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The Killers - Sawdust

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Sawdust

The Killers

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Biding time at a juncture when they don't necessarily need to, the Killers released the odds-n-sods collection Sawdust in November 2007, a mere 13 months after their second album, Sam's Town. If the title suggests that the group is digging further into a preposterous fixation on faux Americana, this grab bag of B-sides, new songs, covers, stray tracks, and re-recordings feels more like a sop to the fans who found the Springsteen worship hard to stomach. There's not as much Boss here but the ghost of The Joshua Tree still lingers, particularly in the clatter of the echoing Edge guitars, but that's married to the Killers' studied new wave moves, which is a better fit for that sweeping sound anyway. Better fit doesn't necessarily mean a perfect fit, however -- the return to the Killers' stylish throb only emphasizes their scattershot songwriting, where they can get elements right but they can't quite tie it all together. Tellingly, the best moments are leftovers from Hot Fuss -- whether it's the cool glam groove of the leftover "Leave the Bourbon on the Shelf" or "The Ballad of Michael Valentine," which does the cod-Americana better than Sam's Town -- but too much of the newer stuff clatters around pointlessly, all pomp and no circumstance. This goes double for the directionless Lou Reed duet "Tranquilize," which plays as if Bowie decided to have Lou sing on Tonight, then it goes triple for a stupifyingly silly "Ruby, Don't Take Your Love to Town," where the Killers seem like kids in cowboy hats even more than they did when they were kicking around the desert outskirts of Vegas. Covers don't treat the Killers well at all, as they reveal how hammy Brandon Flowers is at his core (swapping Mark Knopfler's sly, dry delivery for Flowers' community theater bluster robs "Romeo and Juliet" of its delicate beauty). When Flowers is in his natural setting, supported by glistening waves of keyboards and guitars that ring like synths, that ridiculous theatricality can be a bit of a guilty pleasure, and Sawdust does indeed contain some moments of grand pomp, but its scattershot nature works against the band as it winds up emphasizing the lingering question from Sam's Town, that the Killers have a hell of a lot of ideas but they just don't know what the hell to do with them.
© Stephen Thomas Erlewine /TiVo

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Sawdust

The Killers

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1
Tranquilize
00:03:44

Lou Reed, Guitar, Vocals, FeaturedArtist, AssociatedPerformer - ALAN MOULDER, Producer, Mix Engineer, StudioPersonnel - Flood, Producer - TJ Doherty, Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist - Mpho Manye, Background Vocalist, AssociatedPerformer - Tamara Robinson, Background Vocalist, AssociatedPerformer - Journi Gallwey, Background Vocalist, AssociatedPerformer

℗ 2007 Island Records, a division of UMG Recordings, Inc., Mit freundlicher Genehmigung: Universal Music Group, Inc

2
Shadowplay
00:04:07

Mark Gray, Recording Engineer, StudioPersonnel - B. Summer, ComposerLyricist - Stephen Morris, ComposerLyricist - ALAN MOULDER, Mix Engineer, StudioPersonnel - Ian Curtis, ComposerLyricist - PETER HOOK, ComposerLyricist - Max Dingel, Recording Engineer, StudioPersonnel - Andy Savours, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - The Killers, Producer, MainArtist

℗ 2007 Island Records, a division of UMG Recordings, Inc.

3
All The Pretty Faces
00:04:45

Mark Gray, Engineer, StudioPersonnel - ALAN MOULDER, Producer, Mixer, Recording Engineer, StudioPersonnel - Neeraj Khajanchi, Recording Engineer, StudioPersonnel - Flood, Producer, Mixer, Recording Engineer, StudioPersonnel - Andy Savours, Mix Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist

℗ 2006 Island Records, a division of UMG Recordings, Inc.

4
Leave The Bourbon On The Shelf
00:03:38

Stuart Price, Producer, Mix Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, Mix Engineer, MainArtist, StudioPersonnel - Corlene Byrd, Recording Engineer, StudioPersonnel

℗ 2007 Island Records, a division of UMG Recordings, Inc.

5
Sweet Talk
00:04:18

Stuart Price, Producer, Mixer, Additional Producer, Recording Engineer, StudioPersonnel - ALAN MOULDER, Producer - Flood, Producer - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist

℗ 2007 Island Records, a division of UMG Recordings, Inc.

6
Under The Gun
00:02:32

MARK NEEDHAM, Mixer, StudioPersonnel - Jeff Saltzman, Producer, Recording Engineer, StudioPersonnel - Will Brierre, Asst. Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist - Dave Stedronsky, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Island Records, a division of UMG Recordings, Inc.

7
Where The White Boys Dance
00:03:26

Mark Gray, Engineer, StudioPersonnel - ALAN MOULDER, Producer, Mixer, Recording Engineer, StudioPersonnel - Neeraj Khajanchi, Engineer, StudioPersonnel - Flood, Producer, Mixer, Recording Engineer, StudioPersonnel - Andy Savours, Mix Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist

℗ 2006 Island Records, a division of UMG Recordings, Inc.

8
Show You How
00:02:44

MARK NEEDHAM, Mixer, StudioPersonnel - Jeff Saltzman, Producer, Recording Engineer, StudioPersonnel - Will Brierre, Asst. Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist - Dave Stedronsky, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Island Records, a division of UMG Recordings, Inc.

9
Move Away (New Mix)
00:03:49

Mark Gray, Engineer, StudioPersonnel - ALAN MOULDER, Producer, Mixer, Recording Engineer, StudioPersonnel - Neeraj Khajanchi, Recording Engineer, StudioPersonnel - Flood, Producer, Mixer, Recording Engineer, StudioPersonnel - Max Dingel, Engineer, StudioPersonnel - Andy Savours, Mix Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist

℗ 2007 Island Records, a division of UMG Recordings, Inc.

10
Glamorous Indie Rock And Roll (Sawdust Version)
00:04:15

MARK NEEDHAM, Mixer, StudioPersonnel - Jeff Saltzman, Producer, Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist

℗ 2004 Island Records, a division of UMG Recordings, Inc., under exclusive license to Mercury Records Limited. Licensed courtesy of LK Records Limited

11
Who Let You Go?
00:03:41

MARK NEEDHAM, Mixer, StudioPersonnel - Jeff Saltzman, Producer, Recording Engineer, StudioPersonnel - Will Brierre, Asst. Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist - Dave Stedronsky, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Island Records, a division of UMG Recordings, Inc.

12
The Ballad Of Michael Valentine
00:03:49

MARK NEEDHAM, Mixer, StudioPersonnel - Jeff Saltzman, Producer, Recording Engineer, StudioPersonnel - Will Brierre, Asst. Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist - Dave Stedronsky, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Island Records, a division of UMG Recordings, Inc.

13
Ruby, Don't Take Your Love To Town
00:03:03

Mel Tillis, ComposerLyricist - Jeff Saltzman, Producer - The Killers, Producer, MainArtist

℗ 2004 Island Records, a division of UMG Recordings, Inc.

14
Daddy's Eyes
00:04:13

Mark Gray, Engineer, StudioPersonnel - ALAN MOULDER, Producer, Recording Engineer, StudioPersonnel - Neeraj Khajanchi, Recording Engineer, StudioPersonnel - MARK NEEDHAM, Mixer, StudioPersonnel - Flood, Producer, Recording Engineer, StudioPersonnel - Max Dingel, Engineer, StudioPersonnel - Will Brierre, Asst. Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, Producer, MainArtist - Dave Stedronsky, Asst. Recording Engineer, StudioPersonnel

℗ 2006 Island Records, a division of UMG Recordings, Inc.

15
Sam's Town (Live From Abbey Road / 2006)
00:03:42

Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - Mark Stoermer, ComposerLyricist - Ronnie Vannucci, ComposerLyricist - The Killers, MainArtist - Ted Sablay, Synthesizer, AssociatedPerformer - Graham Bonnet, Recording Engineer, Mix Engineer, StudioPersonnel - Rupert Cobb, Recording Engineer, Mix Engineer, StudioPersonnel

℗ 2007 Island Records, a division of UMG Recordings, Inc.

16
Romeo And Juliet (Live From Abbey Road / 2006)
00:05:27

Mark Knopfler, ComposerLyricist - The Killers, MainArtist - Ted Sablay, Synthesizer, AssociatedPerformer - Graham Bonnet, Recording Engineer, Mix Engineer, StudioPersonnel - Rupert Cobb, Recording Engineer, Mix Engineer, StudioPersonnel

℗ 2007 Island Records, a division of UMG Recordings, Inc.

17
Mr. Brightside (Jacques Lu Cont's Thin White Duke Mix)
00:08:47

MARK NEEDHAM, Mixer, Asst. Recording Engineer, StudioPersonnel - Jeff Saltzman, Producer, Recording Engineer, StudioPersonnel - Jacques Lu Cont, Remixer, StudioPersonnel - Will Brierre, Asst. Recording Engineer, StudioPersonnel - Dario Dendi, Asst. Recording Engineer, StudioPersonnel - Brandon Flowers, ComposerLyricist - Dave Keuning, ComposerLyricist - The Killers, Producer, MainArtist - Dave Stedronsky, Asst. Recording Engineer, StudioPersonnel

℗ 2005 UMG Recordings, Inc.

Albumbeschreibung

Biding time at a juncture when they don't necessarily need to, the Killers released the odds-n-sods collection Sawdust in November 2007, a mere 13 months after their second album, Sam's Town. If the title suggests that the group is digging further into a preposterous fixation on faux Americana, this grab bag of B-sides, new songs, covers, stray tracks, and re-recordings feels more like a sop to the fans who found the Springsteen worship hard to stomach. There's not as much Boss here but the ghost of The Joshua Tree still lingers, particularly in the clatter of the echoing Edge guitars, but that's married to the Killers' studied new wave moves, which is a better fit for that sweeping sound anyway. Better fit doesn't necessarily mean a perfect fit, however -- the return to the Killers' stylish throb only emphasizes their scattershot songwriting, where they can get elements right but they can't quite tie it all together. Tellingly, the best moments are leftovers from Hot Fuss -- whether it's the cool glam groove of the leftover "Leave the Bourbon on the Shelf" or "The Ballad of Michael Valentine," which does the cod-Americana better than Sam's Town -- but too much of the newer stuff clatters around pointlessly, all pomp and no circumstance. This goes double for the directionless Lou Reed duet "Tranquilize," which plays as if Bowie decided to have Lou sing on Tonight, then it goes triple for a stupifyingly silly "Ruby, Don't Take Your Love to Town," where the Killers seem like kids in cowboy hats even more than they did when they were kicking around the desert outskirts of Vegas. Covers don't treat the Killers well at all, as they reveal how hammy Brandon Flowers is at his core (swapping Mark Knopfler's sly, dry delivery for Flowers' community theater bluster robs "Romeo and Juliet" of its delicate beauty). When Flowers is in his natural setting, supported by glistening waves of keyboards and guitars that ring like synths, that ridiculous theatricality can be a bit of a guilty pleasure, and Sawdust does indeed contain some moments of grand pomp, but its scattershot nature works against the band as it winds up emphasizing the lingering question from Sam's Town, that the Killers have a hell of a lot of ideas but they just don't know what the hell to do with them.
© Stephen Thomas Erlewine /TiVo

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