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Charlie Musselwhite - Stand Back!

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Stand Back!

Charlie Musselwhite

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Vanguard may have spelled his name wrong (he prefers Charlie or Charles), but the word was out as soon as this solo debut was released: here was a harpist every bit as authentic, as emotional, and in some ways as adventuresome, as Paul Butterfield. Similarly leading a Chicago band with a veteran black rhythm section (Fred Below on drums, Bob Anderson on bass) and rock-influenced soloists (keyboardist Barry Goldberg, guitarist Harvey Mandel), Musselwhite played with a depth that belied his age -- only 22 when this was cut! His gruff vocals were considerably more affected than they would become later (clearer, more relaxed), but his renditions of "Help Me," "Early in the Morning," and his own "Strange Land" stand the test of time. He let his harmonica speak even more authoritatively on instrumentals like "39th and Indiana" (essentially "It Hurts Me Too" sans lyrics) and "Cha Cha the Blues," and his version of jazz arranger Duke Pearson's gospel-tinged "Cristo Redemptor" has become his signature song -- associated with Musselwhite probably more so than with trumpeter Donald Byrd, who originally recorded the song for Blue Note. Goldberg is in fine form (particularly on organ), but Mandel's snakey, stuttering style really stands out -- notably on "Help Me," his quirky original "4 P.M.," and "Chicken Shack," where he truly makes you think your record is skipping.
© Dan Forte /TiVo

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Stand Back!

Charlie Musselwhite

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1
Baby Will You Please Help Me
00:03:20

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

2
No More Lonely Nights
00:05:19

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

3
Cha Cha The Blues
00:03:12

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

4
Christo Redemptor
00:03:21

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

5
Help Me
00:03:30

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

6
Chicken Shack
00:04:17

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

7
Strange Land
00:03:01

Charlie Musselwhite, Composer, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

8
39th And Indiana
00:04:10

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

9
My Baby
00:02:42

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

10
Early In The Morning
00:04:35

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

11
4 P.M.
00:03:14

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

12
Sad Day
00:05:00

Unknown, Composer - Charlie Musselwhite, MainArtist

(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company

Albumbeschreibung

Vanguard may have spelled his name wrong (he prefers Charlie or Charles), but the word was out as soon as this solo debut was released: here was a harpist every bit as authentic, as emotional, and in some ways as adventuresome, as Paul Butterfield. Similarly leading a Chicago band with a veteran black rhythm section (Fred Below on drums, Bob Anderson on bass) and rock-influenced soloists (keyboardist Barry Goldberg, guitarist Harvey Mandel), Musselwhite played with a depth that belied his age -- only 22 when this was cut! His gruff vocals were considerably more affected than they would become later (clearer, more relaxed), but his renditions of "Help Me," "Early in the Morning," and his own "Strange Land" stand the test of time. He let his harmonica speak even more authoritatively on instrumentals like "39th and Indiana" (essentially "It Hurts Me Too" sans lyrics) and "Cha Cha the Blues," and his version of jazz arranger Duke Pearson's gospel-tinged "Cristo Redemptor" has become his signature song -- associated with Musselwhite probably more so than with trumpeter Donald Byrd, who originally recorded the song for Blue Note. Goldberg is in fine form (particularly on organ), but Mandel's snakey, stuttering style really stands out -- notably on "Help Me," his quirky original "4 P.M.," and "Chicken Shack," where he truly makes you think your record is skipping.
© Dan Forte /TiVo

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