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Motörhead|Overkill  (Bonus Track Edition)

Overkill (Bonus Track Edition)

Motörhead

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Motörhead's landmark second album, Overkill, marked a major leap forward for the band, and it remains one of their all-time best, without question. In fact, some fans consider it their single best, topping even Ace of Spaces. It's a ferocious album, for sure, perfectly showcasing Motörhead's trademark style of no holds barred proto-thrash -- a kind of punk-inflected heavy metal style that is sloppy and raw yet forceful and in your face. Motörhead, the band's self-titled debut from 1977, had been rush-recorded, and its stripped-down, super-raw sound wasn't all that impressive, at least not relative to what would follow. Overkill is what followed, recorded in December 1978 and January 1979, and released not long thereafter. The band's sound is fully formed here, and it totally explodes right off the bat on the five-minute title track. A number of Motörhead standards follow, among them "Stay Clean" and "No Class." Produced by Jimmy Miller, who had helmed a number of classic Rolling Stones albums (Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St., Goats Head Soup), Overkill sounds wonderful, especially on the numerous remastered editions of this album. The band's classic lineup -- Lemmy (bass and vocals), "Fast" Eddie Clarke (guitar), and "Philthy Animal" Taylor (drums) -- is well in place here, and they seem eager to rip loose wildly on every single song. This, in addition to the solid track listing and Miller's production, makes Overkill a perfect Motörhead album. Several great ones would follow, of course, but Overkill was the first of the great ones, and quite possibly the greatest of all.
© Jason Birchmeier /TiVo

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Overkill (Bonus Track Edition)

Motörhead

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1
Overkill
00:05:12

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

2
Stay Clean
00:02:39

Eddie Clarke, Composer, Guitar - CLARK, Composer - Taylor, Composer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

3
(I Won't) Pay Your Price
00:02:56

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Jimmy Miller, Producer - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

4
I'll Be Your Sister
00:02:52

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Jimmy Miller, Producer - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

5
Capricorn
00:04:09

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

6
No Class
00:02:39

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, Composer, MainArtist - Jimmy Miller, Producer - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

7
Damage Case
00:03:02

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Jimmy Miller, Producer - Ian Kilmister, Composer, Vocals, Bass - Mick Farren, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

8
Tear Ya Down
00:02:39

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

9
Metropolis
00:03:34

Eddie Clarke, Composer, Guitar - CLARK, Composer - Taylor, Composer - Phil Taylor, Composer, Drums - Motorhead, Composer, MainArtist - Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

10
Limb from Limb
00:04:54

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

11
Too Late Too Late
00:03:24

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

12
Like a Nightmare
00:04:26

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Jimmy Miller, Producer - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

13
Louie Louie
00:02:45

Richard Berry, Composer - Eddie Clarke, Guitar - Phil Taylor, Drums - Neil Richmond, Producer - Motorhead, Producer, MainArtist - Ian Kilmister, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1978 Sanctuary Records Group Ltd., a BMG Company

14
Tear Ya Down (Instrumental Version)
00:02:36

Eddie Clarke, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Kilmister, Composer, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

15
Louie Louie (Alternative Version)
00:02:54

Richard Berry, Composer - Eddie Clarke, Guitar - Phil Taylor, Drums - Neil Richmond, Producer - Motorhead, Producer, MainArtist - Ian Kilmister, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

Albumbeschreibung

Motörhead's landmark second album, Overkill, marked a major leap forward for the band, and it remains one of their all-time best, without question. In fact, some fans consider it their single best, topping even Ace of Spaces. It's a ferocious album, for sure, perfectly showcasing Motörhead's trademark style of no holds barred proto-thrash -- a kind of punk-inflected heavy metal style that is sloppy and raw yet forceful and in your face. Motörhead, the band's self-titled debut from 1977, had been rush-recorded, and its stripped-down, super-raw sound wasn't all that impressive, at least not relative to what would follow. Overkill is what followed, recorded in December 1978 and January 1979, and released not long thereafter. The band's sound is fully formed here, and it totally explodes right off the bat on the five-minute title track. A number of Motörhead standards follow, among them "Stay Clean" and "No Class." Produced by Jimmy Miller, who had helmed a number of classic Rolling Stones albums (Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St., Goats Head Soup), Overkill sounds wonderful, especially on the numerous remastered editions of this album. The band's classic lineup -- Lemmy (bass and vocals), "Fast" Eddie Clarke (guitar), and "Philthy Animal" Taylor (drums) -- is well in place here, and they seem eager to rip loose wildly on every single song. This, in addition to the solid track listing and Miller's production, makes Overkill a perfect Motörhead album. Several great ones would follow, of course, but Overkill was the first of the great ones, and quite possibly the greatest of all.
© Jason Birchmeier /TiVo

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