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Milt Jackson|Milt Jackson

Milt Jackson

Milt Jackson, John Lewis, Percy Heath, Kenny Clarke, Lou Donaldson, Thelonious Monk Quintet

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Text in englischer Sprache verfügbar

This CD presents two complete sessions led by vibraphonist Milt Jackson: one where the eventual members of the Modern Jazz Quartet are joined by saxophonist Lou Donaldson, and eight quartet tracks with Thelonious Monk. (The session with Monk is also on the four-CD set The Complete Blue Note Recordings of Monk's output between 1947 and 1952.) The July 2, 1948, date with Monk was recorded eight months after the pianist's first recordings as a leader. Jackson, responding to the demands of Monk's music with his customary fluid grace, is key to these definitive early recordings of "Evidence," "Misterioso," "Epistrophy," and "I Mean You." Kenny Hagood -- perhaps best known as the vocalist who sang "Darn That Dream" on Miles Davis' Birth of the Cool -- joins the group on two standards. Hagood impresses as he croons unperturbed over Monk and Jackson, whose busy, intertwining lines make for a pleasantly bizarre accompaniment. The April 7, 1952, date with Donaldson does not have the impact of the tracks with Monk. Donaldson's uncomplicated bop is mildly diverting, but it's the consistently brilliant Jackson who commands the listener's attention. Donaldson lays out on four tracks, including the two takes of the set's highlight, Jackson's "Lillie." Here the vibraphonist effortlessly weaves 16th notes across the ballad's accompaniment by his future MJQ partners. As always, it's not Jackson's speed that impresses, it's his taste, musicianship, and artistry.

© Jim Todd /TiVo

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Milt Jackson

Milt Jackson

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1
Tahiti (Remastered 1988)
Milt Jackson
00:03:29

Alfred Lion, Producer - Milt Jackson, Composer, Vibraphone, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Lou Donaldson, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

2
Lillie (Remastered 1988)
Milt Jackson
00:03:16

Milt Jackson, Composer, MainArtist

(C) 2005 Blue Note Records ℗ 1988 Blue Note Records

3
Lillie (Alternate Take / Remastered 1988)
Milt Jackson
00:03:18

Alfred Lion, Producer - Milt Jackson, Composer, Vibraphone, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Lou Donaldson, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

4
Bags' Groove
Milt Jackson
00:03:06

Alfred Lion, Producer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, Bass Guitar, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Lou Donaldson, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1952 Capitol Records, LLC

5
What's New (Remastered 1988)
Milt Jackson
00:03:10

Robert Haggart, Composer - Alfred Lion, Producer - Milt Jackson, MainArtist - Johnny Burke, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Lou Donaldson, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

6
What's New (Alternate Take / Remastered 1988)
Milt Jackson
00:03:14

Robert Haggart, Composer - Michael Cuscuna, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, MainArtist - Johnny Burke, ComposerLyricist - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Lou Donaldson, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

7
Don't Get Around Much Anymore (Remastered 1988)
Milt Jackson
00:03:02

Duke Ellington, ComposerLyricist - Bob Russell, ComposerLyricist - Michael Cuscuna, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Doug Hawkins, Recording Engineer, StudioPersonnel - Lou Donaldson, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

8
Don't Get Around Much Anymore (Alternate Take / Remastered 1988)
Milt Jackson
00:03:00

Duke Ellington, ComposerLyricist - Bob Russell, ComposerLyricist - Michael Cuscuna, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Lou Donaldson, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

9
On The Scene (Remastered 1988)
Milt Jackson
00:02:44

Michael Cuscuna, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Lou Donaldson, Composer, Alto Saxophone, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

10
Evidence
Thelonious Monk Quintet
00:02:34

Thelonious Monk, Composer, Piano, AssociatedPerformer - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1948 Capitol Records, LLC

11
Misterioso
Thelonious Monk Quintet
00:03:22

Thelonious Monk, Composer, Piano, AssociatedPerformer - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

12
Misterioso (Alternate Take)
Thelonious Monk Quintet
00:02:46

Thelonious Monk, Composer, Piano, AssociatedPerformer - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1949 Capitol Records, LLC

13
Epistrophy
Thelonious Monk Quintet
00:03:08

Thelonious Monk, Piano, AssociatedPerformer, ComposerLyricist - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

14
I Mean You (Remastered 1988)
Thelonious Monk Quintet
00:02:47

Thelonious Monk, Composer, Piano, AssociatedPerformer - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

15
All The Things You Are
Thelonious Monk Quintet
00:03:00

Thelonious Monk, Piano, AssociatedPerformer - Jerome Kern, Composer - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer - Kenny "Pancho" Hagood, Vocals, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Blue Note Records

16
I Should Care
Thelonious Monk Quintet
00:03:03

Thelonious Monk, Piano, AssociatedPerformer - Sammy Cahn, ComposerLyricist - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Paul Weston, ComposerLyricist - Axel Stordahl, ComposerLyricist - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer - Kenny "Pancho" Hagood, Vocals, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

17
I Should Care (Alternate Take)
Thelonious Monk Quintet
00:03:00

Thelonious Monk, Piano, AssociatedPerformer - Sammy Cahn, ComposerLyricist - Malcolm Addey, Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Milt Jackson, Vibraphone, AssociatedPerformer - Paul Weston, ComposerLyricist - Axel Stordahl, ComposerLyricist - Thelonious Monk Quintet, MainArtist - John Simmons, Upright Bass, AssociatedPerformer - Shadow Wilson, Drums, AssociatedPerformer - Kenny "Pancho" Hagood, Vocals, AssociatedPerformer

(C) 2005 Blue Note Records ℗ 1988 Capitol Records, LLC

Albumbeschreibung

This CD presents two complete sessions led by vibraphonist Milt Jackson: one where the eventual members of the Modern Jazz Quartet are joined by saxophonist Lou Donaldson, and eight quartet tracks with Thelonious Monk. (The session with Monk is also on the four-CD set The Complete Blue Note Recordings of Monk's output between 1947 and 1952.) The July 2, 1948, date with Monk was recorded eight months after the pianist's first recordings as a leader. Jackson, responding to the demands of Monk's music with his customary fluid grace, is key to these definitive early recordings of "Evidence," "Misterioso," "Epistrophy," and "I Mean You." Kenny Hagood -- perhaps best known as the vocalist who sang "Darn That Dream" on Miles Davis' Birth of the Cool -- joins the group on two standards. Hagood impresses as he croons unperturbed over Monk and Jackson, whose busy, intertwining lines make for a pleasantly bizarre accompaniment. The April 7, 1952, date with Donaldson does not have the impact of the tracks with Monk. Donaldson's uncomplicated bop is mildly diverting, but it's the consistently brilliant Jackson who commands the listener's attention. Donaldson lays out on four tracks, including the two takes of the set's highlight, Jackson's "Lillie." Here the vibraphonist effortlessly weaves 16th notes across the ballad's accompaniment by his future MJQ partners. As always, it's not Jackson's speed that impresses, it's his taste, musicianship, and artistry.

© Jim Todd /TiVo

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