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Christian Thielemann|Verdi : Messa da Requiem (Live)

Verdi : Messa da Requiem (Live)

Staatskapelle Dresden - Christian Thielemann

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You hesitate to assign national characteristics to musical performances. After all, Arturo Toscanini was noted as both a Wagnerian and a Brahmsian. Yet, this big reading of Verdi's Requiem by Christian Thielemann, leading the Staatskapelle Dresden and Sächsischer Staatsopernchor Dresden arguably qualifies as Germanic. It doesn't conform to von Bülow's dictum that the Requiem was merely an opera in sacred garb. If anything, Thielemann makes a German symphony out of it, with all its elements in balance. You can find more purely Verdian readings, but there is much to recommend in this live recording, made during an annual commemoration of the destruction of Dresden in 1945, at which Verdi's, and other requiem masses are performed. The lack of applause at the end was not accomplished through engineering, but is traditional. Start with the particular strengths of the Staatskapelle Dresden, whose brass section, especially since the ascent of Thielemann to the podium, is perhaps the best in Europe. Sample the famed Dies irae, and hear how its sweeping power comes from the way Thielemann is able to shape what the brass are doing. The flipside are the solo movements, ably handled here by a set of vocalists who remain under Thielemann's control. Profil's engineers contribute greatly: they are willing to tolerate a slight loss of clarity to bring you into the midst of this uniquely muscular reading of this work, and the overall effect is powerful indeed. Not the last word on the Verdi Requiem, but certainly a reading that demands to be heard.
© TiVo

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Verdi : Messa da Requiem (Live)

Christian Thielemann

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Messa da requiem (Giuseppe Verdi)

1
Requiem Sequentia
Krassimira Stoyanova
00:08:12

Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

2
Dies irae
Sächsischer Staatsopernchor Dresden
00:02:23

Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

3
Tuba mirum
Georg Zeppenfeld
00:03:16

Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

4
Liber scriptus
Marina Prudenskaja
00:04:53

Marina Prudenskaja, Mezzo-Soprano - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

5
Quid sum miser
Charles Castronovo
00:03:23

Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Krassimira Stoyanova, Soprano - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

6
Rex tremendae
Krassimira Stoyanova
00:03:29

Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

7
Recordare
Marina Prudenskaja
00:03:39

Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

8
Ingemisco
Charles Castronovo
00:03:31

Charles Castronovo, Tenor - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

9
Confutatis
Georg Zeppenfeld
00:05:11

Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

10
Lacrymosa
Krassimira Stoyanova
00:05:40

Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

DISC 2

1
Offertorium - Domine, Jesu Christe
Krassimira Stoyanova
00:04:30

Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

2
Offertorium - Hostias
Krassimira Stoyanova
00:05:27

Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

3
Sanctus
Sächsischer Staatsopernchor Dresden
00:02:53

Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

4
Agnus Dei
Krassimira Stoyanova
00:05:01

Krassimira Stoyanova, Soprano - Marina Prudenskaja, Mezzo-Soprano - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

5
Lux aeterna
Marina Prudenskaja
00:05:48

Marina Prudenskaja, Mezzo-Soprano - Charles Castronovo, Tenor - Georg Zeppenfeld, Bass - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

6
Libera me
Krassimira Stoyanova
00:13:54

Krassimira Stoyanova, Soprano - Sächsischer Staatsopernchor Dresden - Staatskapelle Dresden - Christian Thielemann, Conductor - Giuseppe Verdi, Composer

(C) 2019 Profil (P) 2019 Profil

Albumbeschreibung

You hesitate to assign national characteristics to musical performances. After all, Arturo Toscanini was noted as both a Wagnerian and a Brahmsian. Yet, this big reading of Verdi's Requiem by Christian Thielemann, leading the Staatskapelle Dresden and Sächsischer Staatsopernchor Dresden arguably qualifies as Germanic. It doesn't conform to von Bülow's dictum that the Requiem was merely an opera in sacred garb. If anything, Thielemann makes a German symphony out of it, with all its elements in balance. You can find more purely Verdian readings, but there is much to recommend in this live recording, made during an annual commemoration of the destruction of Dresden in 1945, at which Verdi's, and other requiem masses are performed. The lack of applause at the end was not accomplished through engineering, but is traditional. Start with the particular strengths of the Staatskapelle Dresden, whose brass section, especially since the ascent of Thielemann to the podium, is perhaps the best in Europe. Sample the famed Dies irae, and hear how its sweeping power comes from the way Thielemann is able to shape what the brass are doing. The flipside are the solo movements, ably handled here by a set of vocalists who remain under Thielemann's control. Profil's engineers contribute greatly: they are willing to tolerate a slight loss of clarity to bring you into the midst of this uniquely muscular reading of this work, and the overall effect is powerful indeed. Not the last word on the Verdi Requiem, but certainly a reading that demands to be heard.
© TiVo

Informationen zur Originalaufnahme : Recording: MDR KULTUR live transmission, February 13, 2014 in the Semperoper “In memory of the destruction of Dresden on February 13, 1945”

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