Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
On Last Night, Moby is as blissfully out of touch with modern club music as he is current. As he explains (of course) in the album's liner notes, he has been in the thick of New York City club culture since the early '80s, and he takes the opportunity here to pay tribute to a number of dance music strains that have fallen in and out of fashion -- in a couple cases, they've recently fallen back into fashion -- including some angles he hasn't taken in well over a decade. The sturdiest, most appealing tracks tend to be where Moby breaks out with some highly energized combination of rollicking pianos, stabbing keyboards, and random divas, mixing and matching rave, Hi-NRG, and disco: "Everyday It's 1989," "Stars," and "Disco Lies" (featuring a vocalist who is nearly a dead ringer for a young Taylor Dayne) would've had no place on any of the last five Moby albums. What is long maligned and what is trendy sometimes occurs simultaneously, as on "I Love to Move in Here" (featuring Grandmaster Caz), a mid-tempo house track that can be sub-categorized as both hip-house (inciting wicked flashbacks for most haters of either component) and Balearic (as it causes that loosey-goosey, anesthetized-but-still-beaming sensation, prevalent in several of the hippest dance tracks released during 2007 and 2008). The poorly timed, not-so-appealing moments -- "257.zero," "Alice" -- with their distant transmission spoken bits and droning raps, might sound in step whenever the Soul Jazz label gets around to releasing rarity compilations with contents resembling Astralwerks' late-'90s compilations for MTV's Amp program. The disc's latter 20 minutes, containing contemplative, string-laden tracks, would be as suited for the Pure Moods series (i.e., beside Yanni, Dave Koz) as past tracks "Porcelain" and "God Moving Over the Face of the Waters." A good number of Moby fans who began to follow the producer's moves well before Play will be inclined to think of Last Night as the best Moby album since Everything Is Wrong. That the album involves several unself-conscious, rush-inducing tracks (rather than the once-expected token track or two) is enough for that opinion to have validity. Ditto the sensible and drastic reduction of Moby's own vocals.
© Andy Kellman /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer - Luci Butler, Vocals - Erin Marszalek, Vocals
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer - Grandmaster Caz, Vocals - Chrissi Poland, Vocals
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer - Chrissi Poland, Vocals
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, Masterer, MasteringEngineer - Moby, Producer, Vocals, Instruments, MainArtist - Andy Marcinkowski, Engineer - Dan Grech-Marguerat, Mixer - Amelia Rose, Vocals - Zirin Brown, Vocals - 419 Squad, Vocals - Aynzli Jones, Vocals
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer - Nabila Benladehem, Vocals
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer - Wendy Starland, Vocals
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Shayna Steele, Vocals - Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Ted Jensen, MasteringEngineer - Moby, Producer, Instruments, MainArtist - Andy Marcinkowski, AssistantEngineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Sylvia Gordon, Vocals - Ted Jensen, Masterer, MasteringEngineer - Moby, Producer, Vocals, Produced by, Instruments, MainArtist - Andy Marcinkowski, Engineer - Dan Grech-Marguerat, Mixer
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Moby, Composer, Producer, Mixer, Vocals, Instruments, MainArtist
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Moby, Composer, Producer, Mixer, Vocals, Instruments, MainArtist
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Albumbeschreibung
On Last Night, Moby is as blissfully out of touch with modern club music as he is current. As he explains (of course) in the album's liner notes, he has been in the thick of New York City club culture since the early '80s, and he takes the opportunity here to pay tribute to a number of dance music strains that have fallen in and out of fashion -- in a couple cases, they've recently fallen back into fashion -- including some angles he hasn't taken in well over a decade. The sturdiest, most appealing tracks tend to be where Moby breaks out with some highly energized combination of rollicking pianos, stabbing keyboards, and random divas, mixing and matching rave, Hi-NRG, and disco: "Everyday It's 1989," "Stars," and "Disco Lies" (featuring a vocalist who is nearly a dead ringer for a young Taylor Dayne) would've had no place on any of the last five Moby albums. What is long maligned and what is trendy sometimes occurs simultaneously, as on "I Love to Move in Here" (featuring Grandmaster Caz), a mid-tempo house track that can be sub-categorized as both hip-house (inciting wicked flashbacks for most haters of either component) and Balearic (as it causes that loosey-goosey, anesthetized-but-still-beaming sensation, prevalent in several of the hippest dance tracks released during 2007 and 2008). The poorly timed, not-so-appealing moments -- "257.zero," "Alice" -- with their distant transmission spoken bits and droning raps, might sound in step whenever the Soul Jazz label gets around to releasing rarity compilations with contents resembling Astralwerks' late-'90s compilations for MTV's Amp program. The disc's latter 20 minutes, containing contemplative, string-laden tracks, would be as suited for the Pure Moods series (i.e., beside Yanni, Dave Koz) as past tracks "Porcelain" and "God Moving Over the Face of the Waters." A good number of Moby fans who began to follow the producer's moves well before Play will be inclined to think of Last Night as the best Moby album since Everything Is Wrong. That the album involves several unself-conscious, rush-inducing tracks (rather than the once-expected token track or two) is enough for that opinion to have validity. Ditto the sensible and drastic reduction of Moby's own vocals.
© Andy Kellman /TiVo
Informationen zu dem Album
- 1 Disc(s) - 16 Track(s)
- Gesamte Laufzeit: 01:08:41
- Künstler: Moby
- Komponist: Moby
- Label: Mute, a BMG Company
- Genre: Electronic
© 2008 Mute Records Ltd., a BMG Company ℗ 2008 Mute Records Ltd., a BMG Company
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.