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The Supremes - The #1's

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The #1's

Diana Ross & The Supremes

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Surprisingly, very few artists can float a digital-age collection of number one singles without resorting to trickery involving foreign countries or obscure charts. The Beatles had little trouble (The Beatles 1) and Elvis Presley managed both a disc of number ones (Elvis: 30 #1 Hits) and one of number twos (2nd to None), but Michael Jackson bent the rules so far that calling his disc Number Ones is tantamount to consumer fraud. Additionally, a collection of number one singles may not be the best representation of an artist's career; the Elvis volume included nothing from his Sun years, and the Beatles' set skipped "Strawberry Fields Forever." The #1's, Motown's collection of chart-toppers by Diana Ross & the Supremes, fares much better. It benefits from two Supremes characteristics: as a pop group through and through, their biggest hits were often their best songs, and, with the help of the solo Diana Ross, they spent a long time on the charts (nearly 20 years separates the Supremes' debut at the top from Ross' last number one single). While Motown's separate volumes on Diana Ross and the Supremes (in the Ultimate Collection series) remain the best source for a single-disc picture of either act, The #1's works remarkably well. It includes 19 number one pop singles (13 from the group, six from the solo Ross), plus various number ones on the R&B and dance charts, and there aren't any glaring omissions. Granted, fans of early Motown can't live without the girl-group chestnuts "Buttered Popcorn" and "Your Heart Belongs to Me," while those who enjoy latter-day Ross won't find "One More Chance" or "Why Do Fools Fall in Love?" -- but of course, this collection wasn't created with them in mind. For the group who recorded more hit singles during the '60s than any other act except the Beatles, and for one of the reigning solo artists of the '70s, The #1's is a worthy tribute.
© John Bush /TiVo

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The #1's

The Supremes

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1
Where Did Our Love Go 2003 Remix
The Supremes
00:02:39

Edward Holland Jr., ComposerLyricist - Lamont Dozier, Producer, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Record Company L.P.

2
Baby Love 2003 Remix
The Supremes
00:02:47

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

3
Come See About Me 2003 Remix
The Supremes
00:02:43

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Record Company L.P.

4
Stop! In The Name Of Love 2003 Remix
The Supremes
00:03:00

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Record Company L.P.

5
Back In My Arms Again 2003 Remix
The Supremes
00:03:00

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Record Company L.P.

6
I Hear A Symphony Remix Version/2003
The Supremes
00:02:42

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Record Company L.P.

7
You Can't Hurry Love 2003 Remix
The Supremes
00:02:58

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

8
You Keep Me Hangin' On 2003 Remix
The Supremes
00:03:10

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

9
Love Is Here And Now You're Gone 2003 Remix
The Supremes
00:02:48

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist

℗ 2003 Motown Record Company L.P.

10
The Happening 2003 Remix
The Supremes
00:03:01

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - The Supremes, MainArtist - Frank DeVol, ComposerLyricist

℗ 2003 Motown Record Company L.P.

11
Reflections 2003 Remix
The Supremes
00:03:17

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Diana Ross & The Supremes, MainArtist

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

12
Love Child 2003 Remix
The Supremes
00:03:12

Berry Gordy Jr., Producer - Deke Richards, Producer - Henry Cosby, Producer - Pamela Sawyer, ComposerLyricist - Dennis Lussier, ComposerLyricist - Frank Wilson, Producer, ComposerLyricist - Diana Ross & The Supremes, MainArtist - R. Dean Taylor, Producer, ComposerLyricist - The Andantes, Background Vocalist, AssociatedPerformer

℗ 2003 Motown Record Company L.P.

13
I'm Gonna Make You Love Me 2003 Remix
The Supremes
00:03:09

Kenneth Gamble, ComposerLyricist - LEON HUFF, ComposerLyricist - NICKOLAS ASHFORD, Producer - The Temptations, MainArtist - JERRY ROSS, ComposerLyricist - Frank Wilson, Producer - Diana Ross & The Supremes, MainArtist

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

14
Someday We'll Be Together 2003 Remix
The Supremes
00:03:31

Johnny Bristol, Producer, ComposerLyricist - HARVEY FUQUA, ComposerLyricist - Robert Beavers, ComposerLyricist - Diana Ross & The Supremes, MainArtist

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

15
Stoned Love 2003 Remix
The Supremes
00:03:18

KEN THOMAS, ComposerLyricist - Frank Wilson, Producer, ComposerLyricist - The Supremes, MainArtist - David Van dePitte, Recording Arranger, AssociatedPerformer

℗ 2003 Motown Record Company L.P.

16
Ain't No Mountain High Enough Single Version
Diana Ross
00:03:34

Paul Riser, Recording Arranger, AssociatedPerformer - Joshie Armstead, Background Vocalist, AssociatedPerformer - NICKOLAS ASHFORD, Producer, Background Vocalist, AssociatedPerformer, ComposerLyricist - Valerie Simpson, Producer, Piano, Background Vocalist, AssociatedPerformer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer - The Andantes, Background Vocalist, AssociatedPerformer - Jackey Beavers, Background Vocalist, AssociatedPerformer - Louvain Demps, Background Vocalist, AssociatedPerformer - Jackie Hicks, Background Vocalist, AssociatedPerformer - Marlene Barrow, Background Vocalist, AssociatedPerformer

℗ 1970 Motown Records, a Division of UMG Recordings, Inc.

17
Touch Me In The Morning Album Version
Diana Ross
00:03:24

Gene Page, Recording Arranger, AssociatedPerformer - Michael Masser, Producer, ComposerLyricist - Diana Ross, MainArtist - Ron Miller, ComposerLyricist - Tom Baird, Producer, Recording Arranger, AssociatedPerformer

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

18
Theme From Mahogany (Do You Know Where You're Going To) Single Version
Diana Ross
00:03:21

Gerry Goffin, ComposerLyricist - LEE HOLDRIDGE, Recording Arranger, AssociatedPerformer - Michael Masser, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer

℗ 1975 Motown Records, a Division of UMG Recordings, Inc.

19
Love Hangover Album Version
Diana Ross
00:03:43

Marilyn McLeod, ComposerLyricist - Pamela Sawyer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer - Hal Davis, Producer - Dave Blumberg, Recording Arranger, AssociatedPerformer - Clay Drayton, Recording Arranger, AssociatedPerformer

A Motown Records Release; ℗ 1976 UMG Recordings, Inc.

20
The Boss Single Version
Diana Ross
00:03:52

Eric Gale, Guitar, AssociatedPerformer - Sammy Figueroa, Percussion, AssociatedPerformer - Greg Arnold, Remix Engineer, StudioPersonnel - Michael Brecker, Saxophone, AssociatedPerformer - John Davis, String Arranger, Horn Arranger, AssociatedPerformer - Anthony Jackson, Bass Guitar, AssociatedPerformer - NICKOLAS ASHFORD, Producer, Recording Arranger, Background Vocalist, AssociatedPerformer, ComposerLyricist - Valerie Simpson, Producer, Piano, Recording Arranger, Background Vocalist, AssociatedPerformer, ComposerLyricist - Ray Chew, Keyboards, Recording Arranger, AssociatedPerformer - Maxine Waters, Background Vocalist, AssociatedPerformer - Diana Ross, Vocals, MainArtist, AssociatedPerformer - Stephanie Spruill, Background Vocalist, AssociatedPerformer - Francisco Centeno, Bass Guitar, AssociatedPerformer - John sussewell, Drums, AssociatedPerformer - Julia Waters, Background Vocalist, AssociatedPerformer - Errol Bennett, Percussion, AssociatedPerformer

℗ 1979 Motown Records, a Division of UMG Recordings, Inc.

21
Upside Down Single Version
Diana Ross
00:03:37

Gene Orloff, Unknown, Other - Fonzi Thornton, Background Vocalist, AssociatedPerformer - Luci Martin, Background Vocalist, AssociatedPerformer - BOB CLEARMOUNTAIN, Mix Engineer, StudioPersonnel - NILE RODGERS, Conductor, Producer, Guitar, Recording Arranger, AssociatedPerformer, ComposerLyricist - BERNARD EDWARDS, Conductor, Producer, Bass Guitar, Recording Arranger, AssociatedPerformer, ComposerLyricist - Eddie Daniels, Saxophone, AssociatedPerformer - Alfa Anderson, Background Vocalist, AssociatedPerformer - Cheryl Hong, Strings, AssociatedPerformer - Karen Milne, Strings, AssociatedPerformer - Raymond Jones, Keyboards, AssociatedPerformer - Tony Thompson, Drum, AssociatedPerformer - JAMES FARBER, Engineer, StudioPersonnel - Neil Dorfsman, Engineer, StudioPersonnel - Andy Schwartz, Keyboards, AssociatedPerformer - Bill Scheniman, Engineer, StudioPersonnel - Michelle Cobbs, Background Vocalist, AssociatedPerformer - Diana Ross, Vocals, MainArtist, AssociatedPerformer - Bob Milliken, Trumpet, AssociatedPerformer - Lucy Laurie, Asst. Recording Engineer, StudioPersonnel - Valerie Heywood, Strings, AssociatedPerformer - Peter Robbins, Asst. Recording Engineer, StudioPersonnel - Ralph Osborn, Engineer, StudioPersonnel - Abdoulaaye Soumare, Asst. Recording Engineer, StudioPersonnel - Jeff Henrickson, Asst. Recording Engineer, StudioPersonnel

℗ 1980 Motown Records, a Division of UMG Recordings, Inc.

22
I'm Coming Out Single Version
Diana Ross
00:03:55

NILE RODGERS, Producer, Guitar, Recording Arranger, AssociatedPerformer, ComposerLyricist - BERNARD EDWARDS, Producer, Bass Guitar, Recording Arranger, AssociatedPerformer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer

℗ 1980 Motown Record Company L.P.

23
Endless Love From "The Endless Love" Soundtrack
Lionel Richie
00:04:26

Gene Page, Recording Arranger, AssociatedPerformer - Reggie Dozier, Engineer, StudioPersonnel - Lionel Richie, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer - Guy Costa, Mixer, StudioPersonnel

A Motown Records Release; ℗ 1981 UMG Recordings, Inc.

24
You Keep Me Hangin' On The Almighty Remix
The Supremes
00:03:56

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Almighty Associates, Producer, Additional Producer, Remixer, StudioPersonnel - The Supremes, MainArtist

℗ 2003 Motown Record Company L.P.

Albumbeschreibung

Surprisingly, very few artists can float a digital-age collection of number one singles without resorting to trickery involving foreign countries or obscure charts. The Beatles had little trouble (The Beatles 1) and Elvis Presley managed both a disc of number ones (Elvis: 30 #1 Hits) and one of number twos (2nd to None), but Michael Jackson bent the rules so far that calling his disc Number Ones is tantamount to consumer fraud. Additionally, a collection of number one singles may not be the best representation of an artist's career; the Elvis volume included nothing from his Sun years, and the Beatles' set skipped "Strawberry Fields Forever." The #1's, Motown's collection of chart-toppers by Diana Ross & the Supremes, fares much better. It benefits from two Supremes characteristics: as a pop group through and through, their biggest hits were often their best songs, and, with the help of the solo Diana Ross, they spent a long time on the charts (nearly 20 years separates the Supremes' debut at the top from Ross' last number one single). While Motown's separate volumes on Diana Ross and the Supremes (in the Ultimate Collection series) remain the best source for a single-disc picture of either act, The #1's works remarkably well. It includes 19 number one pop singles (13 from the group, six from the solo Ross), plus various number ones on the R&B and dance charts, and there aren't any glaring omissions. Granted, fans of early Motown can't live without the girl-group chestnuts "Buttered Popcorn" and "Your Heart Belongs to Me," while those who enjoy latter-day Ross won't find "One More Chance" or "Why Do Fools Fall in Love?" -- but of course, this collection wasn't created with them in mind. For the group who recorded more hit singles during the '60s than any other act except the Beatles, and for one of the reigning solo artists of the '70s, The #1's is a worthy tribute.
© John Bush /TiVo

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