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Currende Vocal Ensemble|SCHUTZ, H.: Cantiones sacrae (Currende Vocal Ensemble, Nevel)

SCHUTZ, H.: Cantiones sacrae (Currende Vocal Ensemble, Nevel)

Heinrich Schutz - Bible

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Heinrich Schütz's Cantiones sacrae of 1625, from his 40th year (the middle of the road of life), stand apart from his other works. A group of some 40 four-voice motets (11 are presented here), they fall neither among the composer's splendid German adaptations of the Venetian polychoral style nor among the severe, stripped-down pieces he wrote late in life. They are also, intriguingly, neither really Protestant nor Catholic; written for a Catholic prince, they are in Latin, but they draw on a group of meditative texts, adapted from the Bible, that were used by members of both faiths. They are inward works that owe a great deal to Renaissance polyphony but are marked as part of Schütz's own time by their intense text expressivity and by madrigalian chromaticism applied with climactic effect. The motets include continuo parts that were added at the behest of a publisher, but the continuo does little to define what we would call harmonic motion. This 1991 recording by the vocal group Currende (apparently Belgian, but the booklet gives no biographical information whatsoever) keeps the continuo, executed on an organ, far in the background. The focus is exclusively on the small group of singers, who catch the music's reverent but dramatic quality perfectly. Sample track 10 for a reading of the simple text "In te Domine speravi" (In you, Lord, I trust) that reveals Schütz's acknowledged debt to Renaissance polyphony but nevertheless brings the "I" into the picture in a way Josquin, for all his expressivity, would never have done. A beautiful recording that fills out its small dimensions beautifully, and the 1991 sound has held up well.
© TiVo

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SCHUTZ, H.: Cantiones sacrae (Currende Vocal Ensemble, Nevel)

Currende Vocal Ensemble

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Cantiones sacrae, Op. 4 (Heinrich Schütz)

1
Quid commisisti, O dulcissimi puer, SWV 56 - Ego sum tui plaga doloris, SWV 57 - Ego enim inique egi, SWV 58 - Quo, date Dei, SWV 59 - Calicem salutaris, SWV 60
00:13:20

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

2
Ad Dominum cum tribularer clamavi, SWV 71 - Quid detur tibi, SWV 72
00:04:47

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

3
Inter brachia Salvatoris mei, SWV 82
00:03:28

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

4
Ego dormio, SWV 63 - Vulnerasti cor meum, SWV 64
00:06:33

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

5
Cantate Domino canticum novum, SWV 81
00:03:01

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

6
Aspice, Pater, piissimum filium, SWV 73 - Nonne hic est, SWV 74 - Reduc, Domine Deus meus, SWV 75
00:06:55

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

7
Verba mea auribus percipe, SWV 61 - Quoniam ad te clamabo, SWV 62
00:04:50

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

8
Heu mihi, Domine, SWV 65
00:03:54

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

9
Domine, non est exaltatum cor meum, SWV 78 - Si non humiliter sentiebam, SWV 79 - Speret Israel in Domino, SWV 80
00:05:53

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

10
In te, Domine, speravi, SWV 66
00:02:08

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

11
Spes Mea, SWV 69
00:02:43

Heinrich Schütz, Composer - Erik Van Nevel, Conductor - Currende Vocal Ensemble, Choir, MainArtist

(C) 2007 Accent (P) 2007 Accent

Albumbeschreibung

Heinrich Schütz's Cantiones sacrae of 1625, from his 40th year (the middle of the road of life), stand apart from his other works. A group of some 40 four-voice motets (11 are presented here), they fall neither among the composer's splendid German adaptations of the Venetian polychoral style nor among the severe, stripped-down pieces he wrote late in life. They are also, intriguingly, neither really Protestant nor Catholic; written for a Catholic prince, they are in Latin, but they draw on a group of meditative texts, adapted from the Bible, that were used by members of both faiths. They are inward works that owe a great deal to Renaissance polyphony but are marked as part of Schütz's own time by their intense text expressivity and by madrigalian chromaticism applied with climactic effect. The motets include continuo parts that were added at the behest of a publisher, but the continuo does little to define what we would call harmonic motion. This 1991 recording by the vocal group Currende (apparently Belgian, but the booklet gives no biographical information whatsoever) keeps the continuo, executed on an organ, far in the background. The focus is exclusively on the small group of singers, who catch the music's reverent but dramatic quality perfectly. Sample track 10 for a reading of the simple text "In te Domine speravi" (In you, Lord, I trust) that reveals Schütz's acknowledged debt to Renaissance polyphony but nevertheless brings the "I" into the picture in a way Josquin, for all his expressivity, would never have done. A beautiful recording that fills out its small dimensions beautifully, and the 1991 sound has held up well.
© TiVo

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