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Anita O'Day - Verve Jazz Masters 49

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Verve Jazz Masters 49

Anita O'Day

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This is an excellent one-disc roundup of Anita O'Day's output for Clef, Norgan and Verve -- arguably her most important, most experimental period -- and it is especially valuable because Anita and her manager Alan Eichler made the selections themselves. It was during this decade of activity that O'Day made the transition from a spent former big-band thrush to an acclaimed jazz diva, despite the turmoil in her personal life and her feeling that she was playing second-fiddle to Ella in Norman Granz' recording stable. The selection is remarkably wide-ranging, sampling from twelve of O'Day's sixteen albums for Granz and his successor at Verve, Creed Taylor, with lots of loosely swinging mid- and uptempo numbers and ballads that can be alternately world-wise and innocent. Among the many highlights that illustrate the diversity of O'Day's Verve period are "No Soap, No Hope Blues," from O'Day's first rare ten-inch album for Granz; her saucy remake of "Boogie Blues" with the innovative Gary McFarland orchestra; and the sexy, swaggering title track of Waiter, Make Mine Blues. Anyone seeking an entryway into the tough yet vulnerable song world of Anita O'Day will get a lot of helpful direction from this album.
© Richard S. Ginell /TiVo

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Verve Jazz Masters 49

Anita O'Day

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1
That Old Feeling
00:02:28

Barney Kessel, Guitar, AssociatedPerformer - Bud Shank, Saxophone, AssociatedPerformer - Lew Brown, ComposerLyricist - Sammy Fain, ComposerLyricist - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Russell Garcia, Recording Arranger, AssociatedPerformer - Norman Granz, Producer

A Verve Label Group Release; ℗ 1960 UMG Recordings, Inc.

2
Boogie Blues
00:03:45

Remo Biondi, ComposerLyricist - Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - Gene Krupa, ComposerLyricist - Ray Biondi, ComposerLyricist - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

A Verve Label Group Release; ℗ 1962 UMG Recordings, Inc.

3
Angel Eyes
00:03:40

Barney Kessel, Guitar, AssociatedPerformer - Bud Shank, Saxophone, AssociatedPerformer - Matt Dennis, ComposerLyricist - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Earl K. Brent, ComposerLyricist - Russell Garcia, Recording Arranger, AssociatedPerformer - Norman Granz, Producer

A Verve Label Group Release; ℗ 1960 UMG Recordings, Inc.

4
(Fly Me To The Moon) In Other Words
00:03:46

Bart Howard, ComposerLyricist - Andrew Simpkins, Double Bass, AssociatedPerformer - Gene Harris, Piano, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - The Three Sounds, MainArtist - Bill Dowdy, Drums, AssociatedPerformer

℗ 1962 UMG Recordings, Inc.

5
When The World Was Young
00:03:35

Johnny Mercer, ComposerLyricist - Andrew Simpkins, Double Bass, AssociatedPerformer - Gene Harris, Piano, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - The Three Sounds, MainArtist - Gérard Philipe, ComposerLyricist - Bill Dowdy, Drums, AssociatedPerformer - Angele Marie Therese Vannier, ComposerLyricist

℗ 1962 UMG Recordings, Inc.

6
Ten Cents A Dance
00:02:17

Richard Rodgers, Composer - Lorenz Hart, Author - Anita O'day, MainArtist - Norman Granz, Producer

℗ 1960 UMG Recordings, Inc.

7
Easy Come, Easy Go
00:03:11

Edward Heyman, ComposerLyricist - John W. Green, ComposerLyricist - Anita O'day, Vocals, MainArtist, AssociatedPerformer

℗ 1959 UMG Recordings, Inc.

8
No Soap, No Hope Blues
00:02:33

Richard Adler , ComposerLyricist - JERRY ROSS, ComposerLyricist - Anita O'day, Vocals, MainArtist, AssociatedPerformer

A Verve Label Group Release; ℗ 1952 UMG Recordings, Inc.

9
Just In Time Album Version
00:02:49

Jule Styne, Composer - Adolph Green, ComposerLyricist - Betty Comden, ComposerLyricist - Anita O'day, MainArtist - Cal Tjader, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

10
Old Devil Moon
00:02:54

RAY BROWN, Double Bass, AssociatedPerformer - E.Y. HARBURG, ComposerLyricist - Herb Ellis, Guitar, AssociatedPerformer - Burton Lane, ComposerLyricist - Anita O'day, Producer, MainArtist - John Poole, Drums, AssociatedPerformer - Oscar Peterson, Piano, AssociatedPerformer - The Oscar Peterson Quartet, FeaturedArtist - Norman Granz, Producer

A Verve Label Group Release; ℗ 1957 UMG Recordings, Inc.

11
A Nightingale Sang In Berkeley Square
00:04:02

Eric Maschwitz, Author - Manning Sherwin, Composer - Robert Farnon, Arranger, Work Arranger - Anita O'day, MainArtist - Norman Granz, Producer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

12
Them There Eyes
00:02:37

RAY BROWN, Double Bass, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Maceo Pinkard, ComposerLyricist - Anita O'day, Producer, MainArtist - John Poole, Drums, AssociatedPerformer - DORIS TAUBER, ComposerLyricist - Oscar Peterson, Piano, AssociatedPerformer - The Oscar Peterson Quartet, FeaturedArtist - William Tracey, ComposerLyricist - Norman Granz, Producer

A Verve Label Group Release; ℗ 1957 UMG Recordings, Inc.

13
If The Moon Turns Green
00:02:55

Bernie Hanighen, ComposerLyricist - Anita O'day, MainArtist - George Cates, ComposerLyricist - Russell Garcia, Producer

℗ 1961 UMG Recordings, Inc.

14
Johnny One Note
00:01:51

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Anita O'day, Vocals, MainArtist, AssociatedPerformer

℗ 1960 UMG Recordings, Inc.

15
Waiter, Make Mine Blues
00:03:21

Remo Biondi, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - Bud Shank, Saxophone, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Russell Garcia, Recording Arranger, AssociatedPerformer - Norman Granz, Producer - Bessie Brown, ComposerLyricist

A Verve Label Group Release; ℗ 1960 UMG Recordings, Inc.

16
What Is This Thing Called Love?
00:02:29

Skeets Herfurt, Alto Saxophone, AssociatedPerformer - Wilbur Schwartz, Alto Saxophone, AssociatedPerformer - Cole Porter, ComposerLyricist - Mel Lewis, Drums, AssociatedPerformer - Billy May, Recording Arranger, AssociatedPerformer - Gene Cipriano, Tenor Saxophone, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Tommy Tedesco, Guitar, AssociatedPerformer - Si Zentner, Tuba, AssociatedPerformer - Ed Kusby, Tuba, AssociatedPerformer - Uan Rasey, Trumpet, AssociatedPerformer - Conrad Gozzo, Trumpet, AssociatedPerformer - Justin Gordon, Tenor Saxophone, AssociatedPerformer - Dave Wells, Tuba, AssociatedPerformer - Frank Beach, Trumpet, AssociatedPerformer - Dick Noel, Tuba, AssociatedPerformer - Chuck Gentry, Baritone, AssociatedPerformer - Norman Granz, Producer - George Morrow, AssociatedPerformer, Bass (Vocal) - Al Pellegrini, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1959 UMG Recordings, Inc.

Albumbeschreibung

This is an excellent one-disc roundup of Anita O'Day's output for Clef, Norgan and Verve -- arguably her most important, most experimental period -- and it is especially valuable because Anita and her manager Alan Eichler made the selections themselves. It was during this decade of activity that O'Day made the transition from a spent former big-band thrush to an acclaimed jazz diva, despite the turmoil in her personal life and her feeling that she was playing second-fiddle to Ella in Norman Granz' recording stable. The selection is remarkably wide-ranging, sampling from twelve of O'Day's sixteen albums for Granz and his successor at Verve, Creed Taylor, with lots of loosely swinging mid- and uptempo numbers and ballads that can be alternately world-wise and innocent. Among the many highlights that illustrate the diversity of O'Day's Verve period are "No Soap, No Hope Blues," from O'Day's first rare ten-inch album for Granz; her saucy remake of "Boogie Blues" with the innovative Gary McFarland orchestra; and the sexy, swaggering title track of Waiter, Make Mine Blues. Anyone seeking an entryway into the tough yet vulnerable song world of Anita O'Day will get a lot of helpful direction from this album.
© Richard S. Ginell /TiVo

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