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Clyde McPhatter|Love Ballads (Edition Studio Masters)

Love Ballads (Edition Studio Masters)

Clyde McPhatter

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One suspects that Atlantic Records had trouble actually assembling this album, based on the differences between the content and the title. As with most of Atlantic's early LPs, Love Ballads was comprised of existing singles and B-sides, in this case going back to Clyde McPhatter's days with the Drifters. And it is mostly made up of softer, slower numbers, such as "Heartaches," "Come What May," "When You're Sincere," "No Love Like Her Love," and "Long Lonely Nights," that most would call ballads, but in the middle are a surprising amount of what were then known as "rhythm numbers." It's a testament to McPhatter's vocal range that he pulls it all off -- his voice on "Just Hold My Hand," "You'll Be There," "When You're Sincere," "There's No Love Like Her Love," or even "Lucille" (a number salvaged from the first, nearly abortive Drifters session in the spring of 1953) has a vulnerable, fragile edge that just makes the listener want to stop in his tracks, and he seems perfectly at home surrounded by a female choir. But on "Bip Bam," he hits the words incredibly hard, sounding more like a rival to Big Joe Turner than Nat "King" Cole. The slower songs are the direction that McPhatter preferred, aiming at a more sophisticated R&B audience and hoping for a crossover into pop circles -- considering that most of the material dates from 1956-1957, it's all surprisingly sophisticated and groundbreaking in its time.

© Bruce Eder /TiVo

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Love Ballads (Edition Studio Masters)

Clyde McPhatter

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1
Heartaches
Clyde McPhatter
00:02:19

Clyde McPhatter, MainArtist - A. Hoffman, Writer - J.Klenner, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

2
Come What May
Clyde McPhatter
00:01:43

Jerry Wexler, Producer - Lloyd Trotman, Bass - Mike Stoller, Piano - AHMET ERTEGUN, Producer - George Barnes, Guitar - Sam Taylor, Tenor Saxophone - Clyde McPhatter, Vocals, MainArtist - Kenny Burrell, Guitar - Budd Johnson, Conductor, Arranger, Baritone Saxophone - Howard Biggs Orchestra, Orchestra - Frank Table Porter, Writer - Red Soloman, Trumpet - Steve Lipkins, Trumpet

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

3
Rock and Cry
Clyde McPhatter
00:02:17

Jerry Wexler, Producer - AHMET ERTEGUN, Producer - Ray Ellis, Conductor, Arranger - Clyde McPhatter, Vocals, MainArtist - Joyce Heath Gagliano, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

4
That's Enough for Me
Clyde McPhatter
00:02:08

Clyde McPhatter, Vocals, MainArtist - B. Benton, Writer - C. Otis, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

5
I Gotta Have You
Clyde McPhatter with Ruth Brown
00:02:18

Ruth Brown, Vocals - Clyde McPhatter, Vocals - Clyde McPhatter with Ruth Brown, MainArtist - J. Selph, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

6
Bip Bam
The Drifters with Clyde McPhatter
00:02:47

Jerry Wexler, Producer - Lloyd Trotman, Upright Bass - AHMET ERTEGUN, Producer - Connie Kay, Drums - Mickey Baker, Guitar - Sam Taylor, Saxophone - Clyde McPhatter, Lead Vocals - Tim Young, Masterer - The Drifters with Clyde McPhatter, MainArtist - Charles Calhoun, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

7
Just to Hold My Hand
Clyde McPhatter
00:02:23

Jerry Wexler, Producer - Al Caiola, Guitar - Lloyd Trotman, Bass - Phil Kraus, Percussion - AHMET ERTEGUN, Producer - Ray Ellis, Conductor, Arranger - Panama Francis, Drums - Clyde McPhatter, Vocals, MainArtist - Dan Robey, Writer - Danny Perry, Guitar - Edward O'Conner, Trombone - Paul Perryman, Writer - Romeo Pengue, Alto Saxophone

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

8
Lucille
The Drifters with Clyde McPhatter
00:03:05

Jerry Wexler, Producer - AHMET ERTEGUN, Producer - Clyde McPhatter, Lead Vocals, Writer - The Drifters with Clyde McPhatter, MainArtist

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

9
Long Lonely Nights
Clyde McPhatter
00:02:26

Jerry Wexler, Producer - Bernice Davis, Writer - Mimi Uniman, Writer - Lee Andrews, Composer, Writer - Wendell Marshall, Bass - Al Caiola, Guitar - Ernie Hayes, Piano - Phil Kraus, Marimba - AHMET ERTEGUN, Producer - Joe Marshall, Drums - Clyde McPhatter, Vocals, MainArtist - Doug Henderson, Writer - Budd Johnson, Tenor Saxophone - Douglas H. Henderson, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

10
When You're Sincere
Clyde McPhatter
00:02:49

E. Johnson, Writer - Clyde McPhatter, MainArtist

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

11
No Matter What
Clyde McPhatter
00:02:05

Jerry Wexler, Producer - Herb Wiener, Writer - Al Caiola, Guitar - Lloyd Trotman, Bass - Phil Kraus, Percussion - AHMET ERTEGUN, Producer - Ray Ellis, Conductor, Arranger - Panama Francis, Drums - Clyde McPhatter, Vocals, MainArtist - Danny Perry, Guitar - Edward O'Conner, Trombone - Romeo Pengue, Alto Saxophone - Cy Crane, Writer - Joel Corn, Writer - Sandra Greenfield, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

12
No Love Like Her Love
Clyde McPhatter
00:02:43

Jerry Wexler, Producer - AHMET ERTEGUN, Producer - Clyde McPhatter, Vocals, MainArtist - Jimmy Williams, Writer - Ken Wood, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

13
You'll Be There
Clyde McPhatter
00:02:25

Clyde McPhatter, MainArtist - J Leiber, Writer - M. STOLLER, Writer - B. Relf, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

14
Love Has Joined Us Together
Clyde McPhatter
00:02:51

Clyde McPhatter, Performance, MainArtist - B. Smith, Writer - M. James, Writer

© 1958 Atlantic Records. ℗ 1958 Atlantic Records

Albumbeschreibung

One suspects that Atlantic Records had trouble actually assembling this album, based on the differences between the content and the title. As with most of Atlantic's early LPs, Love Ballads was comprised of existing singles and B-sides, in this case going back to Clyde McPhatter's days with the Drifters. And it is mostly made up of softer, slower numbers, such as "Heartaches," "Come What May," "When You're Sincere," "No Love Like Her Love," and "Long Lonely Nights," that most would call ballads, but in the middle are a surprising amount of what were then known as "rhythm numbers." It's a testament to McPhatter's vocal range that he pulls it all off -- his voice on "Just Hold My Hand," "You'll Be There," "When You're Sincere," "There's No Love Like Her Love," or even "Lucille" (a number salvaged from the first, nearly abortive Drifters session in the spring of 1953) has a vulnerable, fragile edge that just makes the listener want to stop in his tracks, and he seems perfectly at home surrounded by a female choir. But on "Bip Bam," he hits the words incredibly hard, sounding more like a rival to Big Joe Turner than Nat "King" Cole. The slower songs are the direction that McPhatter preferred, aiming at a more sophisticated R&B audience and hoping for a crossover into pop circles -- considering that most of the material dates from 1956-1957, it's all surprisingly sophisticated and groundbreaking in its time.

© Bruce Eder /TiVo

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