Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
In early 1990, when she was one of the biggest pop stars in the world, Gloria Estefan suffered a broken vertebrae when her tour bus was struck in an accident, and her miraculous recovery from that near tragedy greatly informed her successive album, Into the Light. Though often noted as a "comeback" album, that descriptor is misleading. Yes, Into the Light is a comeback -- a comeback from her accident, that is. It's not a comeback in the sense that her previous album, Cuts Both Ways, had been a failure or even a disappointment. No, Estefan hadn't fallen off, so to speak, with that album. Quite the opposite. It was a monster hit, breaking into the Top Ten and scoring a couple of high-charting ballads: "Don't Wanna Lose You" and "Here We Are." It also marked a drastic shift away from the unabashed dance-pop of her Miami Sound Machine output toward a more respectable adult contemporary appeal. This shift affected not only her image but also her audience as a result, and that shift is even more apparent on Into the Light. In fact, the shift seems complete, as this is full-fledged adult contemporary album with serious themes and toned-down production. It sounds pleasant while playing, for sure, smoothly gliding from one song to the next, highlighted by a pair of memorable singles: the hit ballad "Coming Out of the Dark" and the cooing singalong "Live for Loving You." But there's not much else here that's all that exciting. In fact, Into the Light is so streamlined and safe that it seems plain and even bland, if not outright boring. Sure, Estefan's work with Miami Sound Machine had been silly and adolescent at times, but it was fun and lively, too. For every cheeseball song like "Surrender" or "Love Toy," you would get a pop gem like "1-2-3" or "Betcha Say That," not to mention the token slow-dance ballads and get-on-your-feet jams. But to lament the end of Miami Sound Machine is beside the point, for Estefan would move on after Into the Light to make occasionally exciting albums like Mi Tierra. The thing is, from this point forward in her career, Estefan's best work would almost always be Latin in nature. Yet for those listeners not interested in the sticky-sweet dance-pop of Miami Sound Machine or the Latin confetti of her latter-day highlights, there are albums like Cuts Both Ways and Into the Light, albums that aim for widespread adult contemporary appeal. And as far as those such albums go, they don't get much more inspired than this "comeback" album, which admittedly was wonderfully triumphant upon its 1991 holiday season release, when it soared to number five on the Billboard 200 chart, driven largely by its chart-topping lead single, "Coming Out of the Dark."
© Jason Birchmeier /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Gloria Estefan, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Emilio Estefan, Jr., Composer, Lyricist - Jon Secada, Composer, Lyricist - Betty Wright - Jeannette Wright-Black - Carl Ramsey - Anita Faye Green - Rod Wilson - Clovette Hilton - Namphuyo Aisha McCray - Brian Monroney, Guitar - Robert Rodriguez, Drums - Angelo Morris, Piano - Jorge Casas, Bass, Producer - Emilio Estefan, Jr., Producer - Clay Ostwald, Producer
(P) 1991 Epic Records, a division of Sony Music Entertainment
Gloria Estefan, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Emilio Estefan, Jr., Producer - Jorge Casas, Bass, Producer - Betty Wright - Clay Ostwald, Producer - Anita Faye Green - Rod Wilson - Jeanette Wright-Black - Mike Scaglione, Saxophone - Randy Barlow, Trumpet - Teddy Mulet, Trombone
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Main Artist, Associated Performer - Emilio Estefan, Jr., Producer - Jorge Casas, Arranger, Bass, Composer, Lyricist, Producer, Programmer - Jon Secada, Arranger, Composer, Lyricist - Clay Ostwald, Arranger, Composer, Lyricist, Piano, Producer, Programmer - Betty Wright - Eric Schilling, Engineer - Brian Monroney, Guitar - Emilio Estefan, Jr., Congas - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - Dye Charles, Assistant Engineer - Keith Cohen, Mixing Engineer - Mike Scaglione, Alto Saxophone - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Emilio Estefan, Jr., Producer - Jorge Casas, Bass, Producer - John DeFaria, Guitar - Clay Ostwald, Piano, Producer - Rafael Padilla, Percussion
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Jorge Casas, Arranger, Bass, Producer, Programmer - Clay Ostwald, Arranger, Producer, Programmer - Betty Wright - Jeanette Wright-Black - Anita Faye Green - Carl Ramsey - Rod Wilson - John DeFaria, Guitar - Rafael Padilla, Percussion - Emilio Estefan, Jr., Producer - Eric Schilling, Engineer - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - Dye Charles, Assistant Engineer - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Main Artist, Associated Performer - Emilio Estefan, Jr., Producer - Betty Wright - Diane Warren, Composer, Lyricist - Jorge Casas, Bass, Producer, Programmer - Jeannette Wright-Black - Clay Ostwald, Associated Performer, Keyboards, Producer, Programmer - Guy Roche, Arranger - Anita Faye-Green - Eric Schilling, Engineer - Carl Ramsey - Rod Wilson - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - John DeFaria, Guitar - Dye Charles, Assistant Engineer - Rafael Padilla, Shaker - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Emilio Estefan, Jr., Producer - Jorge Casas, Bass, Producer - Betty Wright - Jon Secada, Composer, Lyricist - Clay Ostwald, Producer - Eric Schilling, Engineer - John DeFaria, Guitar - Brian Monroney, Guitar - Randy Barlow, Arranger, Programmer - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - Dye Charles, Assistant Engineer - Mike Scaglione, Alto Saxophone - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Arranger, Associated Performer, Composer, Lyricist, Main Artist, Arranger, Associated Performer, Composer, Lyricist - Emilio Estefan, Jr., Producer - Jorge Casas, Arranger, Producer, Programmer - Brian Monroney, Guitar - Clay Ostwald, Arranger, Keyboards, Producer, Programmer - Rafael Padilla, Percussion - Eric Schilling, Engineer - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - Dye Charles, Assistant Engineer - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Main Artist, Associated Performer - Emilio Estefan, Jr., Producer - Jon Secada, Arranger, Composer, Lyricist, Programmer - Jorge Casas, Arranger, Bass, Producer, Programmer - Juan Márquez - Randall Barlow, Composer, Lyricist - Clay Ostwald, Arranger, Producer, Programmer - Rafael Padilla, Percussion - Eric Schilling, Engineer - Randy Barlow, Arranger, Programmer, Trumpet - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - Mike Scaglione, Alto Saxophone - Dye Charles, Assistant Engineer - Arturo Sandoval, Trumpet - Teddy Mulet, Trombone, Trumpet - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Main Artist, Associated Performer - Emilio Estefan, Jr., Producer - Jorge Casas, Arranger, Bass, Composer, Lyricist, Producer, Programmer - Brian Monroney, Associated Performer, Guitar - Clay Ostwald, Arranger, Composer, Keyboards, Lyricist, Producer, Programmer - Jon Secada, Composer, Lyricist - Eric Schilling, Engineer - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - Dye Charles, Assistant Engineer - Mike Couzzi, Mixing Engineer - Bob Ludwig, Mastering Engineer
(P) 1991 Epic Records, a division of Sony Music Entertainment Inc.
Gloria Estefan, Arranger, Associated Performer, Composer, Lyricist, Main Artist, Arranger, Associated Performer, Composer, Lyricist - Emilio Estefan, Jr., Producer - Jorge Casas, Acoustic Guitar, Arranger, Fretless Bass, Producer, Programmer - Emilio Estefan, Jr., Arranger, Composer, Lyricist - Clay Ostwald, Arranger, Producer, Programmer - Diane Warren, Composer, Lyricist - Eric Schilling, Engineer - Patrice Levinsohn, Engineer - Doug Grover, Assistant Engineer - Dye Charles, Assistant Engineer - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Main Artist, Associated Performer - Emilio Estefan, Jr., Producer - Thomas McWilliams, Composer, Lyricist - Jorge Casas, Arranger, Bass, Producer, Programmer - John Secada - Jon Secada, Composer, Lyricist - Clay Ostwald, Arranger, Producer, Programmer - John DeFaria, Guitar - Scott Shapiro, Composer, Lyricist - Eric Schilling, Engineer - Rafael Padilla, Percussion - Patrice Levinsohn, Engineer - Pablo Flores, Engineer - Doug Grover, Assistant Engineer - Mike Scaglione, Alto Saxophone - Dye Charles, Assistant Engineer - Arturo Sandoval, Trumpet - Randy Barlow, Trumpet - Teddy Mulet, Trombone - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Gloria Estefan, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Emilio Estefan, Jr., Producer - Betty Wright - Jorge Casas, Arranger, Bass, Producer, Programmer - Jeannette Wright-Black - Emilio Estefan, Jr., Composer, Lyricist - Clay Ostwald, Arranger, Producer, Programmer - Jon Secada, Composer, Lyricist - Eric Schilling, Engineer - Carl Ramsey - Anita Faye Green - Patrice Levinsohn, Engineer - Phil Ramore, Engineer - Rod Wilson - Phil Ramone, Engineer - Clovette Hilton - Doug Grover, Assistant Engineer - Namphuyo Aisha McCray - Dye Charles, Assistant Engineer - Brian Monroney, Guitar - Robert Rodriguez, Drums - Angelo Morris, Piano - Bob Ludwig, Mastering Engineer
(P) 1991 SONY BMG MUSIC ENTERTAINMENT
Albumbeschreibung
In early 1990, when she was one of the biggest pop stars in the world, Gloria Estefan suffered a broken vertebrae when her tour bus was struck in an accident, and her miraculous recovery from that near tragedy greatly informed her successive album, Into the Light. Though often noted as a "comeback" album, that descriptor is misleading. Yes, Into the Light is a comeback -- a comeback from her accident, that is. It's not a comeback in the sense that her previous album, Cuts Both Ways, had been a failure or even a disappointment. No, Estefan hadn't fallen off, so to speak, with that album. Quite the opposite. It was a monster hit, breaking into the Top Ten and scoring a couple of high-charting ballads: "Don't Wanna Lose You" and "Here We Are." It also marked a drastic shift away from the unabashed dance-pop of her Miami Sound Machine output toward a more respectable adult contemporary appeal. This shift affected not only her image but also her audience as a result, and that shift is even more apparent on Into the Light. In fact, the shift seems complete, as this is full-fledged adult contemporary album with serious themes and toned-down production. It sounds pleasant while playing, for sure, smoothly gliding from one song to the next, highlighted by a pair of memorable singles: the hit ballad "Coming Out of the Dark" and the cooing singalong "Live for Loving You." But there's not much else here that's all that exciting. In fact, Into the Light is so streamlined and safe that it seems plain and even bland, if not outright boring. Sure, Estefan's work with Miami Sound Machine had been silly and adolescent at times, but it was fun and lively, too. For every cheeseball song like "Surrender" or "Love Toy," you would get a pop gem like "1-2-3" or "Betcha Say That," not to mention the token slow-dance ballads and get-on-your-feet jams. But to lament the end of Miami Sound Machine is beside the point, for Estefan would move on after Into the Light to make occasionally exciting albums like Mi Tierra. The thing is, from this point forward in her career, Estefan's best work would almost always be Latin in nature. Yet for those listeners not interested in the sticky-sweet dance-pop of Miami Sound Machine or the Latin confetti of her latter-day highlights, there are albums like Cuts Both Ways and Into the Light, albums that aim for widespread adult contemporary appeal. And as far as those such albums go, they don't get much more inspired than this "comeback" album, which admittedly was wonderfully triumphant upon its 1991 holiday season release, when it soared to number five on the Billboard 200 chart, driven largely by its chart-topping lead single, "Coming Out of the Dark."
© Jason Birchmeier /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:54:51
- Künstler: Gloria Estefan
- Komponist: Various Composers
- Label: Epic
- Genre: Pop/Rock Pop
(P) 1991 Sony Music Entertainment Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.