disco Tech." That's right, Carole King goes disco. There were no hits, although "Morning Sun" made a brief appearance in the adult contemporary chart, and there was certainly nothing that was up to King's usual standards. The album failed to make the Top 100 and effectively removed King from the top echelon of pop artists.

© William Ruhlmann /TiVo

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Welcome Home

Carole King

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1
Main Street Saturday Night
00:05:44

Carole King, Associated Performer, Composer, Lyricist, Main Artist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

2
Sunbird
00:04:05

Carole King, Associated Performer, Composer, Lyricist, Main Artist - Rick Evers, Composer, Lyricist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

3
Venusian Diamond
00:04:31

Carole King, Associated Performer, Composer, Lyricist, Main Artist - Rick Evers, Composer, Lyricist - Mark Hallman, Composer, Lyricist - Robert McEntee, Composer, Lyricist - Robb Galloway, Composer, Lyricist - Miguel Rivera, Composer, Lyricist - Richard Hardy, Composer, Lyricist - Michael Wooten, Composer, Lyricist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

4
Changes
00:02:28

Carole King, Associated Performer, Composer, Lyricist, Main Artist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

5
Morning Sun
00:04:32

Carole King, Associated Performer, Composer, Lyricist, Main Artist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

6
Disco Tech
00:05:10

Carole King, Associated Performer, Composer, Lyricist, Main Artist - Mark Hallman, Composer - Robert McEntee, Composer - Robb Galloway, Composer - Miguel Rivera, Composer - Richard Hardy, Composer - Michael Wooten, Composer

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

7
Wings of Love
00:03:25

Carole King, Associated Performer, Composer, Lyricist, Main Artist - Rick Evers, Composer, Lyricist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

8
Ride the Music
00:03:11

Carole King, Associated Performer, Composer, Lyricist, Main Artist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

9
Everybody's Got the Spirit
00:03:45

Carole King, Associated Performer, Composer, Lyricist, Main Artist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

10
Welcome Home
00:03:20

Carole King, Associated Performer, Composer, Lyricist, Main Artist

(P) 1978 Rockingale Recordings, under exclusive license to Legacy Recordings / Sony Music Entertainment

Albumbeschreibung

After seven straight gold-selling, Top 20 albums, Welcome Home demonstrated thoroughly that Carole King was on the wrong track. Her third husband, Rick Evers, who wrote lyrics for some of her songs and is pictured with her on the record cover, died of a drug overdose after this album was recorded in January 1978, but before it was released in May, which seems emblematic of the problems here. They include "Venusian Diamond," a song that deliberately borrows gimmicks from Beatles records, and "Disco Tech." That's right, Carole King goes disco. There were no hits, although "Morning Sun" made a brief appearance in the adult contemporary chart, and there was certainly nothing that was up to King's usual standards. The album failed to make the Top 100 and effectively removed King from the top echelon of pop artists.

© William Ruhlmann /TiVo

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