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Keith Jarrett|Mysteries

Mysteries

Keith Jarrett

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Another in Impulse's extensive series of Keith Jarrett Quintet recordings, this LP isn't one of the more coherent products of the run. It opens on a faltering note with the hopelessly diffuse and rambling "Rotation," and "Everything That Lives Laments" doesn't really get going until a lyrical Vince Guaraldi-like statement from Jarrett sets the track in motion. "Flame" is certainly novel, with Jarrett on Pakistani flute and Dewey Redman on Chinese musette, which combined with the percussion makes for a diverting jam. The Coltrane-ish 15-minute title track has passages of meditative beauty and others of listless torpor. For completists only.
© Richard S. Ginell /TiVo

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Mysteries

Keith Jarrett

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1
Rotation (Take 1)
00:11:01

Keith Jarrett, MainArtist, ComposerLyricist - Esmond Edwards, Producer

℗ 1976 The Verve Music Group, a Division of UMG Recordings, Inc.

2
Everything That Lives Laments (Take 1A)
00:10:02

Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - PAUL MOTIAN, Drums, Percussion, AssociatedPerformer - Dewey Redman, Tenor Saxophone, Tambourine, AssociatedPerformer - Esmond Edwards, Producer - Guilherme Franco, Percussion, AssociatedPerformer

℗ 1976 UMG Recordings, Inc.

3
Flame (Take 1)
00:06:09

Keith Jarrett, MainArtist, ComposerLyricist - Esmond Edwards, Producer

℗ 1976 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Mysteries (Take 1)
00:15:10

Keith Jarrett, MainArtist, ComposerLyricist - Esmond Edwards, Producer

℗ 1976 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

Another in Impulse's extensive series of Keith Jarrett Quintet recordings, this LP isn't one of the more coherent products of the run. It opens on a faltering note with the hopelessly diffuse and rambling "Rotation," and "Everything That Lives Laments" doesn't really get going until a lyrical Vince Guaraldi-like statement from Jarrett sets the track in motion. "Flame" is certainly novel, with Jarrett on Pakistani flute and Dewey Redman on Chinese musette, which combined with the percussion makes for a diverting jam. The Coltrane-ish 15-minute title track has passages of meditative beauty and others of listless torpor. For completists only.
© Richard S. Ginell /TiVo

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