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Rickie Lee Jones|Rickie Lee Jones

Rickie Lee Jones

Rickie Lee Jones

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With her expressive soprano voice employing sudden alterations of volume and force, and her lyrical focus on Los Angeles street life, Rickie Lee Jones comes on like the love child of Laura Nyro and Tom Waits on her self-titled debut album. Given the population of colorful characters who may or may not be real people that populate her songs -- Chuck E., Bragger, Kid Sinister, and others -- she also might have had Bruce Springsteen in her bloodline (that is, the Springsteen of his first two albums), and her jazzbo sensibility suggests Mose Allison as a grandfather. Producers Lenny Waronker and Russ Titelman, who know all about assisting quirky singer/songwriters with their visions, have brought in a studio full of master session musicians, many of them with jazz credentials, and apparently instructed them to follow Jones' stop-and-start, loud-and-soft vocalizing, then overdubbed string parts here and there. The music thus has a sprung rhythmic feel that follows the contours of Jones' impressionistic stories about scuffling people on the streets and in the bars. There is an undertow of melancholy that becomes more overt toward the end, as the narrator's friends and lovers clear out, leaving her "Standing on the corner/All alone," as she sings in the final song, "After Hours (Twelve Bars Past Goodnight)." It's a long way, if only 40 minutes or so, from the frolicsome opener, "Chuck E.'s in Love," which had concluded that he was smitten by "the little girl who's singin' this song." But then, the romance of the street is easily replaced by its loneliness. Rickie Lee Jones is an astounding debut album that simultaneously sounds like a synthesis of many familiar styles and like nothing that anybody's ever done before, and it heralds the beginning of a potentially important career.
© William Ruhlmann /TiVo

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Rickie Lee Jones

Rickie Lee Jones

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1
Chuck E's in Love (LP Version)
00:03:29

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Composer, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Composer - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

2
On Saturday Afternoons in 1963 (LP Version)
00:02:31

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

3
Night Train (LP Version)
00:03:18

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

4
Young Blood (LP Version)
00:04:03

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Composer, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

5
Easy Money (LP Version)
00:03:19

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

6
The Last Chance Texaco (LP Version)
00:04:05

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

7
Danny's All-Star Joint (LP Version)
00:04:06

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

8
Coolsville (LP Version)
00:03:48

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

9
Weasel and the White Boys Cool (LP Version)
00:05:59

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn - ALFRED JOHNSON, Writer

1979 Warner Records Inc. 1979 Warner Records Inc.

10
Company (LP Version)
00:04:52

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn - ALFRED JOHNSON, Writer

1979 Warner Records Inc. 1979 Warner Records Inc.

11
After Hours (Twelve Bars Past Midnight) (LP Version)
00:02:13

Jeff Porcaro, Drums - Roger Nichols, Engineer - Andy Newmark, Drums - Mac Rebennack, Keyboards - Nick DeCaro, Accordion, Orchestral Arranger - Mark Stevens, Drums, Percussion - Randy Newman, Synthesizer - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass Guitar, Bass - Victor Feldman, Drums, Keyboards, Percussion - MICHAEL MCDONALD, Background Vocals - Michael Boddicker, Synthesizer - Rickie Lee Jones, Guitar, Horn, Keyboards, Percussion, Writer, Background Vocals, MainArtist - Arno Lucas, Background Vocals - Chuck Findley, Horn - Dr. John, Keyboards - Ernie Watts, Horn - Fred Tackett, Guitar, Mandolin - Howard Buzzy Feiten, Guitar - JOHNNY MANDEL, Orchestral Arranger - Joe Torano, Vocals - Joe Turanio, Background Vocals - Leslie Smith, Background Vocals - Lloyd Cliff, Engineer - Matthew Weiner, Background Vocals - Neil Larsen, Keyboards - Ralph Grierson, Keyboards - Randy Kerber, Keyboards - Red Callender, Bass Guitar - Steve Gadd, Drums - Tom Knox, Engineer - Tom Scott, Horn

1979 Warner Records Inc. 1979 Warner Records Inc.

Albumbeschreibung

With her expressive soprano voice employing sudden alterations of volume and force, and her lyrical focus on Los Angeles street life, Rickie Lee Jones comes on like the love child of Laura Nyro and Tom Waits on her self-titled debut album. Given the population of colorful characters who may or may not be real people that populate her songs -- Chuck E., Bragger, Kid Sinister, and others -- she also might have had Bruce Springsteen in her bloodline (that is, the Springsteen of his first two albums), and her jazzbo sensibility suggests Mose Allison as a grandfather. Producers Lenny Waronker and Russ Titelman, who know all about assisting quirky singer/songwriters with their visions, have brought in a studio full of master session musicians, many of them with jazz credentials, and apparently instructed them to follow Jones' stop-and-start, loud-and-soft vocalizing, then overdubbed string parts here and there. The music thus has a sprung rhythmic feel that follows the contours of Jones' impressionistic stories about scuffling people on the streets and in the bars. There is an undertow of melancholy that becomes more overt toward the end, as the narrator's friends and lovers clear out, leaving her "Standing on the corner/All alone," as she sings in the final song, "After Hours (Twelve Bars Past Goodnight)." It's a long way, if only 40 minutes or so, from the frolicsome opener, "Chuck E.'s in Love," which had concluded that he was smitten by "the little girl who's singin' this song." But then, the romance of the street is easily replaced by its loneliness. Rickie Lee Jones is an astounding debut album that simultaneously sounds like a synthesis of many familiar styles and like nothing that anybody's ever done before, and it heralds the beginning of a potentially important career.
© William Ruhlmann /TiVo

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