Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Interpretations of Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral," range from the heavily Romantic to the spryly Classical, and this uncomfortable duality stems from the work's position on the fault line between those two musical eras. On the one hand, the dominance of German conductors, which lasted well into the 20th century, produced a late Romantic school of thought that favored a profoundly reverent treatment of the work, supported by the quasi-religious expressions in Johann Friedrich von Schiller's An die Freude, which is the text of the ecstatic Finale. On the other, the rise of historically informed practice in the later decades of the 20th century tended to de-emphasize the Romantic mysticism of Schiller's poem and the same impulse in Beethoven's music, stripped away accretions of accepted practice and dogma, and played up the Classicism that still underlies the first three movements (however beyond Classical the Ode to Joy is, by any standard). As a result, modern performances find themselves somewhere on a spectrum between these ways of thinking, and Simon Rattle's live performance with the Vienna Philharmonic Orchestra finds itself situated closer to the Romantic pole than to the Classical. One could hardly expect the performance to be otherwise, for the VPO has had a long-standing tradition in playing this hallowed work, and whatever changes a conductor may try to introduce to performances necessarily will be small. Furthermore, Rattle is not known as a follower of any early music movement, but that doesn't mean he is unaware of developments in their practices. Indeed, while observing the traditions that have grown up with the Ninth, he takes pains to emphasize details in the orchestration and to give it greater clarity, which are aims of authentic performance practice at base. Even though he doesn't come near the dramatic changes wrought by the likes of John Eliot Gardiner or Roger Norrington, Rattle still prizes transparency, and therefore avoids the thick textures and homogenized ensemble sound that sometimes afflicted old-style Beethoven performances. Connoisseurs of period practice who want their Beethoven revamped and streamlined will not care for Rattle's conservative interpretation, but any mainstream audience will enjoy this recording and appreciate the power and accuracy of the playing.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Ludwig van Beethoven, Composer - Stephen Johns, Producer - Sir Simon Rattle, Conductor, MainArtist - Wiener Philharmoniker, Orchestra, MainArtist - Mike Clements, Engineer - Graham Kirkby, Engineer - Andy Beer, Engineer
A Warner Classics release, © 2003 Parlophone Records Limited A Warner Classics release, ℗ 2002 Parlophone Records Limited
Ludwig van Beethoven, Composer - Stephen Johns, Producer - Sir Simon Rattle, Conductor, MainArtist - Wiener Philharmoniker, Orchestra, MainArtist - Mike Clements, Engineer - Graham Kirkby, Engineer - Andy Beer, Engineer
A Warner Classics release, © 2003 Parlophone Records Limited A Warner Classics release, ℗ 2002 Parlophone Records Limited
Ludwig van Beethoven, Composer - Stephen Johns, Producer - Sir Simon Rattle, Conductor, MainArtist - Wiener Philharmoniker, Orchestra, MainArtist - Mike Clements, Engineer - Graham Kirkby, Engineer - Andy Beer, Engineer
A Warner Classics release, © 2003 Parlophone Records Limited A Warner Classics release, ℗ 2002 Parlophone Records Limited
Ludwig van Beethoven, Composer - Sir Simon Rattle, Conductor, MainArtist - Wiener Philharmoniker, Orchestra, MainArtist - Mike Clements, Engineer - Graham Kirkby, Engineer - Andy Beer, Engineer
A Warner Classics release, © 2003 Parlophone Records Limited A Warner Classics release, ℗ 2002 Parlophone Records Limited
Ludwig van Beethoven, Composer - Stephen Johns, Producer - Sir Simon Rattle, Conductor, MainArtist - Thomas Hampson, Baritone Vocals, FeaturedArtist - Wiener Philharmoniker, Orchestra, MainArtist - Kurt Streit, Tenor Vocals, FeaturedArtist - Barbara Bonney, Soprano Vocals, FeaturedArtist - Mike Clements, Engineer - City of Birmingham Symphony Chorus, Chorus, FeaturedArtist - Birgit Remmert, Mezzo-soprano Vocals, FeaturedArtist - Graham Kirkby, Engineer - Andy Beer, Engineer
A Warner Classics release, © 2003 Parlophone Records Limited A Warner Classics release, ℗ 2002 Parlophone Records Limited
Albumbeschreibung
Interpretations of Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral," range from the heavily Romantic to the spryly Classical, and this uncomfortable duality stems from the work's position on the fault line between those two musical eras. On the one hand, the dominance of German conductors, which lasted well into the 20th century, produced a late Romantic school of thought that favored a profoundly reverent treatment of the work, supported by the quasi-religious expressions in Johann Friedrich von Schiller's An die Freude, which is the text of the ecstatic Finale. On the other, the rise of historically informed practice in the later decades of the 20th century tended to de-emphasize the Romantic mysticism of Schiller's poem and the same impulse in Beethoven's music, stripped away accretions of accepted practice and dogma, and played up the Classicism that still underlies the first three movements (however beyond Classical the Ode to Joy is, by any standard). As a result, modern performances find themselves somewhere on a spectrum between these ways of thinking, and Simon Rattle's live performance with the Vienna Philharmonic Orchestra finds itself situated closer to the Romantic pole than to the Classical. One could hardly expect the performance to be otherwise, for the VPO has had a long-standing tradition in playing this hallowed work, and whatever changes a conductor may try to introduce to performances necessarily will be small. Furthermore, Rattle is not known as a follower of any early music movement, but that doesn't mean he is unaware of developments in their practices. Indeed, while observing the traditions that have grown up with the Ninth, he takes pains to emphasize details in the orchestration and to give it greater clarity, which are aims of authentic performance practice at base. Even though he doesn't come near the dramatic changes wrought by the likes of John Eliot Gardiner or Roger Norrington, Rattle still prizes transparency, and therefore avoids the thick textures and homogenized ensemble sound that sometimes afflicted old-style Beethoven performances. Connoisseurs of period practice who want their Beethoven revamped and streamlined will not care for Rattle's conservative interpretation, but any mainstream audience will enjoy this recording and appreciate the power and accuracy of the playing.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 5 Track(s)
- Gesamte Laufzeit: 01:09:55
- Künstler: Wiener Philharmonic Orchestra Sir Simon Rattle
- Komponist: Ludwig van Beethoven
- Label: Warner Classics
- Genre: Klassik
A Warner Classics release, © 2003 Parlophone Records Limited A Warner Classics release, ℗ 2003 Parlophone Records Limited
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.