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Prisma|The Seasons

The Seasons

Prisma

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The mixed consort Prisma has chosen the four winds of Greek mythology -- Zefiro, Boreas, Notos, and Euros -- and the four seasons as the organizing themes of this 2018 release on Ambronay, offering a delightful program of 17th century chamber sonatas by Francesco Turini, Dario Castello, Marco Uccellini, and Giovanni Battista Fontana, along with shorter pieces from the Renaissance and early Baroque periods. To a degree, this is a somewhat fanciful use of a well-worn trope, because the pieces have been chosen to reflect the seasonal moods the group wishes to convey, rather than the specific intentions of the composers; to be sure, this is not comparable to Vivaldi's Four Seasons, which was written with the seasons in mind. Even so, the variety of forms, including the popular Canario and Ciaconna, and the virtuosity of Prisma -- Elisabeth Champollion on recorder, Dávid Budai on viola da gamba, Franciska Anna Hajdu on violin, and Alon Sariel on lute -- give the music the needed spontaneity and liveliness to suggest the changeability of weather or the passing of the seasons. Also included are colorful arrangements by the members of the group, each contributing imaginative variations that reflect the improvisational practices of the Baroque. Sample the Prelude that opens the section Notos - Summer, where the playful evocation of a buzzing insect paints a vivid picture. Ambronay's sound is quite close-up and intimate, so every nuance and detail is clearly audible. Highly recommended.
© TiVo

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The Seasons

Prisma

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1
Prelude for Recorder
00:00:54

Prisma, MainArtist - Elisabeth Champollion, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

2
Vestiva i colli e le campagne intorno (Arranged by Elisabeth Champollion and Alon Sariel)
00:03:13

Prisma, MainArtist - Giovanni Pierluigi da Palestrina, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

3
Trio Sonata in D minor "E tanto tempo hormai"
00:03:27

Prisma, MainArtist - Francesco Turini, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

4
Maritati insieme la Gallina, e'l Cucco fanno un bel concerto
00:01:50

Prisma, MainArtist - Marco Uccellini, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

5
Ciaccona: Variations (Arranged by Franciska Anna Hajdu and Dávid Budai)
00:03:47

Prisma, MainArtist - Tarquinio Merula, Composer - Claudio Monteverdi, Composer - Antonio Bertali, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

6
Prelude for Violin Solo
00:01:44

Prisma, MainArtist - Franciska Anna Hajdu, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

7
La Luciminia contenta
00:03:16

Prisma, MainArtist - Marco Uccellini, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

8
Sonata settima
00:04:53

Prisma, MainArtist - Giovanni Battista Fontana, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

9
Canario
00:01:58

Prisma, MainArtist - Dávid Budai, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

10
Prelude for Lute Solo - Upon La Mi Re (Arranged by Alon Sariel and Dávid Budai )
00:03:13

Prisma, MainArtist - Anonymous, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

11
La Cattarina, Op.12, No.10
00:04:08

Prisma, MainArtist - Tarquinio Merula, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

12
Sonata duodecima
00:06:30

Prisma, MainArtist - Dario Castello, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

13
Passacalle (Arranged by Dávid Budai)
00:03:10

Prisma, MainArtist - Andrea Falconieri, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

14
Interlude: Improvisation on Les Feuilles Mortes
00:01:40

Prisma, MainArtist - Yves Montand, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

15
Tarantella: Variations (Arranged by Dávid Budai)
00:01:39

Prisma, MainArtist - Athanasius Kircher, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

16
Prelude for Viola Da Gamba Based on "Retirata" from Baletto Secondo (Arranged by Dávid Budai and Elisabeth Champollion)
00:01:53

Prisma, MainArtist - Biagio Marini, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

17
La suave melodia
00:02:19

Prisma, MainArtist - Andrea Falconieri, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

18
Sonata a due canti
00:05:46

Prisma, MainArtist - Francesco Turini, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

19
Mantovana: Variations (Arranged by Dávid Budai )
00:03:12

Prisma, MainArtist - Marco Uccellini, Composer - Biagio Marini, Composer

Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

Albumbeschreibung

The mixed consort Prisma has chosen the four winds of Greek mythology -- Zefiro, Boreas, Notos, and Euros -- and the four seasons as the organizing themes of this 2018 release on Ambronay, offering a delightful program of 17th century chamber sonatas by Francesco Turini, Dario Castello, Marco Uccellini, and Giovanni Battista Fontana, along with shorter pieces from the Renaissance and early Baroque periods. To a degree, this is a somewhat fanciful use of a well-worn trope, because the pieces have been chosen to reflect the seasonal moods the group wishes to convey, rather than the specific intentions of the composers; to be sure, this is not comparable to Vivaldi's Four Seasons, which was written with the seasons in mind. Even so, the variety of forms, including the popular Canario and Ciaconna, and the virtuosity of Prisma -- Elisabeth Champollion on recorder, Dávid Budai on viola da gamba, Franciska Anna Hajdu on violin, and Alon Sariel on lute -- give the music the needed spontaneity and liveliness to suggest the changeability of weather or the passing of the seasons. Also included are colorful arrangements by the members of the group, each contributing imaginative variations that reflect the improvisational practices of the Baroque. Sample the Prelude that opens the section Notos - Summer, where the playful evocation of a buzzing insect paints a vivid picture. Ambronay's sound is quite close-up and intimate, so every nuance and detail is clearly audible. Highly recommended.
© TiVo

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Centre culturel de rencontre d'Ambronay Centre culturel de rencontre d'Ambronay

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