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Bananarama|Deep Sea Skiving  (Collector's Edition)

Deep Sea Skiving (Collector's Edition)

Bananarama

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Bananarama's first album is by far their best. Before they fell in with the lucrative but often boring Stock, Aitken & Waterman assembly line starting with 1986's True Confessions, Siobhan Fahey, Sarah Dallin, and Keren Woodward were unashamedly poppy, but they had enough artistic credibility to create a debut album that, barring a couple of small missteps, actually works as an album instead of a collection of singles with some filler. (They were even hip enough for their first single to be produced by ex-Sex Pistol Paul Cook.) Of course, the singles are terrific. There are four British chart hits in these 11 songs, and every one of them still sounds terrific, where later hits like "I Can't Help It" are terribly dated. The slinky "Shy Boy" and a rattling cover of the Marvelettes' "He Was Really Sayin' Somethin'" (co-starring the trio's early mentors Fun Boy Three) are classic girl group songs updated for the '80s, every bit as credible as any mid-level Spector or Motown singles. That Cook-produced debut single, "Aie a Mwana" (oddly left off the album's first U.S. edition), now sounds mostly like a curio of the brief tropical craze that hit the U.K. in 1981/1982, but "Cheers Then" is a heartbreaker, an absolutely lovely lost-love song that's possibly the best thing Bananarama ever did and certainly one of the top singles to come out of Great Britain in 1982. Surprisingly, though, Deep Sea Skiving has some album tracks that are the equal of the singles. A funky version of Paul Weller's "Doctor Love" (originally written for Weller's then-girlfriend Tracie Young, whose version came out in 1984) is a killer, as is the countrified "Young at Heart," written by the trio and Fahey's then-boyfriend, Robert Hodgens of the Bluebells (who did their own version on 1984's Sisters). Three more Dallin/Fahey/Woodward compositions present a well-rounded portrait of young girls on their own in the big city, with the bouncy, glammy "Hey Young London" like a night out on the town and the resentful "What a Shambles," a morning-after snit about an out-of-touch star from the point of view of three struggling working-class girls. It's the closing "Wish You Were Here," though, that caps the album's widely varied moods with a romantic wistfulness that's like the emotional flip side of "Cheers Then." Deep Sea Skiving is not perfect. "Boy Trouble" is awfully slight, and a cover of Steam's "Na Na Hey Hey Kiss Him Goodbye" is okay, but basically pointless. Still, it's Bananarama's finest album by far, and an underappreciated pop gem of its era.

© Stewart Mason /TiVo

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Deep Sea Skiving (Collector's Edition)

Bananarama

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1
Shy Boy
00:03:13

Steve Jolley, Composer - Tony Swain, Composer - Bananarama, MainArtist - Tony Swain & Steve Jolley. Courtesy of Red Bus Records (Int) Ltd, Production

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

2
Doctor Love
00:03:41

Bananarama, Composer, MainArtist - Paul Weller, Writer - Barry Blue for Blueytunes Ltd, Producer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

3
What a Shambles
00:03:33

Sharpe, Writer - Woodward, Writer - Bananarama, Composer, MainArtist - Dallin, Writer - Fahey, Writer - Barry Blue for Blueytunes Ltd, Producer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

4
Really Sayin' Something (with Fun Boy Three)
00:02:42

William Stevenson, Composer - Bananarama, Vocals, MainArtist - Eddie Holland, Composer - Norman Whitfield, Composer - Dave Jordan, Producer - Fun Boy Three, FeaturedArtist, With Vocals

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

5
Cheers Then
00:03:30

Sharpe, Writer - Woodward, Writer - Bananarama, Composer, MainArtist - Dallin, Writer - Fahey, Writer - Martin, Writer - Barry Blue for Blueytunes Ltd, Producer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

6
Aie a Mwana
00:03:34

Bananarama, Composer, MainArtist - KLUGER, Composer, Writer - Produced by Little Paul Cook, Big John Martin & Sarah, Producer - Remixed by John Luongo, Remixer - VANGUARD, Composer, Writer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

7
Young at Heart
00:03:10

Woodward, Writer - Bananarama, Composer, MainArtist - Dallin, Writer - Fahey, Writer - Hodgens, Writer - Produced by Barry Blue for Blueytunes Ltd, Producer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

8
Na Na Hey Hey (Kiss Him Goodbye)
00:03:28

Bananarama, Composer, MainArtist - Dale Frashuer, Writer - Gary De Carlo, Writer - Paul Leka, Writer - Leka, Composer - Frasheur, Composer - Tony Swain & Steve Jolley, Production - De Carlo, Composer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

9
Hey Young London
00:03:55

Woodward, Writer - Bananarama, Composer, MainArtist - Dallin, Writer - Fahey, Writer - Blue, Writer - Shaw, Writer - Barry Blue for Blueytunes Ltd, Producer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

10
Boy Trouble
00:03:11

Steve Jolley, Producer, Arranger - Tony Swain, Producer, Arranger - Woodward, Writer - Bananarama, Composer, MainArtist - Dallin, Writer - Fahey, Writer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

11
Wish You Were Here
00:03:48

Woodward, Writer - Bananarama, Composer, MainArtist - Dallin, Writer - Fahey, Writer - Barry Blue for Blueytunes Ltd, Producer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

12
He's Got Tact
00:02:57

Bananarama, Composer, MainArtist - K Woodward, Writer - S Dallin, Writer - S Fahey, Writer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

13
Girl About Town
00:03:13

Bananarama, Composer, MainArtist - K Woodward, Writer - S Dallin, Writer - S Fahey, Writer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

14
Tell Tale Signs
00:03:14

Bananarama, Composer, MainArtist - K Woodward, Writer - S Dallin, Writer - S Fahey, Writer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

15
No Feelings
00:02:33

S. Jones, Writer - Bananarama, Composer, MainArtist - G. Matlock, Writer - J. Rotten, Writer - P. Cook, Writer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

16
Aie A Mwana (Extended Version)
00:05:45

Bananarama, Composer, MainArtist - KLUGER, Composer, Writer - Produced by Little Paul Cook, Big John Martin & Sarah, Producer - Remixed by John Luongo, Remixer - VANGUARD, Composer, Writer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

17
Really Saying Something (with Fun Boy Three) (Extended Mix)
00:05:39

William Stevenson, Composer - Bananarama, MainArtist - Eddie Holland, Composer - Norman Whitfield, Composer - Dave Jordan, Producer - Fun Boy Three, FeaturedArtist, With Vocals

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

18
Shy Boy (Extended Version)
00:05:50

Steve Jolley, Composer - Tony Swain, Composer - Bananarama, MainArtist - Tony Swain & Steve Jolley. Courtesy of Red Bus Records (Int) Ltd, Production

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

19
Cheers Then (Extended version)
00:05:18

Sharpe, Writer - Woodward, Writer - Bananarama, Composer, MainArtist - Dallin, Writer - Fahey, Writer - Martin, Writer - Barry Blue for Blueytunes Ltd, Producer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

20
Na Na Hey Hey (Kiss Him Goodbye) (Extended Version)
00:04:51

Bananarama, Composer, MainArtist - Dale Frashuer, Writer - Gary De Carlo, Writer - Paul Leka, Writer - Leka, Composer - Frasheur, Composer - Tony Swain & Steve Jolley, Production - De Carlo, Composer

© 1983 London Records Ltd ℗ 1983 London Music Stream Ltd. LC77554

Albumbeschreibung

Bananarama's first album is by far their best. Before they fell in with the lucrative but often boring Stock, Aitken & Waterman assembly line starting with 1986's True Confessions, Siobhan Fahey, Sarah Dallin, and Keren Woodward were unashamedly poppy, but they had enough artistic credibility to create a debut album that, barring a couple of small missteps, actually works as an album instead of a collection of singles with some filler. (They were even hip enough for their first single to be produced by ex-Sex Pistol Paul Cook.) Of course, the singles are terrific. There are four British chart hits in these 11 songs, and every one of them still sounds terrific, where later hits like "I Can't Help It" are terribly dated. The slinky "Shy Boy" and a rattling cover of the Marvelettes' "He Was Really Sayin' Somethin'" (co-starring the trio's early mentors Fun Boy Three) are classic girl group songs updated for the '80s, every bit as credible as any mid-level Spector or Motown singles. That Cook-produced debut single, "Aie a Mwana" (oddly left off the album's first U.S. edition), now sounds mostly like a curio of the brief tropical craze that hit the U.K. in 1981/1982, but "Cheers Then" is a heartbreaker, an absolutely lovely lost-love song that's possibly the best thing Bananarama ever did and certainly one of the top singles to come out of Great Britain in 1982. Surprisingly, though, Deep Sea Skiving has some album tracks that are the equal of the singles. A funky version of Paul Weller's "Doctor Love" (originally written for Weller's then-girlfriend Tracie Young, whose version came out in 1984) is a killer, as is the countrified "Young at Heart," written by the trio and Fahey's then-boyfriend, Robert Hodgens of the Bluebells (who did their own version on 1984's Sisters). Three more Dallin/Fahey/Woodward compositions present a well-rounded portrait of young girls on their own in the big city, with the bouncy, glammy "Hey Young London" like a night out on the town and the resentful "What a Shambles," a morning-after snit about an out-of-touch star from the point of view of three struggling working-class girls. It's the closing "Wish You Were Here," though, that caps the album's widely varied moods with a romantic wistfulness that's like the emotional flip side of "Cheers Then." Deep Sea Skiving is not perfect. "Boy Trouble" is awfully slight, and a cover of Steam's "Na Na Hey Hey Kiss Him Goodbye" is okay, but basically pointless. Still, it's Bananarama's finest album by far, and an underappreciated pop gem of its era.

© Stewart Mason /TiVo

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