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Freiburger Barockorchester|Mozart's Mannheim

Mozart's Mannheim

Freiburger Barockorchester, Gottfried von der Golz

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Several recordings have explored the relationship between Mozart and the city of Mannheim, which he visited several times. This Deutsche Grammophon release by the Freiburger Barockorchester and conductor/violinist Gottfried von der Golz may be the best of them. The annotations refer to how Mozart basked in the high regard in which he was held in Mannheim and to how impressed he was with the famed court orchestra there. However, after hearing this release, the listener may be tempted to go even further and assert that the music of Mannheim exerted a strong influence on Mozart in the late 1770s. The entire first half of the program here consists of world premieres, and all of them sound Mozartian. Why? Most of them point toward the big-boned movement structures Mozart loved, even if they don't expand them as far as Mozart would later in his career. Consider the first movement of Christian Cannabich's Symphony No. 55 in C major, with its long passages that move only slowly off the home key; one can hear any number of Mozart movements as proceeding from this idea, and one also wants to hear some more of the numerous and almost completely unplayed symphonies of Cannabich. Even less known are the Mannheim composers Georg Joseph Vogler, Christian Danner, and Carl Joseph Toeschi, and their contributions are eminently listenable. Mozart wraps the program up with a recitative and aria and the unnumbered Symphony in C major, K. 208, assembled by the composer from other music; it absolutely fits in here. The performances are idiomatic, and the sound is excellent. A valuable contribution from von der Goltz and company that landed on classical best-seller charts in the spring of 2023.

© James Manheim /TiVo

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Mozart's Mannheim

Freiburger Barockorchester

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Der Kaufmann von Smyrna (Georg Joseph Vogler)

1
Ouverture in F Major
Freiburger Barockorchester
00:03:22

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Georg Joseph Vogler, ComposerLyricist - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

Symphony No. 55 in C Major (Christian Cannabich)

2
I. Allegro maestoso
Freiburger Barockorchester
00:05:39

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Christian Cannabich, Composer - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

3
II. Andante non tanto
Freiburger Barockorchester
00:04:15

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Christian Cannabich, Composer - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

4
III. Presto ma non troppo
Freiburger Barockorchester
00:03:32

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Christian Cannabich, Composer - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

Violin Concerto in F Major (Christian Danner)

5
I. Allegro moderato
Gottfried von der Golz
00:08:32

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Violin, Musical Director, MainArtist, AssociatedPerformer - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel - Christian Danner, Composer

℗ 2023 Deutsche Grammophon GmbH, Berlin

6
II. Adagio
Gottfried von der Golz
00:03:23

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Violin, Musical Director, MainArtist, AssociatedPerformer - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel - Christian Danner, Composer

℗ 2023 Deutsche Grammophon GmbH, Berlin

7
III. Rondeau
Gottfried von der Golz
00:05:06

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Violin, Musical Director, MainArtist, AssociatedPerformer - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel - Christian Danner, Composer

℗ 2023 Deutsche Grammophon GmbH, Berlin

Sextet in B-Flat Major (Carlo Giuseppe Toeschi)

8
I. Andante grazioso. Allegro
Freiburger Barockorchester
00:09:02

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Carlo Giuseppe Toeschi, Composer - Sebastian Nattkemper, Mixer, StudioPersonnel - Benedikt Schröder, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

Günther von Schwarzburg (Ignaz Holzbauer)

9
Sinfonia in E-Flat Major
Freiburger Barockorchester
00:06:22

Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Ignaz Holzbauer, Composer - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

10
Alcandro, lo confesso, K. 294/1
Nicole Chevalier
00:01:32

Wolfgang Amadeus Mozart, Composer - Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Pietro Metastasio, Author - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel - Nicole Chevalier, Soprano, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

11
Non so d'onde viene, K. 294/2
Nicole Chevalier
00:08:17

Wolfgang Amadeus Mozart, Composer - Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Pietro Metastasio, Author - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel - Nicole Chevalier, Soprano, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

Symphony in C Major, K. 102 (Wolfgang Amadeus Mozart)

12
I. Molto allegro (After Overture to Il re pastore, K. 208)
Freiburger Barockorchester
00:02:47

Wolfgang Amadeus Mozart, Composer - Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

13
II. Andantino (After Aria "Intendo, amico" from Il re pastore, K. 208)
Freiburger Barockorchester
00:02:13

Wolfgang Amadeus Mozart, Composer - Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

14
III. Presto assai
Freiburger Barockorchester
00:03:08

Wolfgang Amadeus Mozart, Composer - Martin Sauer, Producer, Editor, Recording Producer, StudioPersonnel - Freiburger Barockorchester, Orchestra, MainArtist - Gottfried von der Golz, Musical Director, MainArtist - Sebastian Nattkemper, Mixer, Recording Engineer, StudioPersonnel

℗ 2023 Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

Several recordings have explored the relationship between Mozart and the city of Mannheim, which he visited several times. This Deutsche Grammophon release by the Freiburger Barockorchester and conductor/violinist Gottfried von der Golz may be the best of them. The annotations refer to how Mozart basked in the high regard in which he was held in Mannheim and to how impressed he was with the famed court orchestra there. However, after hearing this release, the listener may be tempted to go even further and assert that the music of Mannheim exerted a strong influence on Mozart in the late 1770s. The entire first half of the program here consists of world premieres, and all of them sound Mozartian. Why? Most of them point toward the big-boned movement structures Mozart loved, even if they don't expand them as far as Mozart would later in his career. Consider the first movement of Christian Cannabich's Symphony No. 55 in C major, with its long passages that move only slowly off the home key; one can hear any number of Mozart movements as proceeding from this idea, and one also wants to hear some more of the numerous and almost completely unplayed symphonies of Cannabich. Even less known are the Mannheim composers Georg Joseph Vogler, Christian Danner, and Carl Joseph Toeschi, and their contributions are eminently listenable. Mozart wraps the program up with a recitative and aria and the unnumbered Symphony in C major, K. 208, assembled by the composer from other music; it absolutely fits in here. The performances are idiomatic, and the sound is excellent. A valuable contribution from von der Goltz and company that landed on classical best-seller charts in the spring of 2023.

© James Manheim /TiVo

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