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Evangelina Mascardi - Milano Spagnola. Para tecla y vihuela

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Milano Spagnola. Para tecla y vihuela

Evangelina Mascardi, Maurizio Croci

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With the battle of Pavia in 1525 a long period of Spanish domination began for Milan. Under the reign of Charles V the arts and music flourished. Antonio de Cabezón travelled across Europe visiting Milan in 1548 and his music influenced the great European composers. Contrary to keyboard instruments, lute and vihuela already have a vast repertoire in print. The combination of a keyboard instrument (tecla) with the vihuela (called “viola da mano” in Italy) is common in the sources of Spanish influence of this period, which often bear the indication "para tecla y vihuela”.
Evangelina Mascardi and Maurizio Croci, established soloists on the international early music scene, explore the affinities, the contrasts and, in the words of an enthusiastic chronicler of the time, the "unheard of imitations" that arise from the dialogue between the two instruments. Their research project, carried out at the Haute École de Musique de Lausanne (HEMU) with the involvement of various international partners, has led to the discovery of new interpretations that offer to an immense repertoire of extremely high musical value, unique and fascinating perspectives. © Alpha Classics

Weitere Informationen

Milano Spagnola. Para tecla y vihuela

Evangelina Mascardi

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1
La Bataglia Taliana: Secunda Pars
Maurizio Croci
00:02:37

Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist - Matthias Hermann Werrecore, Composer

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

2
La cara rossa del Berdolin
Maurizio Croci
00:00:44

Anonymous, Composer - Maurizio Croci, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

3
Au joli bois (From Johannes Lupi's Song)
Maurizio Croci
00:02:50

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

4
Cuatro diferencias sobre la Pavana
Evangelina Mascardi
00:03:19

Enriquez de Valderrabano, Composer - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

5
Fabordones del premier tono Ilano
Maurizio Croci
00:02:55

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

6
Fantasia de Tento
Maurizio Croci
00:04:09

Maurizio Croci, MainArtist - Luis Milán, Composer

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

7
Soneto Lombardo
Maurizio Croci
00:04:00

Maurizio Croci, MainArtist - Enriquez de Valderrabano, Composer - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

8
Canción glosada "Triste départ" (From Nicolas Gombert's Song)
Maurizio Croci
00:04:28

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

9
Pavana chiamata "La Gombertina"
Evangelina Mascardi
00:02:52

Pietro Paolo Borrono, Composer - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

10
Diferencias sobre la Gallarda Milanesa
Maurizio Croci
00:02:14

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

11
Benedicta es regina caelorum (From Josquin Des Prez's Motet)
Maurizio Croci
00:06:28

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

12
Benedicta es regina caelorum: Duo
Maurizio Croci
00:02:04

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

13
Benedicta es regina caelorum: Tercera parte
Maurizio Croci
00:01:10

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

14
Fantasia
Maurizio Croci
00:02:57

Maurizio Croci, MainArtist - Luis Milán, Composer

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

15
Himno "Christe Redemptor omnium"
Evangelina Mascardi
00:02:52

Antonio De CABEZON, Composer - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

16
Ave maris stella
Maurizio Croci
00:02:19

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

17
Fantasia que contrahaze la harpa en la manera de Luduvico
Evangelina Mascardi
00:02:00

Alonso Mudarra, Composer - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

18
Tiento de vihuela I
Maurizio Croci
00:04:10

Francesco da Milano, Composer - Maurizio Croci, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

19
Tiento del quinto tono
Evangelina Mascardi
00:02:41

Antonio De CABEZON, Composer - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

20
Conde Claros
Maurizio Croci
00:01:30

Alonso Mudarra, Composer - Maurizio Croci, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

21
Diferencias sobre el canto de "La Dama le demanda"
Maurizio Croci
00:02:52

Antonio De CABEZON, Composer - Maurizio Croci, MainArtist - Evangelina Mascardi, MainArtist

2020 Outhere Music France 2020 RSI under exclusive licence to Outhere Music France

Albumbeschreibung

With the battle of Pavia in 1525 a long period of Spanish domination began for Milan. Under the reign of Charles V the arts and music flourished. Antonio de Cabezón travelled across Europe visiting Milan in 1548 and his music influenced the great European composers. Contrary to keyboard instruments, lute and vihuela already have a vast repertoire in print. The combination of a keyboard instrument (tecla) with the vihuela (called “viola da mano” in Italy) is common in the sources of Spanish influence of this period, which often bear the indication "para tecla y vihuela”.
Evangelina Mascardi and Maurizio Croci, established soloists on the international early music scene, explore the affinities, the contrasts and, in the words of an enthusiastic chronicler of the time, the "unheard of imitations" that arise from the dialogue between the two instruments. Their research project, carried out at the Haute École de Musique de Lausanne (HEMU) with the involvement of various international partners, has led to the discovery of new interpretations that offer to an immense repertoire of extremely high musical value, unique and fascinating perspectives. © Alpha Classics

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