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Emerson, Lake & Palmer|Pictures At An Exhibition   (Live Deluxe Version)

Pictures At An Exhibition (Live Deluxe Version)

Emerson, Lake & Palmer

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Pictures at an Exhibition was one of the seminal documents of the progressive rock era, a record that made its way into the collections of millions of high-school kids who never heard of composer Modest Mussorgsky and knew nothing of Russia's Nationalist "Five" or artist/architect Victor Hartmann, whose work was the inspiration for Mussorgsky. Chronologically, it was Emerson, Lake & Palmer's third LP release (they didn't regard it as an "official" album, as it was comprised of only part of a longer live performance), but for a lot of teenagers who'd missed out on the trio's self-titled debut album or resisted the unfamiliarity of Tarkus, Pictures -- which was budget-priced in its original LP release in England and America -- with its bracing live ambience and blazing pyrotechnics, was the album that put the group over, and did it with exactly the same kids who turned Jethro Tull's Aqualung and Thick as a Brick and Yes' Fragile into standard-issue accouterments of teenage suburban life. And, indeed, like the Tull and Yes albums, it worked on several levels that allowed widely divergent audiences to embrace it -- with the added stimulus of certain controlled substances, it teased the brain with its mix of melody and heavy rock, and for anyone with some musical knowledge, serious or casual, it was a sufficiently bold use of Mussorgsky's original to stimulate hours of delightful listening. It wasn't the first treatment of a classical piece in this manner by any means -- Keith Emerson had done several previously with his earlier group the Nice -- but it was the first to reach a mass audience or get heavy radio play (at least of excerpts), and introduced the notion of "classical rock" to millions of listeners, including the classical community, most of whose members regarded this record as something akin to an armed assault. Those with less hidebound sensibilities appreciated Emerson's rollicking and delightful "Blues Variations" -- which bridged the gap between Tarkus and Trilogy -- and Greg Lake's lyrical adaptations of "Promenade," "The Sage," and "The Great Gates of Kiev." It does some violence to Mussorgsky in the process, but is also the most concise, energetic, and well-realized live release in ELP's catalog, the hall small enough to capture the finer nuances of the playing by all three members of the trio, and especially the muscular bass work by Lake that keeps pushing the performance forward. It was great fun (an element missing from a good deal of progressive rock) in 1972, and it's still fun in 2005. It also made a fairly compelling case for adapting classical pieces in this way -- ELP would later succeed with adaptations of works by Aaron Copland and Alberto Ginastera, among others, but this would be the longest such work to find mass listenership, sufficient so that in the late '80s there would be a legitimate classical organ arrangement put out by the Dorian label that referred to ELP's rendition as its linear predecessor. The early-'70s live sound is a little crude by today's standards, but the various CD upgrades from Rhino, Sanctuary, and Japanese WEA have given the recording a close, powerful sound that captures the tightness of the playing (drummer Carl Palmer is especially good) and makes up for any sonic inadequacies. Emerson is the dominant musical personality here, but Lake (who also gets to play some classical guitar) and Palmer get the spotlight more than enough to prevent it from being a pure keyboard showcase.
© Bruce Eder /TiVo

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Pictures At An Exhibition (Live Deluxe Version)

Emerson, Lake & Palmer

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1
Promenade, Pt. 1 (Live At Newcastle City Hall, 26/3/71) [2016 - Remaster]
Keith Emerson
00:01:57

Gregory Lake, Writer - Eddie Offord, Engineer - Keith Emerson, Arranger, Keyboards, Vocals, MainArtist - Modest Mussorgsky, Composer, Writer - Greg Lake, Producer - Emerson, Lake & Palmer, Composer - Lake Greg, Arranger - Gregg Lake, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

2
The Gnome (Live At Newcastle City Hall, 26/3/71) [2016 – Remaster]
Keith Emerson
00:04:17

Eddie Offord, Engineer - Keith Emerson, Keyboards, Vocals, MainArtist - Modest Mussorgsky, Composer, Writer - Greg Lake, Producer - Carl Palmer, Arranger, Writer - Emerson, Lake & Palmer, Composer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

3
Promenade, Pt. 2 (Live At Newcastle City Hall, 26/3/71) [2016 – Remaster]
Keith Emerson
00:01:23

Gregory Lake, Writer - Eddie Offord, Engineer - Keith Emerson, Arranger, Keyboards, Vocals, MainArtist - Modest Mussorgsky, Composer, Writer - Greg Lake, Producer - Emerson, Lake & Palmer, Composer - Lake Greg, Arranger - Gregg Lake, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

4
The Sage (Pt. 3;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
Emerson, Lake & Palmer
00:04:41

Eddie Offord, Engineer - Greg Lake, Composer, Producer - Emerson, Lake & Palmer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

5
The Old Castle (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
Emerson, Lake & Palmer
00:02:32

Emerson, Writer - Eddie Offord, Engineer - Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Greg Lake, Producer - Emerson, Lake & Palmer, Composer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

6
Blues Variation (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
Emerson, Lake & Palmer
00:04:20

Eddie Offord, Engineer - Keith Emerson, Composer - Greg Lake, Producer - Carl Palmer, Composer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Composer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

7
Promenade (Pt. 3;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
Emerson, Lake & Palmer
00:01:28

Gregory Lake, Writer - Eddie Offord, Engineer - Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Greg Lake, Producer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Arranger - Gregg Lake, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

8
The Hut of Baba Yaga, Pt. 1 (Live At Newcastle City Hall, 26/3/71) [2016 – Remaster]
Keith Emerson
00:01:12

Eddie Offord, Engineer - Keith Emerson, Arranger, Keyboards, Vocals, MainArtist - Modest Mussorgsky, Composer - Greg Lake, Producer - Emerson, Lake & Palmer, Composer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

9
The Curse of Baba Yaga (Live At Newcastle City Hall, 26/3/71) [2016 – Remaster]
Keith Emerson
00:04:09

Eddie Offord, Engineer - Keith Emerson, Composer, Keyboards, Vocals, MainArtist - Greg Lake, Composer, Producer - Carl Palmer, Composer - Emerson, Lake & Palmer, Composer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

10
The Hut of Baba Yaga, Pt. 2 (Live At Newcastle City Hall, 26/3/71) [2016 – Remaster]
Keith Emerson
00:01:07

Eddie Offord, Engineer - Keith Emerson, Arranger, Keyboards, Vocals, MainArtist - Modest Mussorgsky, Composer - Greg Lake, Producer - Emerson, Lake & Palmer, Composer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

11
The Great Gates of Kiev (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
Emerson, Lake & Palmer
00:06:35

Eddie Offord, Engineer - Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Lake, Writer - Greg Lake, Producer, Writer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Composer, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

12
Nutrocker (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
Emerson, Lake & Palmer
00:04:27

Kim Fowley, Composer, Writer - Eddie Offord, Engineer - Pyotr Ilyich Tchaikovsky, Composer - Greg Lake, Producer - Emerson, Lake & Palmer, Composer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

13
Pictures At An Exhibition (Medley; i. Promenade, ii. The Hut of Baba Yaga, iii. The Curse of Baba Yaga, iv. The Hut of Baba Yaga, v. The Great Gates of Kiev; Live at the Mar Y Sol Festival, Puerto Rico, 4.12.72)
Emerson, Lake & Palmer
00:14:50

Keith Emerson, Composer - Modest Mussorgsky, Composer - Greg Lake, Writer - Carl Palmer, Composer - Emerson, Lake & Palmer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 1993 Leadclass Limited under exclusive license to Sony Music Entertainment UK Limited

14
Promenade (Pt. 1;Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:02:01

Gregory Lake, Writer - Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Arranger - Gregg Lake, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

15
The Gnome (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:05:41

Modest Mussorgsky, Composer, Writer - Carl Palmer, Arranger, Writer - Emerson, Lake & Palmer, Composer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

16
Promenade (Pt. 2;Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:01:24

Gregory Lake, Writer - Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Arranger - Gregg Lake, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

17
The Sage (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:05:07

Greg Lake, Composer - Emerson, Lake & Palmer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

18
The Old Castle (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:04:25

Emerson, Writer - Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Emerson, Lake & Palmer, Composer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

19
Blues Variation (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:06:05

Keith Emerson, Composer - Carl Palmer, Composer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Composer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

20
Promenade (Pt. 3;Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:01:30

Gregory Lake, Writer - Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Arranger - Gregg Lake, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

21
The Hut of Baba Yaga (Pt. 1;Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:01:16

Keith Emerson, Arranger - Modest Mussorgsky, Composer - Emerson, Lake & Palmer, Composer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

22
The Curse of Baba Yaga (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:04:55

Keith Emerson, Composer - Greg Lake, Composer - Carl Palmer, Composer - Emerson, Lake & Palmer, Composer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

23
The Hut of Baba Yaga (Pt. 2;Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:01:11

Keith Emerson, Arranger - Modest Mussorgsky, Composer - Emerson, Lake & Palmer, Composer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

24
The Great Gates of Kiev (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:06:54

Keith Emerson, Arranger - Modest Mussorgsky, Composer, Writer - Lake, Writer - Greg Lake, Writer - Emerson, Lake & Palmer, Composer, MainArtist - Lake Greg, Composer, Writer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

25
The Barbarian (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:05:45

Bela Bartok, Composer - Palmer, Writer - Emerson, Writer - Keith Emerson, Composer - Lake, Writer - Greg Lake, Composer - Carl Palmer, Composer - Emerson, Lake & Palmer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

26
Knife-Edge (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:08:02

Johann Sebastian Bach, Composer - Keith Emerson, Lyricist, Writer - Leos Janácek, Composer - Greg Lake, Arranger - Richard Fraser, Lyricist, Writer - Emerson, Lake & Palmer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

27
Rondo (Pt. 3;Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:18:14

Keith Emerson, Composer - Dave Brubeck, Writer - Brian Davison, Composer - Lee Jackson, Composer - Emerson, Lake & Palmer, MainArtist - Davey O'List, Composer

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

28
Nut Rocker (Live At The Lyceum Theatre, London, UK, 09/12/70)
Emerson, Lake & Palmer
00:04:31

Emerson, Lake & Palmer, MainArtist

© 2016 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited ℗ 2008 Leadclass Limited, under exclusive license to BMG Rights Management (UK) Limited

Albumbeschreibung

Pictures at an Exhibition was one of the seminal documents of the progressive rock era, a record that made its way into the collections of millions of high-school kids who never heard of composer Modest Mussorgsky and knew nothing of Russia's Nationalist "Five" or artist/architect Victor Hartmann, whose work was the inspiration for Mussorgsky. Chronologically, it was Emerson, Lake & Palmer's third LP release (they didn't regard it as an "official" album, as it was comprised of only part of a longer live performance), but for a lot of teenagers who'd missed out on the trio's self-titled debut album or resisted the unfamiliarity of Tarkus, Pictures -- which was budget-priced in its original LP release in England and America -- with its bracing live ambience and blazing pyrotechnics, was the album that put the group over, and did it with exactly the same kids who turned Jethro Tull's Aqualung and Thick as a Brick and Yes' Fragile into standard-issue accouterments of teenage suburban life. And, indeed, like the Tull and Yes albums, it worked on several levels that allowed widely divergent audiences to embrace it -- with the added stimulus of certain controlled substances, it teased the brain with its mix of melody and heavy rock, and for anyone with some musical knowledge, serious or casual, it was a sufficiently bold use of Mussorgsky's original to stimulate hours of delightful listening. It wasn't the first treatment of a classical piece in this manner by any means -- Keith Emerson had done several previously with his earlier group the Nice -- but it was the first to reach a mass audience or get heavy radio play (at least of excerpts), and introduced the notion of "classical rock" to millions of listeners, including the classical community, most of whose members regarded this record as something akin to an armed assault. Those with less hidebound sensibilities appreciated Emerson's rollicking and delightful "Blues Variations" -- which bridged the gap between Tarkus and Trilogy -- and Greg Lake's lyrical adaptations of "Promenade," "The Sage," and "The Great Gates of Kiev." It does some violence to Mussorgsky in the process, but is also the most concise, energetic, and well-realized live release in ELP's catalog, the hall small enough to capture the finer nuances of the playing by all three members of the trio, and especially the muscular bass work by Lake that keeps pushing the performance forward. It was great fun (an element missing from a good deal of progressive rock) in 1972, and it's still fun in 2005. It also made a fairly compelling case for adapting classical pieces in this way -- ELP would later succeed with adaptations of works by Aaron Copland and Alberto Ginastera, among others, but this would be the longest such work to find mass listenership, sufficient so that in the late '80s there would be a legitimate classical organ arrangement put out by the Dorian label that referred to ELP's rendition as its linear predecessor. The early-'70s live sound is a little crude by today's standards, but the various CD upgrades from Rhino, Sanctuary, and Japanese WEA have given the recording a close, powerful sound that captures the tightness of the playing (drummer Carl Palmer is especially good) and makes up for any sonic inadequacies. Emerson is the dominant musical personality here, but Lake (who also gets to play some classical guitar) and Palmer get the spotlight more than enough to prevent it from being a pure keyboard showcase.
© Bruce Eder /TiVo

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